Sentences with phrase «culture at their field»

Principal investigators are particularly well positioned to influence workplace culture at their field sites.

Not exact matches

One of the many quirks of Christian culture is the way so many of us jump at the chance to camp in a muddy field for days — or even weeks — at a time.

Travis Tygart, president of the USADA, said in a statement, «This is a heartbreaking example of how the win - at - all - costs culture of sport, if left unchecked, will overtake fair, safe and honest competition, but for clean athletes, it is a reassuring reminder that there is hope for future generations to compete on a level playing field without the use of performance - enhancing drugs»...

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

While I am not prone to writing in the somewhat snarky and definitly sarcastic tone Wise employed in his Tuesday column, and although he seemed to mostly align himself with the group at Aspen - led by Dr. Bob Cantu - that views football as too dangerous to be played before the age of 14 (a position with which I respectfully disagree), I did find myself agreeing with what seemed to be his main point: that whatever measures are instituted to protect player safety will get us nowhere if the culture on NFL fields (and by extension, the high school, middle school, and youth gridiron) doesn't change.

Where I have worked, in equatorial Africa, by the age of eight or nine, children, almost all of whom have been sibling or cousin caretakers at times when mothers have not taken babies in a back sling to work in a field or do another task, know everything there is to know about raising a baby in their culture except what one learns through the direct experience of breastfeeding.

Popular African Italy Excellence Awards AIEA, which started 5 years ago with the aim of honoring Africans who have excelled in different fields in Italy, promoting Africa's image, culture and facilitating integration of immigrants in Italy, have unveiled its categories at the headquarters of Banca Popolare dell»Em ilia Romagna — the award's main sponsor.

«J'Ouvert is a celebration of Caribbean pride, culture and heritage,» it said before a reminder that last year «two people were killed during J'Ouvert» — a 21 - year - old man who was stabbed at Grand Army Plaza and 43 - year - old Carey Gabay, an attorney for the Cuomo administration who was shot in front of the Ebbets Field apartments on Bedford Avenue, a crime for which at least three gang members have been indicted.

At 15,000 square feet, it's billed as the largest traveling exhibit on the Maya ever mounted in the U.S. Hundreds of artifacts reveal both the art and everyday experience of the culture, while multimedia and hands - on displays give visitors a glimpse into ongoing field research that will further our understanding of this fascinating civilization.

In a field steeped in a culture of proprietary data, such open access could be hard to accept, notes Holly Given, director of the OOI at the Consortium for Ocean Leadership in Washington, D.C..

«Methods for culturing immature follicles (eggs) are already rewarding effort in terms of a better understanding of ovarian biology,» concludes Roger Gosden, an embryologist at the University of Edinburgh and Britain's leading researcher in this field.

Although specific microbial halogenation reactions have been recognized for decades and the link between the dehalogenation of anthropogenic halogenated contaminants in laboratory cultures and contaminated field sites has been well established, only a few studies specifically looked at pristine ecosystems and the genetic potential for microbial degradation of naturally occurring organohalogens, Kappler says.

«We've become a 24/7 culture,» says retired Cornell psychologist James B. Maas, who helped found the field of sleep education back when TV stations signed off at midnight.

Roiled by high - profile cases in the field and at conferences, anthropology works to change its culture

The new biomedical innovation course, which will take place at the laboratory's Maine campus, is geared to advanced graduate students, post-doctoral trainees and researchers at all levels who want to learn the basics of organoid culture and the most recent developments in the organoid field.

At different times of culture, rings were photographed under clear field illumination by using an inverted microscope with phase contrast Nikon Diaphot - TM (Nikon Corp., Tokyo, Japan).

While the first two chapters of section one dealt with the field of Japanese cinema as one composed around actual films, the other two chapters in this section suggest that the field is one that analyses discourses around cinema culture at large.

There may not be a unified field theory yet, but the axis of science, technology and popular culture brought together at the Silicon Valley Comic Con may help the world find the key someday.

Michael Showalter's latest, Hello, My Name Is Doris, spins a comfy yarn about a loopy old accountant (Sally Field) who loses her mother, falls for a young creative director at work, submerges herself in Brooklyn's hipster culture, and renews her sense of self all in the space of 95 minutes of carefully telegraphed emotional revelations and well - timed crests and falls.

SCWS also works to build their student culture with face to face monthly field trips to the aquarium, fair, or pizza parties at the park.

Now, as we look at Wendig's willingness to challenge the «culture» of self - publishing — and at Howey's efforts to widen that culture as a field welcoming even to the hesitant — we may not hear agreement all the time, but we get, surely, a more worthy debate.

Given the great achievements of Islamic culture in the medical field, it might, at first, seem surprising that such a justification or defense of medicine was considered necessary at all; but it is clear that there was a certain uneasiness about the practice of medicine, even an outright opposition to it, on the part of many Muslims, and consequently the defense of medicine is a frequent theme in the literature.

Given the great achievements of Islamic culture in the medical field, it might, at first, seem surprising that such a justification or defense of medicine was considered necessary at all; but it is clear that there was a certain uneasiness about the practice of medicine, even an outright opposition to it, on the part of many Muslims, and consequently the Continue reading

How damaging to the field are recent revelations about the «toxic» culture at the Silicon Valley Community Foundation?

«Continuing education is such a critical part of our culture in the veterinary field, but it can be hard to find accessible, helpful CE content outside of the large conventions,» says Heather Romano, managing director of staff development at iVET360.

meditation at and Vihara Buddhist Temple, sunrise sail with the dolphins, rice field trekking and visit to Munduk waterfalls, eco-forest walks, snorkeling at Puri Jati, scuba diving at Menjangan Island, Golf at Bedugal, painting and art classes, selected evening cultural shows, healthy cooking seminars, Balinese culture briefings and visit to local villages, lifestyle coaching etc..

Set at the end of a village road that winds peacefully through Balinese villages featuring Balinese Temples and huge Banyan Trees surrounded by faddy fields, the villa and its surrounds capture the very essence of Balinese culture whilst only 30 minutes from Legian / Seminyak.

Set at the end of a village road that winds peacefully through Balinese villages featuring Balinese Temples and huge Banyan Trees surrounded by faddy fields, the villa and its surrounds capture the very essence of Balinese culture whilst only 30 minutes from..

The hard to miss place within its bamboo structure that is airy and so in keeping with the island culture, the lily ponds with their aquatic beauty and the rice fields lending the lilting feel of mellow weather - all of it makes the experience at the Sardine something to write home about.

Research in this field looks at phenomena such as bullying culture, griefing and toxic gaming in the context of different online games.

It omits Sigmar Polke, whose pop - culture - based, often tawdry paintings are at least a precedent, and Rosemarie Trockel, another female German artist of her generation struggling in a field that was and maybe still is unusually male.

Other not - to - be-missed ones include: Ape Culture at HKW, Alex Vivian «s Scenes at Sandy Brown, the High Pressure Systems group show at Konzulat, Field Vision by Christian Jankowski and Jon Rafman at Future Gallery, and Windowlicker at Center.

The Art Center is funded in part by: Allstate Insurance Company; Alphawood Foundation; Andy Warhol Foundation for Visual Arts; Bank of America; Bloomberg Philanthropies; a CityArts grant from the City of Chicago's Department of Cultural Affairs and Special Events; Crown Family Philanthropies; David C. and Sarajean Ruttenberg Arts Foundation; Field Foundation of Illinois; Harper Court Arts Council; Illinois Arts Council, a state agency; Irving Harris Foundation; John D. and Catherine T. MacArthur Foundation; The Joyce Foundation; Lloyd A. Fry Foundation; MacArthur Fund for Arts and Culture at Prince; National Endowment for the Arts; Polk Bros..

Since then, she has received numerous grants and awards, including an AVEK - award for important achievements in the field of audio - visual culture (1997), the Edstrand Art Price (1998), a DAAD fellowship (1999), honorary mention at the 48th Venice Biennale (1999), the Vincent Van Gogh Bi-annual Award for Contemporary Art in Europe (2000), and a five - year grant from the Central Committee for the Arts (2001), as well as the Artes Mundi Prize (2006).

Shifting from pop to high culture references and back again, Rhoades exploits the conceptual and sculptural possibilities that arise from the accumulated detritus and debris of everyday life: What at first seem to be arbitrary arrangements of new and used hardware, machinery, TV monitors, handmade objects, and constructions coalesce into a non-hierarchical field of visual signs and texts.

12 pm Panel: Creating Spaces for Art Making II Moderated by: Stephanie Sherman, Co-Director, Common Field, PhD student at UCSD, and Co-Founder, Elsewhere Panel: Beth Boone, Artistic and Executive Director, Miami Light Project, Mariangela Capuzzo, Artistic Director and Lead Curator, ICArt, Zoe Lukov, Director of Exhibitions, Faena Art Center, Michelle Weinberg *, Artistic Director, Art and Culture Center of Hollywood and Creative Director, Girls» Club Collection Littlest Sister, Spinello Projects, 7221 NW 2nd Avenue, Little Haiti, Miami

«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

Recent exhibitions include: Possible Side Effects, Arróniz Arte Contemporáneo, Mexico City, MX (2015); Redacted: connecting dots in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, NY (2014); Art = Text = Art at UB Anderson Gallery, University at Buffalo, NY (2014) which travelled from the University of Richmond Museum, VA, the Zimmerli Art Museum at Rutgers University, NJ, and The Hafnarfjör ∂ ur Centre of Culture and Fine Art, Iceland (2013); Contemporary Monochromes, Contemporary Galleries, Museum of Modern Art, New York (2013); Science is FICTION, Bartha Contemporary, London (2013), Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Ireland (2011); Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany (2010); ALL OVER THE MAP, John Michael Kohler Arts Center, Sheboygan, WI (2009); BLOWN AWAY, Krannert Art Museum, University of Illinois at Urbana - Champaign, IL (2008); Uncoordinated: Mapping Cartography in Contemporary Art, Contemporary Art Center, Cincinnati, OH (2008); Leaded: The Materiality and Metamorphosis of Graphite (traveling to 7 University Museums)(2008 - 2009).

The exhibition, running at the Herb Lubalin Study Center of Design and Typography through October 26, uses more than 75 studios to present a clear snapshot of what's happening in the field with documentation of each firm's disciplines, team, workspace, and culture.

2016 Patron, 300 S Washington, Seattle, WA Material Culture, North Seattle College, Seattle, WA Photography and Contemporary Experience, Portland Art Museum, Portland, OR Out of Sight, King Street Station, Seattle, WA Essential Skimming, Common Area Maintenance, Seattle, WA A Stand of Pine in a Tilled Field: 21 Years at PDX, PDX CONTEMPORARY ART, Portland, OR The Photograph: Selected Works from the 19th, 20th + 21st Century, G. Gibson Gallery, Seattle, WA Project Turn, Joe Bar, Seattle WA

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

The Visionaries Series at the New Museum honors forward - thinking leaders in the fields of art, architecture, design, film, and related disciplines of contemporary culture.

He is based in Sinagpore and works at the National University of Singapore, in the fields of critical theory and visual culture.

It is the largest show ever mounted by the Gallery, providing a comprehensive look at how the «collage» emerged as a mode of artmaking in the early twentieth century and has evolved through the rapid uptake of technology and digital media to facilitate new modes of production in all fields of visual culture today,» said Kathleen S. Bartels, Director of the Vancouver Art Gallery.

Director of the Vancouver Art Gallery, Kathleen S. Bartels, says the exhibition provides, «a comprehensive look at how the «collage» emerged as a mode of artmaking in the early 20th century and has evolved through the rapid uptake of technology and digital media to facilitate new modes of production in all fields of visual culture today.»

However, two weeks later he announced his nomination of Jane Chu to lead the N.E.A. (National Endowment for the Arts), and wisely wrote a hand - written apology to Ann Collins Johns, a professor of art history at the University of Texas at Austin, who had written a letter to the White House reminding him that art history is an indispensible field of study through which we gain our comprehension of our world culture through the visual arts.

Both are artists and academics — teaching at Pitzer College and UC San Diego, respectively — whose work explores the boundaries of culture and art; their fields of expertise and methodologies, though distinct, complement each other and often overlap.

Students will examine the way in which technological innovations at this time made an impact upon material culture and allowed British artists and craftspeople to become leaders in their fields.

Displayed in full at the museum, the speech is a kind of manifesto for the creative field Dubuffet had been constructing since 1945, arguing the superior authenticity and raw creativity of works made by children, psychiatric patients, so - called primitive artists, and other anonymous individuals who were «uncontaminated by artistic culture.»