These buxom women anticipate an audience, exaggerating both voyeurism and exhibitionism, confronting
cultural tropes with bawdy humour.
Not exact matches
«Lemon» is a lot of things: a dark comedy about failure, a brilliant
cultural treatise on the dumb white male comedy
trope, and the warming story of Bravo and Gelman's off - screen relationship, as their marriage is reflected in a relationship that Isaac starts
with Cleo, a woman (Nia Long) he meets on a commercial shoot.
Each letter represents an important
cultural element, from geography to religion to customs to architecture, providing readers
with information that goes beyond some of the more recognizable
tropes.
They are filled
with tropes, pop -
cultural archetypes, and people love them.
In her photo - collage, painting, and sculptures, Surrealist visual
tropes collide
with minimalist forms and fetishized objects to explore what constitutes
cultural ideas of femininity and personhood and psychology.
Interested in transformative possibilities Dennis merges various movements throughout the western art historical canon
with modern
tropes in order to create clever, provocative and symbolic contemporary paintings that play on our psychological,
cultural and spiritual relationships.
If such perception - events are more about ideas and concepts — our own, or those we glean through interactions
with different communities or society at large — to what extent would notions such as popular visual
tropes, specific
cultural references, or language itself tend to be associated
with physical sensations?
The question of gender's intersection
with cultural constructions and racial anxieties are revealed in economic and industrial language, as well as props and costumes that take
tropes to their humorous extreme.
Previous exhibitions include One is the loneliest number (2011), featuring artist duos based in Philadelphia and elsewhere; Summer Studio
with Anthony Campuzano (2010), a month - long free art school and working artist's studio in the ICA galleries; Touch Sensitive: Anthony Campuzano (2009), the first museum show of an artist whose work is largely text - based; and Asking Not Telling (2009), a video show presenting works that use the
tropes of documentary filmmaking to capture, record, (re) record, and represent
cultural memory.
Working
with established
cultural tropes, the artist largely disconnects from art world contexts in order to alternate between black and queer vernaculars in his irreverent discussion of the AIDS epidemic and its origins.
But, sometimes, an artist can dust off this tiresome
trope to more effectively shed light on a critical issue
with their own life and
cultural heritage than
with cold, hard facts.
With a capacity for self - mediating at unprecented velocity, images, ideas and popular
cultural tropes are consumed and regurgitated in infinite mutations, while remaining static in a state of endless motion.