Sentences with phrase «culture wars against»

Our country has enough real problems without picking pointless culture wars against women who spend their lives caring for the elderly poor.

A profoundly hostile secular culture wars against our efforts to achieve even a modest loyalty to the apostolic tradition, and, sadly, in the war we see the Church as a sometimes - unreliable ally.

In this chapter, Justin discusses with refreshing charity the ways in which the reputation of Christianity, particularly evangelical Christianity, is damaged by this misinformation and by a preoccupation with waging culture wars against the LGBT community.

After World War I, with ears across Europe still ringing from explosions, the transnational culture war against noise really took off.

In fact, in my experience, I've found that the folks most passionate about waging a culture war against homosexuality are often folks who don't know a lot of gay people.

Jules Might I suggest that the Christian Left could accomplish this by directing ALL of its charity efforts and funds towards actually helping the poor, as opposed to wasting them fighting the culture war against gays, women, and science like the Right does?

My guess is that most just haven't thought through the implications of this resolution, the implications of potentially disassociating from the Boy Scout troops in their community, or the implications of consistently fighting this culture war against homosexuality.

But a culture war against black folks?

The problem is that there's the other side of GamerGate, and that is the culture warriors who started GamerGate as a new front in the culture war against, you know, progress being made.

Fran Barlow: «It's hard to escape the conclusion that much of the contrarian position simply reflects the desire to fight what they see as a culture war against anything that smacks of human (as opposed to «market») control over policy.»

Fran Barlow: ``... a culture war against anything that smacks of human (as opposed to «market») control over policy.»

Quotes me:» It's hard to escape the conclusion that much of the contrarian position simply reflects the desire to fight what they see as a culture war against anything that smacks of human (as opposed to «market») control over policy.»

«It's hard to escape the conclusion that much of the contrarian position simply reflects the desire to fight what they see as a culture war against anything that smacks of human (as opposed to «market») control over policy.»

Not exact matches

The result is a culture that discriminates against other animals, has disregard for the environment, created hatred against people of different beliefs and cultures, and has created constant sect oral wars from the day of its emergence.

Bottum opines that we should prepare ourselves for the next chapter in the culture wars, in which the left here will get into step with its European compatriots, espousing a militant skepticism toward science while maintaining their polemic against the religious right, but this time for its uncritical embrace of scientific progress.

InterVarsity and Bowdoin Christian Fellowship are not soldiers of the culture war; they are ministries that have been culture - warred against.

My second observation is simply that, in light of the fact that the «gay community» is not separate from the «Christian community» and that there are many like Justin who identify as both Christian and gay, we have to move past the culture war mentality that pits these two groups against one another.

In the current culture wars, religious liberals tend to ally themselves with the educational establishment against those on the Religious Right who are attacking the public schools.

The culture war sets the Church above and against the world, rather than in but not of the world.

What if we were just as much against colonization, imperialism, and war, as you are, and that when we told people about Jesus and His love for them, we let them maintain their culture, their identity, and who they were as people?

The glorification of violence as a means to solve conflict is everywhere in our culture and I was that lame person that couldn't stand mixed - martial - arts battles and railed against video games and movies that depicted war or crime as an adventure, even arguing we are «a generation of virtual sociopaths.»

David G. Roskie's compelling study Against the Apocalypse: Responses to Catastrophe in Modem Jewish Culture discusses the cross symbol's use not only in Chagall's painting, but in the literary work of Der Nister, Lamed Shapiro, Sholem Asch, S. Y. Agnon and the poet Uri Zvi Greenberg (Harvard University Press, 1984 [pp. 258 - 310]-RRB- In literature written before World War II (and under the influence of biblical criticism that had emancipated Jesus» image from its doctrinal Christian vesture), these authors used the cross symbol variously; for Asch, the crucified figure in all his Jewishness symbolized universal suffering; for Shapiro and Agnon, on the other hand, the cross remained an emblem of violence and a reminder of Christian enmity againsAgainst the Apocalypse: Responses to Catastrophe in Modem Jewish Culture discusses the cross symbol's use not only in Chagall's painting, but in the literary work of Der Nister, Lamed Shapiro, Sholem Asch, S. Y. Agnon and the poet Uri Zvi Greenberg (Harvard University Press, 1984 [pp. 258 - 310]-RRB- In literature written before World War II (and under the influence of biblical criticism that had emancipated Jesus» image from its doctrinal Christian vesture), these authors used the cross symbol variously; for Asch, the crucified figure in all his Jewishness symbolized universal suffering; for Shapiro and Agnon, on the other hand, the cross remained an emblem of violence and a reminder of Christian enmity againstagainst Jews.

Gramsci claimed many workers before the war «had seen in futurism the elements of a struggle against the old academic culture of Italy, mummified and alien to the popular masses.

And when we see what God is doing, we can join with culture in standing against war, hunger, and other forms of inhumanity, but infusing such stands with the principles of the Gospel and the example of Jesus Christ (Resident Aliens, 46 - 47).

The culture war the president started against two predominantly black leagues and its protesters is changing by the day.

But mostly it reinforces a war against people Western culture deems it appropriate to knock down: people not doing what «everyone» is doing.

Young is one of the leading figures in the right - wing backlash against safe spaces in universities, which is a prominent battlefield in the culture war.

More than anything else, this is a culture war — and many of those kicking out against the liberal (former) status quo are middle - class and affluent.

The term «mono - culture» was extensively used by Norwegian extremist Anders Behring Breivik, who killed 77 people earlier this year in a war against «multiculturalism».

Connoisseurs of such will find its top - shelf qualities to include a Witness - like star - cross'd pas de deux; dead wives and sons; surrogate wives and sons; surrogate father figures fighting, Footloose - like, against oppressive cultures; a Fisher King rescue from insanity; and enough war - movie boilerplate to choke a War Horwar - movie boilerplate to choke a War HorWar Horse.

Unafraid were the editors to approach subjects regarding politics, war, sex, drugs and culture, and nothing was allowed to stay censored; it was, indeed, best known for the highly outrageous cover art that ranged from parodic images of Van Gogh and Hitler to a gun threat against a dog.

We also talk about gaming culture, and console wars, as well as indie games stacked against AAA games.

1999 And when Rudy Giuliani launches his crusade against this painting, it marks the end of the culture war...

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymwar, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

His best known series «Lynch Fragment» is an ongoing project on which he has worked, variously, in response to racial violence (1963 - 67); as a form of activism against the Vietnam War (1973 - 74); and as a reconceived means of recognizing admirable individuals and exploring a personal fascination with African culture (1978 --RRB-.

They cover three distinct periods in his personal history; the 1960s, where they evolved out of Edwards» response to racial violence in America; the 1970s, out of his protest against the Vietnam War; and from 1978 to the present, where they became a vehicle to honour individuals, to explore nostalgia, and to investigate his interest in African culture.

His works often reconstitute youth culture as a system against the terms of oppression, political discourse and war.

The exhibition features Raymond Pettibon as a mythologist who takes up and subverts the distinctive narratives of American culture, from Woodstock to the presidencies and the war against terrorism.

Another was a debate between Adrian Stott, a trustee of the Optimum Population Trust, a British group pushing for greatly expanded efforts to promote family planning worldwide, and Brendan O'Neill, an editor of Spiked, a British online publication devoted to «raising the horizons of humanity by waging a culture war of words against misanthropy, priggishness, prejudice, luddism, illiberalism and irrationalism.»

Genocide or getting rid of a culture or nation in its entirety, crimes against humanity, and war crimes are some offenses that are governed by it.

The prime minister stated last month that he wants to «wage war against the excessive health and safety culture that has become an albatross around the neck of British businesses».

Living with the constant threat of war has spawned a culture of Israeli military research and development, and battlefield inventions have been transformed into technologies used worldwide to save lives, guard against cyber-attacks, and simplify mobile communications.