Sentences with phrase «culture critics in»

Caroline Siede is a pop culture critic in Chicago, where the cold never bothers her anyway.

How it trumped «Transparent» has every TV and culture critic in the nation scratching their heads until you realize it was made up of a committee of just five voters.

Not exact matches

Critics will likely welcome the current decline in international adoptions, citing concerns that foreign adoptions remove children from their «birth culture», exploit poor birth mothers and enable illicit child trafficking.

While even his critics, who launched the #NotNolan hashtag on Twitter, note that Bushnell played a huge role in starting the video game industry, they feel the timing is wrong to honor him, given the corporate culture he encouraged and the importance of the #MeToo movement over the past year.

International philanthropy and the western world's desire to eradicate poverty and disease can't ever truly rid themselves of their imperialist roots; as many critics have pointed out, the white savior industrial complex has never been more pervasive in global culture.

Beautifully and honestly written, The Crowd, the Critic, and the Muse explores some of the toughest questions confronting artists these days, particularly in our increasingly loud and cluttered creative culture.

I suspected I'd get a little pushback from fellow Christians who hold a complementarian perspective on gender, (a position that requires women to submit to male leadership in the home and church, and often appeals to «biblical womanhood» for support), but I had hoped — perhaps naively — that the book would generate a vigorous, healthy debate about things like the Greco Roman household codes found in the epistles of Peter and Paul, about the meaning of the Hebrew word ezer or the Greek word for deacon, about the Paul's line of argumentation in 1 Timothy 2 and 1 Corinthians 11, about our hermeneutical presuppositions and how they are influenced by our own culture, and about what we really mean when we talk about «biblical womanhood» — all issues I address quite seriously in the book, but which have yet to be engaged by complementarian critics.

This view of the critic sounds quaint in today's commercial culture.

Tough - guy New York newspaperman Pete Hamill praised the book as a scathing indictment of the «culture of poverty» (yes, he really uses this phrase) fostered by «Eamon de Valera's Ireland,» while the literary critic Denis Donoghue, writing in the New York Times, presented the book in much the same way (though he clearly lacks Hamill's enthusiasm for the story).

But what critics who point to these reasons for the loss of certainty seem too often to forget is that the Church is never only a function of a culture nor ever only a supercultural community; that the problem of its ministers is always how to remain faithful servants of the Church in the midst of cultural change and yet to change culturally so as to be true to the Church's purpose in new situations.

It's a lively volume with contributions by Terry Teachout (drama critic for the Wall Street Journal), Carol Iannone (editor of Academic Questions), and Asia himself (a distinguished composer and professor of composition at U of A), among others, and they all get to the heart of the problem of high culture at the present time in America.

The Christian culture critic Ken Myers, editor of Mars Hill Tapes, rightly describes popular Christianity as being «of the world, but not in the world.»

The rise of McCarthyism, according to Lasch, confirmed in the minds of many liberal critics like Hofstadter that mass movements mask ingrained hatred of the other and therefore control must be taken from the people and the folk cultures they foster.

I was bothered by theological critics of literature who, following Tillich's too - easy baptizing of the secular order (epitomized in his phrase «as the substance of culture is religion, so the form of religion is culture»), tended to overlook the differences between Christianity and the insights of art.

He explains more precisely what he means in his response to the critics: «in using the word faith I refer to the metaphysical framework, sharedby monotheism and science (but not by many other cultures), of a rational ground that underpins physical existence.

Ozick dissents, must dissent: Artists and critics live symbiotically (whether they might ever be synonymous is the subject taken up in essays on «Monsters» — Henry James, Leo Baeck, Harold Bloom) and together create literary culture.

Hegel's understanding of the forward progress of the will through the history of culture is richer than Kant's, but it leads to a notion of the completion of the will in «absolute knowledge,» a metaphysical abstraction which Hegel's critics, Ricoeur among them, find pretentious and impossible.

Unlike some critics of process philosophy, I am not convinced that a «substantial self» is a necessary precondition of moral responsibility; 14 furthermore, I have considerable sympathy for Hall's claim that narrowly moral concepts tend to be overemphasized in our culture at the expense of concepts of aesthetic or experiential value.

I realize that in speaking in support of the idea of the active character of all knowing, I open myself to attack not only from Hall's Taoist perspective but from the standpoint of a number of other significant critics of contemporary thought and culture.

In the summer of 1986, when the Greenwich Village bookstores were crowded with Jay McInerney's Bright Lights, Big City — a novel whose method of demonstrating the bankruptcy of our culture, one critic said, is to chronicle its parties — and Bret Easton Ellis's Less than Zero and Don DeLillo's White Noise, all in shiny paperback covers, I remembered a New York Times review that called Richard Ford's The Sportswriter a novel about a good maIn the summer of 1986, when the Greenwich Village bookstores were crowded with Jay McInerney's Bright Lights, Big City — a novel whose method of demonstrating the bankruptcy of our culture, one critic said, is to chronicle its parties — and Bret Easton Ellis's Less than Zero and Don DeLillo's White Noise, all in shiny paperback covers, I remembered a New York Times review that called Richard Ford's The Sportswriter a novel about a good main shiny paperback covers, I remembered a New York Times review that called Richard Ford's The Sportswriter a novel about a good man.

, which was a finalist for the National Book Critics Circle award, is credited with helping to revive the role of poetry in American public culture.

The effort to characterize construals of the Christian thing in the particular cultural and social locations that make them concrete will involve several disciplines: (a) those of the intellectual historian and textual critic (to grasp what the congregation says it is responding to in its worship and why); and (b) those of the cultural anthropologist and the ethnographer [3] and certain kinds of philosophical work [4](to grasp how the congregation shapes its social space by its uses of scripture, by its uses of traditions of worship and patterns of education and mutual nurture, and by the «logic «of its discourse); and (c) those of the sociologist and social historian (to grasp how the congregation's location in its host society and culture helps shape concretely its distinctive construal of the Christian thing).

In a jibe at what critics see as Mr Brown's control freakery, Mr Milburn calls on him to change the culture of Labour Party politics and to follow Barack Obama's lead by adopting an open, engaging politics «that favours dialogue over monologue».

Many critics of current scientific culture say that the likelihood of widespread coverage has a significant role in funding decisions at institutions.

Gipson has been a critic of business as usual in Albany, which has been engulfed in political corruption scandals; Cuomo critics say he has done too little to change the culture of New York politics.

In a lengthy resignation letter he said he could best serve Corbyn's «wide debate» from the backbenches after critics including Shadow Culture Secretary Michael Dugher were purged.

If we look outside the scientific enterprise of his time to the culture in general, we discover that this same turn - of - the - century period in which Einstein conceived his theory of relativity put him in the national German - speaking Jewish company of such contemporaries as Sigmund Freud, Franz Kafka, the revolutionary atonalist composer Arnold Schoenberg, the critic Walter Benjamin, the great anthropologist Franz Boas, and the philosopher of symbolic forms Ernst Cassirer.

Other examples include Amos Tversky and Daniel Kahneman's studies of human reasoning, which show that humans frequently reason with unseen and persistent biases, and the work of Keller, Longino, and other feminist critics showing that scientists are cognitively limited by the ideologies accepted in their wider cultures.

But the rise of the selfie in popular culture has come with many critics, too.

I would sit at the newsstand and make a list of every art and culture critic for every magazine, and then I would send him or her a letter in the mail.

The jolt is not that it happens but that a movie that carries itself like the smartest, most cutting critic of pop - culture cliché asks us to invest in the oldest and cheapest.

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

That might be fine as long as cinema culture has other advocates, but in a time where those advocates are leaving it be, critics need to step in.

A film that failed to impress critics 30 years ago but which now seems eerily prescient in its depiction of a futuristic police state beset by economic instability and the increasing toxicity of TV culture (Stephen King's source novel is set in 2025, with screenwriter Steven E de Souza backdating the action to 2017), The Running Man is among the most thematically rich sci - fi offerings in the Arnie canon.

Reviews from Toronto were barely lukewarm, with critics generally agreeing that this lightweight culture - clash drama represents a marked improvement over Coixet's last two features — Map Of The Sounds Of Tokyo and Another Me, neither significantly distributed in the U.S. — while being otherwise unremarkable.

A member of the Detroit Film Critics Society, his work has appeared in the Advisor and Source Newspapers, «Local Celebs Magazine,» and at Christ and Pop Culture.

These findings indicate that men hold the higher status titles of film critic or critic in categories other than film including television critic, music critic, theatre critic, pop culture critic, and media critic.

In this week's Culture Gabfest, our critics Stephen Metcalf, Dana Stevens, and Julia Turner are joined by Slate's Jody Rosen to discuss Kanye West's VMA face - off with Taylor Swift.

The film, which had its world premiere last month in Berlin, has caused ripples of controversy in some quarters for its depiction of Japanese culture, though critics have largely sparked to it.

It's easy to dismiss discussion of issues like sexism in movies as tangential and unnecessary, the kind of thing culture critics drag out when they have nothing else to say.

But in 2015, culture critic Tauria Moosa wrote an article that discussed to game's racial issues, pointing out that in «The Witcher 3,» «all humans are white and every other being is non-human,» continuing to say it's «not exactly friendly or inclusive of people of color.

The episode also features a clip of Dario's deep discussion about film criticism and contemporary film culture with friend of the podcast Simran Hans, which can be found in full over on our Patreon site for subscribers, as well as Neil's chat with film critic and podcaster Leslie Byron Pitt about representation in filmmaking and film criticism alongside as Basic Instinct and erotic thrillers as Leslie is one quarter of the excellent Fatal Attractions podcast.

Created to honor an individual who has enriched our culture through accomplishments in the motion picture industry, it was re-named the Maltin Modern Master Award in 2015 in honor of long - time SBIFF moderator and renowned film critic Leonard Maltin.

Similar moments all over the film skewer America's centuries - long fetishization and commodification of black creativity and black bodies, as critic Greg Tate wrote about in Everything But the Burden: What White People Are Taking From Black Culture.

Well, NPR film critic Bob Mondello and pop culture correspondent Linda Holmes joined me in the studio.

Named after the only book by film critic, painter, and teacher Manny Farber — a 1971 collection reprinted in an expanded edition in 1998 — Petit's video wrestles with American landscape and culture, irony, memory, Las Vegas, the beginning of a new millennium, death, desert, film versus video, J.M.W. Turner's painting, several movies (including Howard Hawks's The Big Sleep, Jacques Tourneur's Out of the Past, and Roberto Rossellini's Voyage to Italy), as well as two critics, Farber and Dave Hickey.

It's still counted as a classic in animation, and its major influence on pop culture seems fitting given how well - regarded it is by critics.

Tribune critic Michael Phillips picks his favorite movies of 2017, a year that saw one quiet, witty selection rise in symbolic defiance of everything toxic and stupid in the culture right now.

As reported by The Hollywood Reporter, Kate Winslet recently spoke out against the culture of sexual harassment in Hollywood, saying at the London Critics» Circle awards on Sunday that she has «bitter regrets» over the «poor decisions» she made in working with certain certain «directors, producers, and men of power.»

Steven Spielberg's latest flick Ready Player One had its world premiere at SXSW on Sunday, and many critics are in love with what they're calling a touching tribute to pop culture and nostalgia.