Sentences with phrase «cultural story of its time»

This gradually thawing conflict seemed to frame any cultural story of its time.

Not exact matches

Without even recounting the crucifixion, Bell presented such vivid images of the patterns of sacrifice in the ancient Near East (the cultural setting for the sacrifice of Isaac) that by the time we got to the story of Jesus, our hearts and minds were connecting the dots.

This is what the CES website has to say: «Our Faith Story: its telling and its sharing which was written in 1985 explored how this «story» would be passed to the next generation at a time of significant cultural chStory: its telling and its sharing which was written in 1985 explored how this «story» would be passed to the next generation at a time of significant cultural chstory» would be passed to the next generation at a time of significant cultural change.

This isn't Tom Wright writing the definitive history of Israel, but a New York Times chart - topper with 50 times Wright's global influence, choosing to put an ancient biblical story at the heart of the cultural zeitgTimes chart - topper with 50 times Wright's global influence, choosing to put an ancient biblical story at the heart of the cultural zeitgtimes Wright's global influence, choosing to put an ancient biblical story at the heart of the cultural zeitgeist.

People refuse to hear what the Spirit of God is saying in 2013 and cling to the letters, testimonies, accounts and stories from 2000 - 3500 years ago which are things that were cultural significant to those times, and instead reject the Spirit of the Word of God for today.

Driven largely by instinct and a cult of personality, the company's one - time dream team of «merchant prince» Mickey Drexler and «geek chic» creative director Jenna Lyons transformed the sleepy American catalogue business into a retail success story and cultural phenomenon, widely loved for its tongue - in - cheek take on classic, preppy tropes and famously embraced by former US first lady Michelle Obama.

While the film touches upon its various political and cultural issues (In addition to the give - and - take relationships between reporters and politicians, there's a lot about the overt and subtle sexism that Kat receives as the first and, at the time, only woman serving a newspaper publisher), the film plays mostly and best as a race - against - the - clock thriller of sorts, in which the obstacles are as imposing as the might of the U.S. government and as low - key as deadlines or being beaten to a story by a rival paper.

The smooth telling of Russo's story juxtaposed against the present day, when gay marriage is sanctioned in some states and gay characters are all over prime - time television, drives home how different the cultural landscape is from the one Russo knew.

Trans culture has had a more difficult time finding a footing in Hollywood, and despite outstanding offerings like Boys Don't Cry and Transamerica, both of them Oscar darlings, stories of transgender persons have had less cultural impact than a strictly L - G counterpart, like Brokeback Mountain.

Whenever Disney have branched out and attempted to tell stories of other cultural origin, the results have either been massively offensive (Pecos Bill in Melody Time) or have handled the subject matter with kid gloves for fear of offending their massive global audience.

#MeToo was the story of the year and as exhilarating as it was to watch a cultural shift unfold in real time, you had to wonder if the films themselves would survive.

Linklater uses era - defining music as a sort of bookmark for time, shaping his stories around cultural happenings as defined by what was playing on the radio.

The gap left in the broader cultural imagination by this missing footage has, since the time of her death, been one filmmakers have returned to on numerous occasions in an attempt to fill the space she left behind with new visual data, new stories, new ways of comprehending what happened and what its broader cultural meaning could be.

Hooper and star Eddie Redmayne are recent winners, it's based on a true story, and the drama is coming at a time when transgender rights are at the forefront of our cultural discourse.

Berman and Pulcini also attempt to find some kind of cultural relevance to the story by weaving in real - life events from NYC's upheaval at the time, but they mostly come off as distractions since the film doesn't really dive deep into any of these issues.

Focusing on a hundred characters, and several main ones, the whole story is carried out over two time - lines: from the 1960s to the mid-1970s, the end of the Cultural Revolution; and from the 1980s to the start of the 21st century.

To ensure Marina's story was crafted authentically, Lelio began searching for a «cultural consultant» to bring him up to speed on the experiences of trans people in Santiago, Chile, as he had been living in Berlin for some time.

Oprah Winfrey as Gloria: Quickly canceling any inclination that this would be some of grandiose big screen comeback for the cultural icon, Winfrey plays a part that does little for the story, despite the amount of time spent on it.

St Valentine story to sequence, four black and white pictures to place in order, relate to cultural and religious festivals and days of celebration, traditions and customs, patron saints, legends and myths, Christianity in Roman times.

Based on thousands of primary documents and 180 on - the - record interviews, the story unfolds day by day, hour by hour, and at times minute by minute, with a rich cast of characters — military officers, American and Viet Cong soldiers, chancellors, professors, students, police officers, businessmen, mime troupers, a president and his men, a future mayor and future vice president — moving toward battles that forever shaped their lives and evoked cultural and political conflicts that reverberate still.

This collection of 24 stories includes ones by Richard Peck, Natalie Babbitt, Lloyd Alexander, and Katherine Paterson and deals with cultural diversity, animals as heroes, time machines, and superheroes.

Conroy uses his many gifts as a storyteller and cultural observer to make South of Broad at once a complete portrait of a specific time and place, and also a classic, timeless coming - of - age story.

This inspiring memoir following the Author from age twelve to twenty - two, illuminating a complex, dark time in China's history as it tells the compelling story of one girl's difficult but determined coming - of - age during the Cultural Revolution.

I have repeated this true story dozens of times, not only to friends and teachers but also to groups at churches, college fairs, and cultural events throughout New York City.

Featuring an incredible senstation of scale, a solid, thought - provoking story on nature and genetics, a raoring score from Sir John Willaims, and some of the most cutting edge visual effects of all time, the movie was a cultural phenomenon that got the entire world talking about dinosaurs again.

That's the makings of a unbelievable fantasy story, particularly contemplating the affect and cultural significance of the 1962 Madeleine L'Engle novel on which A Wrinkle in Time is predicated.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

Proof: The Rise of Printmaking in Southern California, is partof Pacific Standard Time, an unprecedented collaboration of more than fifty cultural institutions across Southern California, which are coming together to tell the story of the birth of the LA art scene.

At a time when so many non-artists use photos of themselves to weave stories — true and fictional — about their lives, self - portraiture has taken on some weighty socio - cultural significance.

Pacific Standard Time is an unprecedented collaboration of more than sixty cultural institutions across Southern California, coming together to tell the story of the birth of the L.A. art scene.

is presented as part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California, coming together for six months beginning in October 2011 to tell the story of the birth of the Los Angeles art scene and how it became a new force in the art world.

This idea of the development of a generational craft work that spans time explores hand - me - down skills, stories and community, and by extension, cultural specificity and intercultural nature of British society.

• Short Story Design: it's a cuppie + Hester Street Fair, May 25, 2012 • NY Daily News: Free & Cheap in New York: Sat, May 26, 2012 • Gothamist: Obsessed With Food Because It's Artsy, Good For Instagram, Etc, May 27, 2012 • New York Street Food: Empanadas from La Sonrisa at Madison Square Eats, May 30, 2012 • Urban Edge: Hester Street Fair 2012, More Fun Than Ever, May 30, 2012 • Cultural Boundaries: Spare Beats: Happenings Near You, May 30, 2012 • LiftLuxe: Hester St Fair Heads Uptown, May 30, 2012 • We Heart It: Bari III AT The Flea: Hester Street Fair & Green Flea • The Lo - Down: LES Bites: Hester Street Fair, Walk - Up Window, June 15, 2012 • Refinery 29: BarIII At The Flea: Dani Comes Home To Hester Street, June 15, 2012 • Markets Of NYC: Weekend Market Pick, June 23 - 24, June 23, 2012 • Zagat: New York Dining Deals And Events, July 2 - 8, July 2, 2012 • Refinery 29: 5 Things To Know This AM, July 27, 2012 • Eater NY: Food Truck Festival, Pig Roast, And More, August 4, 2012 • Time Out NY: The best flea markets and end - of - summer shopping in New York, August 7, 2012 • Markets of New York: August 4 & 5 + First Prize Pies, August 4, 2012 • Gothamist: What To Do This Weekend: Olympian Feasting, And More, August 10, 2012 • The Emerging Designer: 6 Tips On Your Brand From the Hester Street Fair, August 13, 2012 • The Huffington Post: Hester Street Fair Helps Launch Emerging Businesses, August 13, 2012 • The Lo - Down: Summer Shopping (and Eating) at Hester Street Fair, August 16, 2012 • TISL Style: Hester Street Fair, Lower East Side, New York, August 30, 2012 • The Lo - Down: Hester Street Fair Adds Sunday Fashion Week Feast, September 7, 20120 • NY Press: Top Ten Things to Do Before the Warm Weather Cools, September 6, 2012 • CitySeek: Hester Street Fair at Chinatown, September 12, 2012 • HLNtv.com: Invitation to go big: Women entrepreneurs can have it all, September 24, 2012 • Bowery Boogie: Macaron Parlour Store Opens Tomorrow On St. Mark's Place, October 20, 2012 • The Lo - Down: Hester Street Fair Closes Out Season With Halloween Party, October 26, 20Of NYC: Weekend Market Pick, June 23 - 24, June 23, 2012 • Zagat: New York Dining Deals And Events, July 2 - 8, July 2, 2012 • Refinery 29: 5 Things To Know This AM, July 27, 2012 • Eater NY: Food Truck Festival, Pig Roast, And More, August 4, 2012 • Time Out NY: The best flea markets and end - of - summer shopping in New York, August 7, 2012 • Markets of New York: August 4 & 5 + First Prize Pies, August 4, 2012 • Gothamist: What To Do This Weekend: Olympian Feasting, And More, August 10, 2012 • The Emerging Designer: 6 Tips On Your Brand From the Hester Street Fair, August 13, 2012 • The Huffington Post: Hester Street Fair Helps Launch Emerging Businesses, August 13, 2012 • The Lo - Down: Summer Shopping (and Eating) at Hester Street Fair, August 16, 2012 • TISL Style: Hester Street Fair, Lower East Side, New York, August 30, 2012 • The Lo - Down: Hester Street Fair Adds Sunday Fashion Week Feast, September 7, 20120 • NY Press: Top Ten Things to Do Before the Warm Weather Cools, September 6, 2012 • CitySeek: Hester Street Fair at Chinatown, September 12, 2012 • HLNtv.com: Invitation to go big: Women entrepreneurs can have it all, September 24, 2012 • Bowery Boogie: Macaron Parlour Store Opens Tomorrow On St. Mark's Place, October 20, 2012 • The Lo - Down: Hester Street Fair Closes Out Season With Halloween Party, October 26, 20of - summer shopping in New York, August 7, 2012 • Markets of New York: August 4 & 5 + First Prize Pies, August 4, 2012 • Gothamist: What To Do This Weekend: Olympian Feasting, And More, August 10, 2012 • The Emerging Designer: 6 Tips On Your Brand From the Hester Street Fair, August 13, 2012 • The Huffington Post: Hester Street Fair Helps Launch Emerging Businesses, August 13, 2012 • The Lo - Down: Summer Shopping (and Eating) at Hester Street Fair, August 16, 2012 • TISL Style: Hester Street Fair, Lower East Side, New York, August 30, 2012 • The Lo - Down: Hester Street Fair Adds Sunday Fashion Week Feast, September 7, 20120 • NY Press: Top Ten Things to Do Before the Warm Weather Cools, September 6, 2012 • CitySeek: Hester Street Fair at Chinatown, September 12, 2012 • HLNtv.com: Invitation to go big: Women entrepreneurs can have it all, September 24, 2012 • Bowery Boogie: Macaron Parlour Store Opens Tomorrow On St. Mark's Place, October 20, 2012 • The Lo - Down: Hester Street Fair Closes Out Season With Halloween Party, October 26, 20of New York: August 4 & 5 + First Prize Pies, August 4, 2012 • Gothamist: What To Do This Weekend: Olympian Feasting, And More, August 10, 2012 • The Emerging Designer: 6 Tips On Your Brand From the Hester Street Fair, August 13, 2012 • The Huffington Post: Hester Street Fair Helps Launch Emerging Businesses, August 13, 2012 • The Lo - Down: Summer Shopping (and Eating) at Hester Street Fair, August 16, 2012 • TISL Style: Hester Street Fair, Lower East Side, New York, August 30, 2012 • The Lo - Down: Hester Street Fair Adds Sunday Fashion Week Feast, September 7, 20120 • NY Press: Top Ten Things to Do Before the Warm Weather Cools, September 6, 2012 • CitySeek: Hester Street Fair at Chinatown, September 12, 2012 • HLNtv.com: Invitation to go big: Women entrepreneurs can have it all, September 24, 2012 • Bowery Boogie: Macaron Parlour Store Opens Tomorrow On St. Mark's Place, October 20, 2012 • The Lo - Down: Hester Street Fair Closes Out Season With Halloween Party, October 26, 2012

Or perhaps it is simply the fear of not being able to find a story that can come close to reaching the emotional and cultural significance that the time period elicits.

As an influential filmmaker active in the Trump - era (Steven Spielberg, for example, made The Post in record time just to make a point about a Republican President at war with the press), how do the socio - political realities, the rise of the Far Right, the systematic dissemination of fake news, the cultural reckoning in America etc. affect the stories he chooses to tell?

Examples of healing processes might include women - specific and men - specific groups; story - telling circles; cultural activities; (150) understanding the impacts of issues such as racism, colonisation and identity on Indigenous well - being; the use of mentors and / or elders to provide support to individuals; and retreats or residential - style components where participants spend a period of time going through the healing process, usually on a spiritually significant site, away from their families and communities.

«Going through this journey of the commission was a healing experience for me because many times, through tears and anger, I was hearing my own story being told in front of me, so I had to work on my own healing in a spiritual or cultural way so I could survive the commission myself.»

Learning about heroes includes sharing stories of how family members and people with the child's ethnic heritage have overcome hard times and encouraging children to develop their own strengths, resources and coping skills, building on strengths in their family and cultural heritage.

These stories demon strate how industry, agriculture and mining contributed to the growth of the Australian economy while at the same time, deprived Indigenous Australians of their economic resources and disrupted social, cultural and political structures.