Sentences with phrase «cultures of the time influenced»

Not exact matches

As Christians living in a culture that tends to present opportunities counter to our identities in Christ — children of God, as we're referred to time and again — the danger is that we may be influenced into believing the lie that the decisions we make are without the burden of consequence we could expect when we were younger.

At the time there was a cult by Corinth in the nearby city of Eleasus (sp) who baptised for the dead, Paul was also warning the Corinthians (who were highly influenced by the other cultures around them) not to follow suit.

Personally, I feel that if there is a god, and he wants me to believe he exists, he can come over here and tell me himself, I don't accept the Bible as «proof» of anything, because it is self - contradictory and appears to be heavily influenced by the governing culture of the time.

I think if you did a more careful analyis of many of these «differences» between men and women you would find that both the degree of difference and the prevalence for many of them would vary greatly from one culture and time to another as they are largely influenced by our environments and societal attitudes.

A sociologist like William Julius Wilson can underline the importance of economic factors, pointing to the precipitous decline in manufacturing, and at the same time write frankly about the destructive influence of ghetto culture which lacks a viable middle class that once served as a «social buffer.

The culture of Islamic countries has grown through the interaction of groups of Islamic peoples of widely varied ethnic and geographic backgrounds and through strong cultural influences from the non-Islamic civilizations of Greece, Persia, and India in the early days, and of western Europe in modern times.

My biggest regrets is how I influenced my children with my rendition of culture at that time.

In our clocks and watches we still observe the long - term influence of the culture of ancient Babylonia, for it was the ancient Babylonians who began to use the number base of 6o for counting time and for measuring angles.

The Bible can be used as a guide to faith that transcends the particularities of time and place for those who remember that both the original readers and modern readers are influenced by a culture.

It is primarily a religion of India; although it was known in the countries to the west, its major influence outside India was in Southeast Asia where it at one time was the dominant culture as far east as Indonesia.

We should remember that for a long time now our culture has been profoundly influenced by the redefining of the meaning of sexual relations that is inherent in the acceptance of artificial contraception.

and so it's easy to fall into this kind of thinking for anyone, and (2) Christian culture is so pervasive even our people get bitten by it — we live in an odd time where you can be exposed to other church's preachers on the radio, podcasts, Christian books, etc. and so the church you go to is not going to be the only influence on how you think and approach God & Christianity.

Exhibits represent life in the Temecula Valley though time and different cultures that influenced the development of the area.

What is considered inedible varies among users (e.g., chicken feet are consumed in some food supply chains but not others), changes over time, and is influenced by a range of variables including culture, socio - economic factors, availability, price, technological advances, international trade, and geography.

Exhibits represent life in Temecula Valley through time and different cultures that influenced the development of the area.

I recently spent time in the Netherlands, and was highly influenced by the Dutch creative culture, their love for functional design and most important of all, their products that are designed around their mobile, cycling culture.»

Later in the book, MacMillan provides examples of how this overarching culture of honour influenced the actions of leaders in those fateful weeks in July: «The Kaiser was now under great pressure to declare a general mobilization from his generals who saw time slipping away and from his own wife who told him to be a man» (p. 576 - 577).

She is critical of an Albany culture that she says «has, for too long, been dominated by influence and money,» and she vowed to be a «full - time legislator.»

Beck is careful to note that his relatively simple model failed to correctly predict present land uses up to one - third of the time, suggesting history and culture do influence how humans use the land.

Perhaps we could learn something from the most ketogenic culture of all time when it comes to thyroid health and its influence on one of the most important markers of health status... fertility!!

I grew up as a Gen - X, the best generation if you ask me.And during this time I was spoiled with the large amount of pop culture influences which wore Denim such as Kurt Cobain of Nirvana and Layne Staley from Alice in Chains.

Documentary sequel that offers a close - up look into the personal lives of the legendary porn stars who've survived the test of time and influenced popular culture.

«While the themes are deep, Black Panther is at the same time a visual joy to behold, with confident quirkiness (those aforementioned war rhinos), insane action sequences and special effects, and the glorious reveal of Wakanda, whose culture is steeped in African influences but which also offers a jaw - dropping look at what a city of the future could be... Let's not wait too long for a return trip.»

This year's recipient of the Ruby Dee Life Achievement for humanitarian career achievement has been influencing popular culture for over three decades, five - time Black Reel Award nominee and Black Reel Award - winning producer, Oprah Winfrey.

• Early Egyptian religion has had a profound impact / Influence on future civilizations Procedure: 1) You will be placed in a group by your instructor 2) you will travel to a station and begin your investigation (15 minutes at each station) 3) In your group you will discuss how religion has affected Egypt Socially, Politically, or economically 4) On your graphic organizer you will provide a theme for your reasoning (single idea / though / word / s) 5) On your graphic organizer you will cite specific evidence from the sources 6) On your graphic organizer you will discuss how you can connect that information to a historical event / time or a personal connection 7) On your graphic organizer you will write down some of your thought / your inner monologue (thoughts / opinions / questions / ideas) you had when you were reading 8) You will move onto the next station Focus Question: How did Egyptian Religion affect its civilization / culture as well as future civilizations?

Texas and North Carolina: Both exhibit «traditional» political cultures characterized by elite influence, strong state efforts to direct schools, and evolving accountability policies that have persisted over a long period of time.

The men of virtue who ruled Florence and Tuscany during the important times of the Renaissance profoundly influenced our culture and civilisation, and bequeathed a legacy of great masterpieces.

Each artist channels a unique range of influences that capture the characteristic spirit of a culture, movement, or a specific time period, while representing an aesthetic very much in the now.

The discussion will address both personal experiences transcending boundaries and finding community, and broader perspectives on how the movement of people influences society and culture over time.

, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtoOf the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Vermont, Burlington.

Yet differences emerged: the Bay Area abstractionists were less influenced by European tendencies of the time and more by Asian culture, the ethos of the Beat generation, and the expansiveness and new social freedom of California life.

Painters like Karen Kilimnik made work stemming from the influence of popular culture, creating cursory celebrity portraits, while Elizabeth Peyton took the practice a step further by painting portraits of celebs, musicians, and European monarchs alongside her significant others and members of her social circle, entrenching mass culture's idolization of celebrity in the realm of fine art while at the same time elevating her friends to celebrity status.

Zeitgast literally means «spirit of the age» or «spirit of the time», and it can be defined as an intellectual fashion that influences the culture of a particular period in time.

I think that context (the authority of the person who seeds the social object, the culture, the time, the people who participate in the conversation, etc) influences the conversation and implicitly its effects.

She was greatly influenced by Yale University art historian George Kubler's book, The Shape of Time (first published 1962) which introduced the radical idea that ostensibly disconnected cultures throughout history share basic human understandings and beliefs that are reflected in the art they produce and that superficially dissimilar works of art can be seen as reflecting the same understanding or belief.

This Spring Kwame Asafo - Adjei, founder and artistic director of Spoken Movement tackles the concept of identity within Black culture and how it influences and exists across space and time.

In the year ahead, the museum will travel an exhibition for the first time in its history when A Decolonial Atlas: Strategies in Contemporary Art of the Americas moves to Tufts University in Boston, and we will bring from Arizona State University the exhibition Soul Mining which considers the influence of Asian labor and culture in the Americas.

In this Marxist - influenced essay, Greenberg claimed that true avant - garde art is a product of the Enlightenment's revolution of critical thinking, and as such resists and recoils from the degradation of culture in both mainstream capitalist and communist society, while acknowledging the paradox that, at the same time, the artist, dependent on the market or the state, remains inexorably attached «by an umbilical cord of gold».

One of the most important artists of our time, his painterly understanding of color and unmatched eye continue to exert an indisputable influence on visual culture.»

Influenced by Sontag's 1965 essay «The Imagination of Disaster», Golden explores cultural anxieties in relation to visual culture; by painting the «unthinkable» — be it conflict, apocalypse or a long lost time - period — the artist exposes universal concerns of the human psyche.»

Popular culture changes rapidly and occurs uniquely in place and time and represents a complex number of mutually interdependent values that influence society and its institutions.

This layering of time is accompanied by a unique merging of influences from the artist's native Guyana and London, where Locke now lives and works, leading to richly textured, visually vibrant pieces that stand on a crossroad of histories, cultures and media.

This became synonymous with the influence of popular mass culture on the look and subject matter of avant - garde art at the time.

All of those diverse cultures and travel experiences inform her artwork, particularly her time spent as a Peace Corps volunteer in Ghana with the rich influences of the geometric and abstract African sculpture, polyrhythms of West African music, and color sensibility of African printed fabrics.

Interview with Georganne Deen, Summer 2011 Fee, Georgia, Artslant, Interview w / Georganne Deen, Apr 22, 2008 Bors, Chris, Artinfo, Georganne Deen in New York, Apr 3, 2008 Reverend Jen, Artnet, Diary of an Art Star, Mar 31, 2008 Tanner, Matt, Beware the Wild Children, Grand Street News, Mar 2008 Powers, Kevin, Interview with Georganne Deen, Artes & Leiloes (Portugal), Nov, 2007 Behrens, Katja, Verspielter Exorzismus, TAZ nrw, March 20, 2007 Wertheim, Christine, Georganne Deen: Underground Woman, X-TRA, Winter 2006 Harvey, Doug, I Art the 80's, L.A. Weekly, March, 2006 Fahl, David, Text Hook, Houston Press, June 17, 2004 Klaasmeyer, Kelly, Deen's List, Houston Press, Jan. 2, 2003 Lowry, Mark, Artist's Work Hits Close to Home, Fort Worth Star Telegram, Mar. 13, 2002 Mitchell, Charles Dee, Self Examination Turns Disturbing, The Dallas Morning News, Feb. 28, 2002 Deen, Georganne, The Girlfriend and The Devil, Grand Street # 70 Halstrup, Anjee, Georganne Deen: The Secret Storm and the Vogue Book of the Dead, ZERO magazine, July, 2001 Rodriguez, Juan, Georganne Deen at Babilonia 1808, Artweek, June, 2001 McEwam, Ann, 15 Psychic Orgasms, Waitako Times, Mar. 8, 2000 Mutch, Nicola, Ads Undermine American Dream, Otago Daily Times, Oct. 26, 1999 Munro, Bruce, Artist Explores Dream World, The Star, Oct. 27, 1999 Madoff, Steven Henry, Pop Surrealism ARTFORUM, Oct., 1998 Gopnick, Blake, Old Wounds Healed Through Older Art Form, The Globe & Mail, Jul 29, 1998 Hume, Christopher, Allegories of Her Hateful Family Tree The Toronto Star, Jul 11, 1998 Schoenkopf, Rebecca, The Glamour of Ugly, Orange County Weekly, Sept 19, 1997 Curtis, Cathy, Light Images, Dark Truth, Los Angeles Times, Sept 9, 1997 Dambrot, Shana Nys, Georganne Deen, JUXTAPOZ, Fall 1997 Kim, Soo Jin, Georganne Deen, Art Issues, Summer 1997 Kandel, Susan, Fierce: Georganne Deen, Los Angeles Times, Feb 28, 1997 McKenna, Kristine, Los Angeles, Art & Antiques, Summer 1996 Zellen, Jody, The Mother Load, World Art, Summer 1995 Lueck, Brock, Co-Mix Art: Fine Tooning Pop, The New Art Examiner, Mar, 1995 McKenna, Kristine, Coming to Terms With Mom, L.A. Times, Dec 18, 1994 Desmarais, Charles, Georganne Deen, Grand Street # 49, 1994 Dubin, Zan, Experiences of a Girl as Seen by a Woman, L.A. Times, Oct 23, 1993 Rose, Cynthia, Pacific Meltdown, British Vogue, Jul, 1991 Carlin, John, Bad Influences, The Paper, Jun, 1988 Smith, Alton, Reinventing the WheelI, Village Voice, Nov 29, 1988 Tanney, Kathy, Paper Tigers, Plastic Toys, Art Week, Aug 22, 1987 Knight, Christopher, Bad Influences Knocks Popular Culture Wisdom, L.A. Herald Examiner, Aug 4, 1987 Leston, Kimberely, Georganne Deen, the Face, Dec, 1986 Pincus, Robt, Voyage on Sculpture May Make Some Viewers Ill, San Diego Union, Jul 10, 1986 Wilson, William, Social Distortion Exhibition, L.A. Times, Jul 10, 1986 Rugoff, Ralph, Exterminating Angel, Los Angeles Weekly, Oct 11, 1985 Drohojowska, Hunter, The Art World's Biggest Pests, Los Angeles Herald Examiner, Oct 20, 1985

All the individuals are different, and yet still in time a culture develops and that culture is set by the tone of the «moderators / owner» but as time goes on more and more of the influence of that comes from the «in - group» of regulars.

Time and again, we hear organisations talk about «company culture», and this remains the most important influence on the successful running of an organisation.

The inherent contradiction is akin to so many others we see in Silicon Valley — like the illusion of transparency in an industry culture of extreme secrecy or Facebook's conviction of its own political potency in ad sales at the same time — that its chief executive waved off the notion that his company «influenced the election in any way» as a «crazy idea.»

Variables such as culture, ethnicity and mental status at the time of the interview may have influenced the recall and reporting of suicidal behaviour.

As we both know, this cognitive dissonance scenario plays all of the time with big - time commission chasers who tend to try to live up to the standards of what one wants to earn vs what one is currently earning, and therein lies the problem with almost all wannabes, early know - nothing - careerists, struggling know - a-little-bit mid-term survivors, surviving devolving - from - naïve - honest - wannabes - to - practicing - the - sales - culture's ways - and - means - influence - peddling scripts / strategies wannabe - professionals - but - still - amateurs producers to the flat out high - flying Terry Paranych types who practice (pre Hearing decisions) in - your - face unethical behaviours in quest of more and more and more and more commissions before death brings down the final curtain on the greatest act one has ever been privy to partaking in... because for most, being a Realtor is all about acting.