Sentences with phrase «cultural ties between»

In addition to highlighting the old cultural ties between Egypt and Nubia, it also adds further weight to the theory that visceral leishmaniasis first developed in the region now known as Sudan.

Governor Andrew Cuomo has announced the creation of a New York - Israel Commission to strengthen economic and cultural ties between the Empire State and Jewish state.

A relationship builder and bridge builder who can help establish strong business and cultural ties between Alberta and China, as well as expanding such worldwide.

Not exact matches

Creating secondment / exchange opportunities between Canadian and Japanese companies to develop cultural and business ties.

«Their faith gave them a strong sense of the cultural and religious ties between Europeans that transcend national boundaries.»

Because of the close economic, political and cultural ties, Romania could play a positive and proactive role in mediating between the EU and Romania.

An International Relations Expert and Minister in Charge of Public Private Partnership, Dr. Rashid Pelpuo says President Mahama's visit to Japan will not only strengthen the traditional relations between the two countries but it will also increase economic and socio - cultural ties.

ICPS believes that the twinning arrangements involving local authorities at the city or provincial level can lead to better understanding, improve cultural, economic and other ties between different parts of the world.

In the report, Al - Torafi is quoted, saying, «Choosing the Kingdom of Malaysia as the guest of honor comes with the distinctive ties between the two countries in various political, economic, cultural and tourism fields.»

Strong cultural, tourism, and educational ties between Indonesia and the United Kingdom are expected to strengthen the strategic bilateral partnership, in which one of them are through this joint campaign program.

«Twilight over Berlin also takes on especially deep meaning both in Israel and in Germany, 50 years following the establishment of diplomatic ties between our two countries, recognizing our shared cultural heritage in modern times and also the vitality of creative cultural interchange between Germany and Israel today.»

Building on this large exhibition, through the existing references to French art and culture in the Los Angeles art scene, it became pertinent to highlight the ties between France and the City of Angels, which has since become a true cultural capital of the world.

The 20 featured works of art are coming on loan from the Fundação Luso - Americana (Luso - American Development Foundation), a private foundation created in 1986 with the mission of strengthening cultural and economic ties between Portugal and the United States.

This program of the FACE Foundation aims to strenghten ties between France and the US in the field of contemporary art by fostering active collaboration and encouraging long - lasting partnerships between French visual artists, curators and collectives and American curators and cultural institutions.

Divining ties between younger and older artists would be the usual idle visual speculation if it didn't also suggest a larger point about cultural change.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

The conference, hosted by British Columbia Premier Christy Clark, was aimed at strengthening the socio - cultural and economic ties between China and Canada.