Sentences with phrase «culture in visual ways»

Not exact matches

Co-author Dr Isabelle Mareschal also from QMUL's School of Biological and Chemical Sciences added: «There are numerous claims in popular culture that women and men look at things differently — this is the first demonstration, using eye tracking, to support this claim that they take in visual information in different ways.»

Skygoblin's The Journey Down [$ 4.99] is a classic point and click adventure with a certain visual similarity to Grim Fandango, due in part to the way that many of the characters» faces are modeled on African tribal masks, and a setting and mythology that owes as much to African diasporic culture as Grim Fandango owes to Latin American traditions...

This exhibition charts the role of visual culture in creating his heroic persona, particularly how the duke exploited portraiture to shape the way he was represented in both his public and personal life.

The show brings together works by South African and international artists to discover the ways in which visual culture is harvested, consumed and given new form.

His «visual research» studies intimate yet universal biographies, in which he explores cultures in a way that highlights his own sense of the «alien.»

To activate the city, to bring in the required attendance, you need to consider a crossover approach, a way to attract those people who are interested in visual culture but who don't differentiate that much between professional art culture and new music, or new film, or new fashion, and so on.

A research affiliate in the Art Culture Technology Program at MIT, her scholarship is invested in the ways that durational media have altered the reception of visual art in the post 1968 period.

Since the mid-1990s, Rødland has interpreted visual culture in an entirely distinctive way.

It is a given in contemporary visual culture that photography and our relationship to it exist in a constant state of flux, and so I was drawn to work that, in one way or another, addresses how the medium does and does not function, right now.

In his work, which is produced by means of digital imaging, he deals with the effects of digital technologies on visual culture, living and working conditions, perceptions and ways of knowing.

In this way, Tint belongs to a small group of artists who offer access to a style established a long time ago — but in a way that emphasizes the artist's integrity and intelligent re-reading of a visual culture whose major status is establisheIn this way, Tint belongs to a small group of artists who offer access to a style established a long time ago — but in a way that emphasizes the artist's integrity and intelligent re-reading of a visual culture whose major status is establishein a way that emphasizes the artist's integrity and intelligent re-reading of a visual culture whose major status is established.

CARRIE MAE WEEMS @ Pippy Houldsworth Gallery, London Oct. 10 — Nov. 15, 2014 Carrie Mae Weems probes notions of identity in visual culture, the ways in which history and perception influence depictions of gender, race and class.

Talk: «Art and Immigration Policy» at John Jay College of Criminal Justice This timely event, which coincides with the «Internalized Borders» exhibition at Shiva Gallery, will focus on the ways in which visual culture and language influence elections, politics, and perspectives regarding immigration in the U.S..

I will return with more info shortly..., (GuytonWalker), curated by Howie Chen and Tim Saltarelli, IMO, Copenhagen, Denmark Good Friends, (GuytonWalker), Asia Song Society, New York, NY Street Trash, (GuytonWalker), 1 -800-GO-PENSKE, Brooklyn, NY Catalogue of the Exhibition, curated by Bob Nickas, Triple V, Paris, France After Images, curated by Fionn Meade, Musée Juif de Belgique, Brussels, Belgium That's The Way We Do It, Kunsthaus Bregenz, Bregenz, Austria A Painting Show, (GuytonWalker), Autocenter, Berlin, Germany The Luminous Interval, (GuytonWalker), Guggenheim Museum Bilbao, Bilbao, Spain Keeping It Real: Act 4, Material Intelligence, Whitechapel Gallery, London, UK Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Martin - Gropius - Bau, Berlin, Germany Image Transfer, Richard E. Peeler Art Center, DePauw University, Greencastle, Indiana, traveling to Center for Art, Design and Visual Culture.

His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns ofPop Art.

Through Cannon's personal anecdotes and their joint analyses of selected works by artists who have relationships to both places, Cannon and Nichols will examine the ways in which the black body creates meaning as it moves through these two cityscapes, the transmission of that meaning between the two cities through 20th Century migrations, and its impact on contemporary visual culture.

Ill try to keep out of any family feuding as Im a long way off in mind, stuck with my modernism, and frail body, and far too sensitive to personal insult.What does interest me is the frankly appalling lack of anything visual in the current hang at the Tate Britain, which Alan mentions.There was one room where there was a visual lift, with one of the Hoylands from the Whitechapel [crimson ground], an early Gillian Ayres, the odd Prunella Clough and Bernard Cohen.Its as tho Culture in the broadest sense collapsed after about 1985.

Using tropes, humor, and the visual languages of art and popular culture, Kevorkian suggests other possibilities in the ways women are represented.

Astro Noise sees her reconsidering the moving image toward other ways of addressing and engaging an audience, presenting the culture and mechanisms of surveillance and the war on terror in a very different way, through structured visual experiences that provide much more than information and compel an audience to enter into a visceral experience.»

His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns of Pop Art.

In the same way you can decide to become part of the New York School, and then, through an appreciation and understanding of the visual culture here, be able to grow and hope to contribute new possibilities.

The fifth in our series on art books and essays which have changed the way we see and understand the visual arts, today focusing particularly on Clement Greenberg's influential essays «Avant - Garde and the Kitsch» (1939) and «The Plight of Culture» (1953), both of which were republished in the 1961 Art and Culture: Critical Essays.

Both histories show at once the importance of race in the visual culture of the West and the ways in which, despite the strenuous efforts of many to the contrary, the result has been a hybrid creolization» (N. Mirzoeff, Bodyscape: art, modernity and the ideal figure, London and New York, 1995, p. 15).

Wearing fashionable dress and posed within the artificial theater of the photographic studio, these faces describe the fragmentation and heterogeneity of the Black subject and emphasize the ways in which Black subjectivity has been cast out or left unidentified within (visual) culture.

Correspondingly, the visual arts found itself in the midst of the «culture wars,» and a field that had been, in many ways, an extension of free - market excess and conservative values shifted, as artists explored a visual vocabulary of progressive possibility.

I came through the process of working on this exhibition with a quite optimistic sense of what visual culture can activate in progressive and positive ways.

Willhelm and Kraus's unconventional fashion is characterized by an outspoken visual language in which they give expression to the grotesque, the childish and the fantastic, which they transform and combine in an unparalleled way with elements from pop culture and haute couture.

As it bridges the concerns of traditional markmaking, new media, and the visual cultures of science, Schneckloth seeks to discover ways in which drawing operates as a site of trans - disciplinary inquiry.

The select group of emerging artists all «share an interest in the interplay between images and objects, and the ways in which rapidly changing visual culture and imaging technology influence how we understand and perceive the world around us,» according to a press release.

In this way, Julien contests any fetishistic notion of the original and insists that the work of art can be open to re-articulation as the artist alters his engagement with an ever - shifting visual culture.

«By the mid - and late - 1970s,» wrote the curator Richard Marshall in his essay for the exhibition «American Art Since 1970» at the Whitney Museum, «painting had moved further away from the confines of the Minimalist approach — even from a negative reaction to it — and the artists [Jennifer Bartlett, Vija Celmins, Lois Lane, Neil Jenney, Bill Jensen and Elizabeth Murray] inaugurated new ways to treat subject matter and meaning -LSB-...] there emerged a move against an insular, elitist attitude towards art and what it is, should be, or must be -LSB-...] artists began to look at more diverse visual repertory: commercial art, advertising, fashion, television and movies, popular culture, the decorative arts, rugs, religion, ancient artifacts, and Middle Eastern Cultures.»

Further reading: Liam Gillick: Annlee You Proposes, exhibition brochure, Tate Britain, London 2001, reproduced front cover, pp. 2, 5 - 6, 9 - 10 and 13 in colour Liam Gillick: The Wood Way, exhibition catalogue, Whitechapel Art Gallery, London 2002, p. 58 No Ghost Just a Shell: Pierre Huyghe and Philippe Parreno, exhibition catalogue, Van Abbemuseum, Eindhoven, Institute of Visual Culture, Cambridge, Kunsthalle Zurich 2003, pp.102 - 15 and 118 - 19, reproduced pp.107 - 15 and 118 - 19 Elizabeth Manchester June 2004

I hope to sort - of take a visual snapshot of this time in history, when so many bloggers / Instagrammers are able & eager to put something out there and really shape culture in a positive way.