Sentences with phrase «cultural turning point»

The social and economic landscape of the early»90s was a cultural turning point both nationally and globally.
Noting the dearth of black superheroes, both in comic books and the art world, Bradford points to the success of movies like «Wonder Woman» and «Black Panther» as a cultural turning point.
This trend is something of a cultural turning point and is expected to continue well into 2018.

Not exact matches

The winter of 2005 — 06 was a turning point in America's cultural self - understanding.
In this fast - paced talk Doug will take your group on a remarkable examination of the cultural and social roots of shopping and the transformation smart retailers are making to turn their stores into beloved gathering points and hearts of their communities.
What was the turning point in this cultural and ecclesiological shift?
Its cultural impact can not be denied — years from now, a generation of black men and women will point to it as (hopefully) a turning point, a moment when Hollywood and comic book movies made something that was truly for them, for the first time (no disrespect, Blade).
The movies will in turn serve as «a jumping - off point» for «guest editors,» who will add content inspired by the film, anything from «essays, music, video and photography to cultural ephemera» that reflects themes expressed in the selected films.
Free wifi, business center, steam sauna, jacuzzi, swimming pool, fitness center, hot tub, daily breakfast, Arrival / departure point transfers (charged), Babysitting — free, Dry cleaning, Laundry / Ironing, Concierge / Travel booking and Confirmation, Lifeguards, Daily Housekeeping, Doctor / Nurse on call, Foreign Currency Exchange service, Postal / Courier Service, Shuttle Service Extra charge, Orientation Cultural, Pets not Allowed, Room Services 24 hours, Secretarial Services, Turn - down service, Visa service, Security Guard 24 hours, Car rental arranged or tour arrangement, Reception 24 hours, Engineering 24 hours, housekeeping 24 hours,
It likely won't get the cultural appreciation that Call of Duty 4 still enjoys, but Call of Duty: WWII is a real turning point for the series.
This group show, conceived by retired - artist - turned - curator Cattelan, his partner - in - crime Marta Papini, and Palais de Tokyo's Myriam Ben Salah, is a varied and bizarre constellation of objects, artworks, and stories that take Turin — with its history and peculiar cultural traditions — as a starting point.
Recent and forthcoming solo shows include BALTIC Centre for Contemporary art, Gateshead, UK; Galerie Hussenot, paris, FR; Mary Mary Gallery, Glasgow, UK; Oriel Mostyn Gallery, Llandudno, UK (All 2014); BolteLang, Zurich, CH; Offspaceprojekt, Bernkastel, DE (all 2015); South London Gallery, London, UK; Limoncello, London, UK; Wysing Arts Centre, Cambridge, UK (All 2014) Stay: January 22, 2015 - March 17, 2015 Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: «At the still point of the turning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre website) Report for Artist in Residpoint of the turning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre website) Report for Artist in Resturning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre website) Report for Artist in ResidPoint of the Turning World (Camden Arts Centre website) Report for Artist in ResTurning World (Camden Arts Centre website) Report for Artist in Residency:
Stay: September, 5, 2014 - September 13 / February, 2015 (scheduled) Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: AIT SLIDE TALK # 31 (Tuesday, September 9th, 19:00 - 21:00) «At the still point of the turning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre webpoint of the turning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre wturning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre webPoint of the Turning World (Camden Arts Centre wTurning World (Camden Arts Centre website)
Stay: January 27, 2015 - March 22, 2015 Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: «At the still point of the turning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Report for Artist in Residency:
Stay: January 22, 2015 - March 17, 2015 Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: «At the still point of the turning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre website) Report for Artist in Residpoint of the turning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre website) Report for Artist in Resturning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre website) Report for Artist in ResidPoint of the Turning World (Camden Arts Centre website) Report for Artist in ResTurning World (Camden Arts Centre website) Report for Artist in Residency:
Summary Title: «At the still point of the turning world...» Date: Saturday 21st February, 2015 Time: 15:30 - 21:00 (Doors open at 15:00) Venue: SHIBAURA HOUSE ( Level 5, 3 -15-4 Shibaura, Minato - ku, Tokyo ) [Access] Admission: Free (refreshments will be available for purchase) Capacity: 50 people No reservations needed Organisers: Arts Initiative Tokyo [AIT], Camden Arts Centre Supported by: Agency for Cultural Affairs Government of Japan in the fiscal 2014, British Council, SHIBAURA HOUSE Curator: Gina Buenfeld (Camden Arts Centre) Time table 15:00 Doors open 15:30 - 17:00 Introductory presentations and discussion - Intermission - 17:30 - 18:30 Act 01 Theme: Noh (screening)- Intermission - 18:45 - 20:00 Act 02 Theme: Butoh (screening, live performance) 20:00 - 21:00 Open Discussion Participating artists Live Performance: Mildred Rambaud Talk: Caroline Achaintre Jesse Wine Screening: 1: Theme / Noh (45 min) Hiraki Sawa Jeremy Millar Jefford Horrigan Ursula Mayer Manon de Boer Joachim Koester 2: Theme / Butoh (45 min) Mildred Rambaud Simon Martin Trisha Brown Babette Mangolte Fernanda Muñoz Newsome and Ina Dokmo Sriwhana Spong [Artist Profile]
Neshat, whose work critiques the cultural construction of difference, fully turns her attention to American culture for the first time in this show and depicts the ambiguity of feeling for an outsider through enigmatic images, haunting encounters and mystified points of view in her film and photography.
True or untrue, myths surrounding the early funding of the movement by the CIA in order to affect a form of American cultural Imperialism stick to the group; as does the pivotal position it holds in the canon of art history, as the turning point when «art» migrated from Europe to America following the Second World War.
In terms of our own cultural diversity in Canada, Rae called the Idle No More movement «an expression of frustration,» but was quick to point out that aboriginal protesters need to determine «to what extent this new movement takes on a stronger, keener sense of what the objectives are beyond simply that of protest» because «protest movements eventually have to turn positive and have a series of practical objectives that are very focused and very achievable.
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