It features essays by writer Taiye Selasi, Niger Delta historian Ebiegberi Joe Alagoa, environmental
cultural studies scholar Stephanie LeMenager, exhibition curator Amy L. Powell, an interview with the artist by Princeton art historian Chika Okeke - Agulu.
The exhibition is accompanied by a full color catalog with essays by writer Taiye Selasi, Niger Delta historian Ebiegberi Joe Alagoa, environmental
cultural studies scholar Stephanie LeMenager, exhibition curator Amy L. Powell, an interview with the artist by Princeton art historian Chika Okeke - Agulu.
Not exact matches
By the time I had graduated, the field had become «one that maintains its interest in literary texts but explores all forms of aesthetic speech and that views performance as an art and recognizes its communicative potential and function» There were three challenges to those of us graduating with doctoral degrees in this discipline: 1) to locate which performances within art and / or culture we would focus our attention on as
scholars and performers; 2) to interpret the core concepts generating from the
cultural turn in our discipline to other
studies of culture and human communication and 3) to develop «performance - centered» methods of research and instruction in whatever parts of the university we found ourselves.
(a) Philosophical preoccupation with the various types of
cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal
studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older
scholars — stand out.
While family
scholars acknowledge that
studies in Sweden and Britain have found more instability among same - sex couples, they would contend that research, such as a new
study from Bowling Green State University, also suggests that gay and lesbian couples can enjoy more stable relationships when communities extend legal and
cultural support to them.
One important tool that many good
scholars use to help them understand how the words were used and understood by the original author and to the original audience is historical -
cultural background
studies.
Now communication
scholars have integrated insights from the fields of anthropology and
cultural studies and are conscious of the significance of myth, symbol, story telling and ritual in media / audience analysis.
Kenneth Bailey is one of the leading
scholars in the world on
cultural background
studies of, and his books on Jesus and the parables have been extremely helpful in my own research of Scripture.
Gustave E. von Grunebaum is an Islamic
scholar who seeks to observe Islam objectively, neither as a Westerner nor as an Islamic apologist; his Medieval Islam: A
Study in
Cultural Orientation is a perceptive, and at times provocative, analysis of the period of development following the initial expansion of Islam.
For example, Harvard theologian Ronald Thiemann, who
studied under Frei, objects that the
cultural - linguistic model makes talk about the «text» stand in place of Christian talk about God; Yale biblical
scholar Brevard Childs rejects Lindbeck's talk about the text creating its own world.
This requires the mastery and use of the disciplines of the biblical
scholar and the historian and the
study of psychological, social, and
cultural realities.
From Favero's perspective, this type of collaboration between conservators, art
scholars, and scientists has become an essential part of
studying art and
cultural heritage.
The
Cultural Cognition Project is a group of scholars interested in studying how cultural values shape public risk perceptions and related policy
Cultural Cognition Project is a group of
scholars interested in
studying how
cultural values shape public risk perceptions and related policy
cultural values shape public risk perceptions and related policy beliefs.
Business
studies also teach the
scholar about the effects of social, economic and
cultural changes in the business.
The Hartley collection is an important and invaluable part of the artistic and
cultural heritage of the state of Maine, and is an actively
studied research field for students and faculty of Bates, and also
scholars and artists around the world.
Author,
scholar, researcher, and teacher Macarena Gómez - Barris will become Chair of the Department of Social Science and
Cultural Studies within the School of Liberal Arts and Sciences at Pratt Institute at the start of the...
Fellow at the Institute of Arts and
Cultural Studies at Copenhagen University and previously visiting
scholar at Columbia University, GSAPP, in New York, and at Konstfack University of Arts, Crafts and Design in Stockholm.
Fellow at the Institute of Arts and
Cultural Studies at Copenhagen University and has been a visiting
scholar at Columbia University, GSAPP, New York, and at Konstfack University of Arts, Crafts and Design, Stockholm.
Titled Play, Concentrate, Remember: The Interwoven Histories of Latinos and Mainstream USA, the symposium presented a broad range of distinguished
scholars in the fields of art history, anthropology,
cultural studies, political science, and sociology engaging in an interdisciplinary dialogue about a number of the themes and issues raised in Memoria (Memory).
The resulting volume (to be released in fall 2017) offers a resource for students,
scholars, or any engaged reader, to consider dominant threads in aesthetic theory along side related works of art, including selections from structuralist and post-structuralist explorations of representation, to German media theory, the
study of
cultural techniques, and the still - burgeoning realm of new media theory, together offering a wide array of theoretical and methodological approaches to the world of images, and a sense of how those approaches have evolved over time.
Dr. Michael McMillan is a writer, dramatist, artist / curator and
scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in
Cultural & Historical
Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.
Dr. Michael McMillan is a writer, dramatist, artist / curator and
scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in
Cultural & Historical
Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.
Lawson has participated in residencies including Workspace Residency at Lower Manhattan
Cultural Council in New York; Light Work in Syracuse, New York; and Visual
Studies Workshop in Rochester, NY As a rape survivor,
scholar, and writer, Dr. Salamishah Tillet has spent her career championing the rights and voices of our most vulnerable citizens.
A
Cultural Anthropologist and STS scholar by training, she studies knowledge politics and other socio - cultural dynamics related to global environmental change, environmental sustainability and deve
Cultural Anthropologist and STS
scholar by training, she
studies knowledge politics and other socio -
cultural dynamics related to global environmental change, environmental sustainability and deve
cultural dynamics related to global environmental change, environmental sustainability and development.
Best Suitable For: Students or
scholars studying abroad or participating in
cultural exchange programs.
For group of students and
scholars studying abroad or participants of
cultural exchange programs