Sentences with phrase «culture ideas of nature»

As in all her work, the installation draws from many references, here ranging from pop culture ideas of nature and femininity to arcane literary traditions.

As in all her work, the installation draws from many references, ranging from pop culture ideas of nature and femininity to arcane literary traditions.

Not exact matches

This difference is an extremely important one to note for the simple reason that the ideas of the new reformers enjoy an increasing appeal» their notions about moral agency and the nature of the moral life cohering so well with the views about these matters that now are characteristic of American culture.

This conclusion also leads to a more general point about the nature of culture that is consistent with the previously mentioned criticism leveled by Zaret against the idea of abstract values legitimating practical ethics.

This optimistic approach to man's virtue and the problem of evil expresses itself philosophically as the idea of progress in history.17 The empirical method of modern culture has been successful in understanding nature; but, when applied to an understanding of human nature, it was blind to some obvious facts about human nature that simpler cultures apprehended by the wisdom of common sense.

This world of ours is a new world, in which the unity of knowledge, the nature of human communities, the order of society, the order of ideas, the very notions of society and culture have changed and will not return to what they have been in the past.

«This world of ours is a new world,» wrote Robert Oppenheimer in 1963, «in which the unity of knowledge, the nature of human communities, the order of society, the order of ideas, the very notions of society and culture have changed and will not return to what they have been in the past» (Saturday Review of Literature, June 29, 1963, p. 11).

A social instituting imaginary may therefore be regarded as good and / or healthy (as well as free and responsible) just to the extent that it fosters the creation and preservation of myths incorporating «beneficial» insights in its processes of self - creation; that is, ideas that are «right» enough to enable long - term harmonies in its «naturings» and «culturings.»

So there's this kind of gee - whiz stage of it, and then you also see those ideas seeping into the theories, disproving some, suggesting that others are on the right track, proving some even; and those theories, in turn, incorporate principles, new laws of nature, new principles of nature that will, I think, inform our broader culture.

Some enjoy the idea simply for the sake of having more culture in their lives, while others are drawn to their great looks and strong, spirited nature.

-- Journalism / English: Present the story of eco-tourism, as seen through the eyes of nature guides and caretakers, and develop ideas to determine if the culture of the Kichwa has been changed for the better (more economic determinism) or the worse (degrading of cultural standards) by eco-tourism.

Given the deeply held, values - driven nature of school culture and discipline, it seems increasingly untenable to suggest that there is or ought to be a default mode — Peter Greene's, mine, or yours — and that any ideas at variance with it need to be banned or forced to defend their existence.

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Chris has conducted workshops on ELA and Social Studies integration, harnessing nature - based metaphors to elicit new ideas in school leadership, reigniting creativity to combat the culture of testing, data and evaluation and UbD best practice.

Both authors will discuss the relationship of the idea of the avant to their own work and the extent to which it is or isn't a useful way to think about ideas of time and temporality, newness and oldness, chronology and succession, beforeness and afterness, and the layered, textured, multi — species spaces in which culture (and not just human culture) happens: Morton in relation to his writings on literature, art, music, and ecology in landmark texts such as Ecology Without Nature, The Ecological Thought, Hyperobjects, and Dark Ecology; and Wolfe in relation to his work as both author (Critical Environments, Animal Rites, and What Is Posthumanism?)

She is interested in ideas of interference and disruption of long - established systems in nature and human cultures.

Working in drawing, painting, animation, installation, film and video, and employing ideas that are often subversive and polemical in nature, Sikander creates vivid works that confront and interrogate the perceptual distances between cultures while deconstructing the genre of miniature painting itself.

Raimo Saarinen is a Helsinki based sculptor whose artistic practice focuses on the various ideas of nature and people's relationship with plants and ecosystems in the western post-industrial cultures.

The artist sees these two modes of working as inter-connected and engaged with the same ideas: an exploration of painting as an artifact of how life is lived; and the notion of art as a nexus at which nature, culture, and self come together.

She merges ideas such as site and built environments, nature and culture under the classification of environmentalism.

We believe that when approaching ideas around collectivity in contemporary times, it is particularly urgent to consider the role of non-human agents and to collapse the hierarchies between nature and culture.

Moreover, the towering sculpture brings to the fore ideas about the integration of architecture, nature, and mass culture.

We are surrounded by conflicting ideas across all levels of humanity: different cultures; readings of nature and the universe; political ideologies and systems of government; interpretations of human history, the history of art and definitions of contemporary art.

For the 2005 Venice Biennale, Schabus transformed the Austrian Pavilion into a massive artificial mountain, appraising preconceived ideas about nature, culture, and the role of art.

Using commercial poster art or Star Trek references, Egan rides a confluence of humor, tragedy, nature, and Pop influences to investigate ideas of masculinity, beauty and culture.

They experimented with new ways of teaching and learning; they encouraged discussion and free inquiry; they felt that form in art had meaning; they were committed to the rigor of the studio and the laboratory; they practiced living and working together as a community; they shared the ideas and values of different cultures; they had faith in learning through experience and doing; they trusted in the new while remaining committed to ideas from the past; and they valued the idiosyncratic nature of the individual.

And as this idea takes root and is elevated in the world of architecture and planning, it offers hope for a flowering of mutually enriching relationship between nature and human culture, as well as a fresh, inspiring direction for urban design.

To sum it up, the idea of karma, reap what you sow, law of nature, etc. is nothing new and is found throughout cultures — it is the idea of offering a reward for behaviors that are beneficial.