Sentences with phrase «cultural ubiquity»

Adam Pendleton's solo show in California, «Which We Can,» is just one of many stops on the Brooklyn - based artist's move toward cultural ubiquity.

From studies of the early Dutch colonial settlers to reports on contemporary art - market caprices, this new field of cultural history proves that our American taste for Dutch art stretches further back than Donna Tartt's trendy Pulitzer - winner or the cultural ubiquity of The Girl with the Pearl Earring.

His cultural ubiquity was such that a New Yorker cartoon showed a woman in a bookstore asking, «What can you recommend that's not by Michael Crichton?»

For all her Emmys and her decades of cultural ubiquity, Julia Louis - Dreyfuss is only now coming fully into her own.

Not exact matches

The ubiquity of suburban sprawl has come to constitute a serious physical, intellectual and cultural problem of its own.

The mass media both nationally and internationally are rapidly becoming not just an aspect of social cultures, but through their increasing ubiquity across cultures, their functional interrelationship, and their place within the international market and economic system, are becoming the vanguard of a new international culture whose web is touching and influencing almost every other cultural system.

Mason sees this as a cultural reaction to the ubiquity of capitalism, which both left and right have accepted as inescapable.

On view March 10 through July 31, 2018, the intimate display will examine the historical underpinnings of the nation's distinct fixation with guns and the ubiquity of firearms in America's cultural landscape.

Bringing together nearly 40 works, the intimate display examines Americans» distinct fixation with guns and the ubiquity of firearms in America's cultural landscape.

The nearly ten million pictures referenced in the title are a concrete instance of the idea that everyone is becoming a cultural producer, their own Heinecken, yet the kitschy ubiquity of sunset photography undermines any triumphalism in that sentiment.

On view through July 31, 2018, the intimate display will examine the historical underpinnings of the nation's distinct fixation with guns and the ubiquity of firearms in America's cultural landscape.

It also highlights the multiple ways artists who have participated in Lower Manhattan Cultural Council's artist residency program have drawn from, played with, and deconstructed the image - repertoire of war in order to defamiliarize and resist its pervasiveness and ubiquity.

While seemingly neutral because of their ubiquity, these items embody specific cultural signifiers, and reveal our patterns, preferences, and expectations as consumers.

Exhibition: Solo Exhibition 2017 Coming on 20th April: Mimmo Scognamiglio Artecontemporanea 2016 «20 years and...» Mimmo Scognamiglio artecontemporanea, Milan, Italy «Counterfeit» - L.A. Louver, Venice, CA, USA «Traction» - Museum Gegenstandsfreier Kunst, Otterndorf, Germany (forthcoming) «Big Dark Oils» - Pavilhão 31, Centro Hospitalar Psiquiátrico de Lisboa, Júlio de Matos, Lisboa, Portugal (forthcoming) Pelaires Centre Cultural Contemporani - Palma de Mallorca, Spain Lisson Gallery - London, UK 2015 «Collaborations» - Mixografia, Los Angeles, CA, USA 2014 Gestural Ubiquity - Galerie Thaddaeus Ropac, Paris, France 2013 Glasstres - White Light / White Heat, Venice Biennale, Venice Jason Martin - Patrick de Brock, Knokke, Belgium Scared Masters - Scared Monsters — Denizens of the Demonic Demagogue - Pearl Lam Galleries, Hong Kong Serendipitia - LA Louver, Los Angeles, USA Furies Fury Forsaken - Patrick De Brock Gallery, Knokke - Zoute, Belgium Painting as Sculpture - Lisson Gallery, Milan, Italy 2012 Elemental - Galerie Thaddaeus Ropac, Salzburg Infinitive - Lisson Gallery, London, UK (exh cat) Jason Martin - Galerie Forsblom, Helsinki, Finland 2011 Oils and Pigments, Galeria Javier Lopez - Mário Sequeira, Madrid, Spain

While seemingly neutral because of their ubiquity, these items embody specific cultural signifiers, and reveal out patterns, preferences, and expectations as consumers.

There are signs that we will soon be exhausted by the Anthropocene: glutted by its ubiquity as a cultural shorthand, fatigued by its imprecisions, and enervated by its variant names — the «Anthrobscene,» the «Misanthropocene,» the «Lichenocene» (actually, that last one is mine).

But the cultural moment marked by the ubiquity of green self - help, apocalypse talk, and cheery utopianism has passed.