Sentences with phrase «cultural venues include»
Enjoy fine dining, unique shops and a variety of cultural venues including galleries, performing arts, historic sites and museums.
http://www.rosegardeninnsantabarbara.com/ Not exact matches
Benefits include Mass Audubon staff membership, employee discounts in Mass Audubon shops, and free admission and / or discounts to many area museums and cultural venues.
The trial, which is expected to be run in 200 schools, will cover a range of cultural learning experiences including visiting venues, seeing theatre performances and exhibitions as well as learning through practical activity.
You will also appreciate the proximity to the historic Greenwood Cultural District and other great recreational venues, including the BOK Center and ONEOK Field.
There are cultural offerings here, too, including theaters, art galleries, symphony halls, concert venues, and museums.
Cultural and musical acts regularly tour venues such as the Gold Coast Convention Centre and the Gold Coast Arts Centre, while festivals including the Surfers Paradise Festival, the Gold Coast Film Festival, the Tambourine Mountain Scarecrow Festival, Big Day Out, and Kirra Surfstock take over precincts across the city.
Cultural attractions, including museums, galleries and performing arts venues, perfectly complement the experience of visiting world - famous fruit orchards, gourmet restaurants and more than 40 nearby wineries.
Downtown San Diego's Gaslamp Quarter is a veritable playground, rich with cultural offerings that include theatres, art galleries, symphony halls, concert venues and museums.
The inventive LIVE cultural events included painting, ceramic making on a wheel, dancing and gymnastics, live photo sessions, musicians and henna art — all performed live and in - person at the various venues.
Melbourne's cultural, sporting and entertainment venues are all a short walk from the Hotel, including Federation Square, National Gallery of Victoria, Regent Theatre, Crown Casino complex and the Southgate precinct.
The Park is home to 15 major museums, several performing arts venues, lovely gardens and many other cultural and recreational attractions, including the San Diego Zoo.
Other facilities including Victoria Hall, a venue for several activities such as yoga, meditation, meeting, spiritual workshop, as well as cultural activities like Balinese dance and demonstration of local arts and crafts, weaving, making offering and Balinese cooking classes.
The museum embraces multiple public displays that include a number of spectacular public art installations around the country in addition to the multiple theatres, galleries and performance venues at the Katara Cultural Village.
The hotel is within easy walking distance to both the centre of the CBD and to Southbank's shopping, dining and cultural venues just across the river including the Crown Casino, the Exhibition & Conference Centre.
Not only is this area the epicenter of San Diego's nightlife scene, it is also rich with cultural offerings that include theatres, art galleries, symphony halls, concert venues and museums.
Nearby activities include golf, cultural venues, NASCAR racing, boutique shopping and bistro dining.
Construction in the area — developing at an unprecedented rate — includes the region's new flagship cultural venue, the Rem Koolhaas / OMA - designed The Factory, set to open in 2020 at a cost of GBP # 110 million.
She has exhibited and performed her work in numerous galleries and independent venues including, Portland Institute of Contemporary Art, SomArts Cultural Center, Yerba Buena Center for the Arts, African American Cultural Center, and Art Gallery of Windsor, Ontario.
She has read, exhibited and performed her multidisciplinary work at events and venues including the Miami Book Fair International, the Ashé Cultural Center and the Contemporary Arts Center in New Orleans; Universidad del Sagrado Corazón in San Juan, PR; Girls» Club in Ft. Lauderdale, FL; Sweat Records in Miami, FL; and ArtCenter South Florida, as well as readings and performances as a member of the Miami Poetry Collective.
She has exhibited and curated at multiple venues including the Winchester Cultural Center, Contemporary Arts Center and the Marjorie Barrick Museum.
Henry Street Settlement, Abrons Art Center, New York, NY Brooklyn Divas, Corridor Gallery, Brooklyn, New York Figures of Thinking: Convergences in Contemporary Cultures, organized by Vicky Clark and Sandhini Poddar, various venues including The Chicago Cultural Center, Chicago, IL, Richard E. Peeler Art Center, De Pauw University, Greencastle, IN Western Gallery, Western Washington University, Bellingham, WA, The Mc Dounough Museum of Art, Youngstown, OH, Tufts University Gallery, Medford MA and the Joel and Lila Harnett Museum of Art, Univeristy of Richmond, Richmond, VA, (with catalog)
It will be a borough - wide event based in Kensington and Chelsea and will take place at venues including the Victoria and Albert Museum, Science Museum, Muslim Cultural Heritage Centre and the Mosaic Rooms.
Venues naturally include the Contemporary Arts Center New Orleans and Ashé Cultural Arts Center, but they also extend to city parks and the Mississippi River.
Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).
Exhibition venues include The Flint Institute of Arts, Flint Michigan, the Mint Museum in Charlotte, North Carolina; The Wadsworth Athenaeum, Hartford, Connecticut; Art Space in Baltimore, Maryland; the Bronx Museum, Bronx, NY; Museum of the City of New York, N.Y. the N.Y. Huntington Hartford Cultural Center, New York City; and The Alternative Museum in New York City.
She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21 - Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil (2017); Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo (2016); Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery (2015); OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark (2014); Cultural Centro Banco do Brasil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan (2013).
The impact of his work — featured at the world's top venues and exhibitions, including Manifesta (2000) and the Venice Biennale (1999, 2001 and 2003)-- endorses Sala's conviction that art can transcend cultural references without losing any of its specificity nor, indeed, its power.
Burcaw has worked as an artist, a curator and a teacher, and has exhibited work at venues throughout New York City, including Denise Bibro Fine Art's Winter Salon, at the Bronx Museum of the Arts and at Artists Space, Lower Manhattan Cultural Council's Swing Space.
His work has been exhibited at numerous venues, including the Rockford Art Museum (1997), Hyde Park Art Center (1994), Chicago Cultural Center (1992), Chicago Botanic Garden (1990), Museum of Contemporary Art (Chicago)(1989), Contemporary Center for Art (St. Louis)(1988), Evanston Art Center (1988), and Artspace (San Francisco)(1987).
Venues include: Instituto Cultural Cabañas, Guadalajara, Mexico; MAC, Santiago, Chile; Storage by Hyundai Card, Seoul, Korea; Art Tower Mito, Japan.
In addition to participating in artist residencies around the country, Bosquê has exhibited her work in national and international venues including William Holman Gallery (New York), Museum of Contemporary Photography (Chicago), Lower Manhattan Cultural Council Arts Center (New York), Elmhurst Art Museum (Illinois), Carpe Diem (Lisbon, Portugal), Museu de Arte de Ribeirão Preto (Ribeirão Preto, Brazil), and other galleries and public spaces in Brazil, Portugal, Turkey, and United States.
Recent exhibition venues include Queens Museum, New York, The Korean Cultural Center, New York, Scotty Enterprise, Berlin, Künstlerhaus Schloss Balmoral, Bad Ems, Seoul Arts Center, Seoul, Wagner College, New York and The Suburban, Chicago.
Recent and upcoming exhibition venues include, Mercer Union (Toronto); Art Gallery of Alberta (Edmonton); Forest City Gallery (London, ON); Modern Fuel (Kingston, ON); Blackwood Gallery (Mississauga); Xpace Cultural Centre (Toronto); Olga Korper Gallery (Toronto).
Her projects — often inspired by interest in cultural anthropology, cultural clashes, and music — have been exhibited in both solo and group exhibitions in the United States and Europe, at venues including the Sculpture Center, Art in General, Postmasters, and CANADA in New York; Espace Culturel Louis Vuitton in Paris; Saatchi Gallery and Nottingham Contemporary in Great Britain; Centre for Contemporary Art Ujazdowski Castle and Zachęta National Gallery of Art in Warsaw.
She has widely exhibited in major venues accross Cambodia, including the French Cultural Centre, the Bophana Centre, Meta House, Java Gallery and Hotel de la Paix.
Recent and upcoming exhibition venues include, Mercer Union (Toronto, ON); 8 - 11 (Toronto, ON); Scotiabank Nuit Blanche (Toronto, ON); the Art Gallery of Alberta (Edmonton, AB); Gallery 44 (Toronto, ON); Forest City Gallery (London, ON); Blackwood Gallery (Mississauga, ON); Xpace Cultural Centre (Toronto, ON); Olga Korper Gallery (Toronto, ON).
Her work has shown at venues including PULSE NYC Special Projects, BRIC Media Arts, ABC No Rio, The Kitchen, Wayfarer's Gallery and Eyebeam in New York; Chicago Cultural Center, Mana Contemporary, Weinberg / Newton Gallery, Roots & Culture, and the Museum of Contemporary Art in Chicago; Art F City's FAGallery in Miami, FL; The Museum of Human Achievement in Austin, TX; Salt Institute in Portland, ME; The Dah Theater Research Center in Belgrade, Serbia; ICA Baltimore, and Athens Museum of Queer Arts, Athens, Greece.
Lott's work has been featured in numerous group exhibitions at venues including Williams Tower Gallery, Houston, TX (2008); Museum of Fine Arts, Houston, Houston TX (2008); Museo de la Nación, Lima, Perú (2007); Beeville Art Museum, Beeville, TX (2001); Art Car Museum, Houston, TX (1999); The Society of Contemporary Crafts, Pittsburgh, PA (1998 - 2000); Laguna Gloria Arts Museum, Austin, TX (1992); The Lubbock Fine Arts Center (1991); The Lubbock Black Cultural and Heritage Center, Lubbock, TX (1991); Texas Southern University, Houston, TX (1991); Southeastern Center for Contemporary Art, Winston - Salem, NC (1990 - 1992); Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; Hunter Museum of Art, Chattanooga, TN; Contemporary Arts Center, New Orleans, LA; Orlando Museum of Art, Orlando, FL; Lawndale Art and Performance Center, Houston, TX (1990, 1982); Staten Island Art Center, New York, NY (1998); Contemporary Arts Museum, Houston, TX (1987, 1979); Studio Museum in Harlem, NY (1986); Blaffer Gallery, University of Houston, Houston, TX (1986); Alternative Museum, New York, NY (1982) and the Institute of Contemporary Art, Philadelphia, PA (1978).
Recent venues presenting Burtonwood's work include CICA Museum Gyeonggi - do, Korea, DEMO Project, Springfield, IL; Terrain Biennial 2017, Oak Park, IL; Cedarhurst Center for the Arts, Mount Vernon, IL; The Elmhurst Art Museum Biennial, Elmhurst, IL; The Samuel Dorsky Museum, SUNY, New Platz; Flux Factory, NY, NY; The Compound Gallery, Oakland, CA; Northeastern Illinois University Gallery, Chicago, IL; The University of Illinois Springfield, Springfield, IL; Bruce High Quality Foundation University, NY, NY; Firecat Projects, Chicago, IL; Wright State University, Dayton, OH; Purdue University Gallery, West Lafayette, IN; The Printing Museum, Houston, TX; Terrain Biennial, Oak Park, IL; Fuseworks, Brooklyn, NY; Front Room Gallery Brooklyn, NY; New Capital, Chicago, IL; The Chicago Cultural Center, Chicago, IL; Shemer Art Center, Phoenix, AZ and Printed Matter, NY, NY.
Vocalist, composer, cultural worker Imani Uzuri is an eclectic interdisciplinary artist who creates concerts, experimental theater, performance art, theater compositions, and sound installations in venues / festivals, including Central Park SummerStage, Joe's Pub, The Kitchen, Blue Note Jazz Club, Whitney Museum, Lincoln Center, Performa Biennial, Festival Sons d'hiver, London's ICA, and the Museum of Modern Art (MoMA).
A selective list of venues in which her works have appeared in solo and duo shows includes: The Basement Rocks — LOUDER Amalie A. Wallace Gallery, Old Westbury, LI, Trace / Matter, (2 person) Five Myles, Brooklyn, Long Island University Brooklyn, CREON, Sideshow, Lesley Heller Gallery, Artists» Space, Catskill Art Society, Brunnier Gallery, Iowa State University and Centro Cultural de Santo Domingo (Oaxaca, Mexico), and Brian Morris Gallery.
Venues include Service Garage, Amsterdam, The Netherlands; Lower Manhattan Cultural Council, New York; Latvian Contemporary Art Center; Frankfurter Kunstverein; Art Rotterdam, NEST, The Netherlands; Wyspa Institute of Art, Gdansk, Poland and more.
1963, Newcastle War Memorial Cultural Centre, Jan. 1964, Albert Hall, Canberra, Feb., Bridgestone Art Gallery, Tokyo and other Japanese venues, including Museum of Modern Art, Kyoto, July - Aug., City Hall Art Gallery, Hong Kong, Aug. - Sept.
Some US venues include Reed Whipple Cultural Center in Las Vegas, Dean Project, Chelsea Art Museum, Gallery Sixtyseven, Amelie A. Wallace Gallery, Taipei Cultural Center, Crossing Arts, and PS 122 Gallery among others.
Downtown has a wide variety of cultural and entertainment venues including the Chrysler Museum of Art and Nauticus, a maritime museum.
«Combine all these factors in with the growth of the Health Sciences industry, from both a service provider and employment perspective; expansion of cultural and entertainment venues; reemergence of the transportation services, including both commuter rail and airport services; the ever - increasing higher education capacity of the nine major colleges and universities in the city and five additional in the region; the continued expansion and success of both «Restaurant Row», Shrewsbury Street and the transforming of the Canal District, and who could ask for more?