Sentences with phrase «curate engaging exhibitions»

Not exact matches

Elsewhere, the Library at Japan House will offer a new approach to appreciate and engage with books through bookshelf exhibitions curated by Haba Yoshitaka of Bach.

MD / NY also featured Quiet Earth, an exhibition curated by Fairfax Dorn at the Rauschenberg Foundation Project Space, which featured environmentally - engaged works from the 1970s to the present including contributions from Amy Balkin, Donald Judd, Maya Lin, Trevor Paglen, Robert Rauschenberg, and Agnes Denes» Pyramids of Conscience (2005), a Ballroom Marfa commission.

Curated in collaboration with writer and art historian Alison Gingeras, the exhibition engages the notion of imprimatur.

Engaging with contemporary concepts and approaches, Brunswick Street Gallery provides curated exhibition spaces for emerging creative arts practices.

Bradford is deeply engaged with social issues as co-founder of Los Angeles - based nonprofit Art + Practice, which encourages education and culture by supporting the needs of foster youth predominantly living in South Los Angeles, and providing access to free, museum - curated art exhibitions and moderated art lectures to the community of Leimert Park.

Features over 40 artists from across generations, including Ian Cheng, Heman Chong, Andrea Fraser, Jonas Mekas, Rachel Rose, and Amalia Ulman, this latest iteration applies the same ethos where visitors are encouraged to engage with and take ownership of the artworks, curating their own collections and directly impacting the exhibition landscape.

He has been director of SPACEX, Exeter from 1999 — 2005, where he curated more than fifty exhibitions and projects focussing on socially - engaged and context - led ventures.

Bailey is from Australia and recently curated exhibitions for the AIDS 2014 conference including the exhibition Vital Signs - Interpreting the Archive at the Blindside Gallery in Melbourne which featured contemporary artists engaging with the collection of the Australian Lesbian and Gay Archives.

In parallel with his studio work, Bradford is deeply engaged with social issues, as co-founder of Los Angeles - based nonprofit organization Art + Practice, which encourages education and culture by supporting the needs of foster youth predominantly living in South Los Angeles, and providing access to free, museum - curated art exhibitions and moderated art lectures to the community of Leimert Park.

Curated by Sara Reisman, Executive and Artistic Director of The Shelley & Donald Rubin Foundation, The Supper Club is comprised of three components: an ongoing series of socially - engaged dinners, an exhibition of 60 photographic portraits of the artists who participated in the dinner conversations, and a book scheduled for publication in 2018.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

During her tenure at the Davis Museum, she also conceptualized and curated the exhibition The Space Between: Artists Engaging Race and Syncretism, which explored how artists across the African Diaspora engage and bring into accord their multipartite heritages and identities.

Curated by Rotem Rozental, this exhibition engages with identity conflicts and their manifestation in contemporary work.

Girls» Club has engaged Miami artist team TM Sisters — sisters Monica and Natasha Lopez de Victoria — to collaborate with the collection of contemporary art by women amassed by Fort Lauderdale collectors Francie Bishop Good and David Horvitz, and curate the 2013/2014 exhibition, selecting works which spoke to the mysterious attraction the girls felt to each piece.

CURATORIAL COLLABORATION Our Project Curate program engages students fully in the curatorial process with a professional emerging curator to plan, organize, and mount an exhibition.

Named after the Amanda Lear song, «I Am a Photograph,» and curated by German photographer Marco Breuer — whose works are famously made without the use of the camera or film — this exhibition brings together a group of 27 artists who engage in photographic processes or are concerned with photographic issues.

Organized by the ADAA, a nonprofit membership organization of art dealers from around the country, The Art Show offers collectors, arts professionals, and the public the opportunity to engage with artworks of the highest quality through intimately scaled and thoughtfully curated exhibitions that encourage close looking and active conversation with art experts.

As this exhibition marks the curatorial debut of artist Valentin Carron, this discussion will focus on the artists featured who have very recently engaged with the question of curating.

Although Big Youth was not necessarily aimed toward marking a specific movement among Chicago artists, there is something to be said for being able to engage with young artists in a provocative setting through curated exhibitions of local work on a thoughtful platform.

Girls» Club has engaged Miami artist team TM Sisters — sisters Monica and Natasha Lopez de Victoria — to collaborate with the collection of contemporary art by women amassed by Fort Lauderdale collectors Francie Bishop Good and David Horvitz, and curate the 2013/2014 exhibition.

The exhibition curated to coincide with EVA did just that, with a reading space displaying copies of Ugandan magazine Transition and a programme of public interventions that actively encourage audiences to engage with this material.

Organized by the ADAA, a nonprofit membership organization of art dealers from around the country, The Art Show offers collectors, arts professionals, and the public the opportunity to engage with artworks of the highest quality through intimately scaled and thoughtfully curated exhibitions that encourage close looking and active conversation with gallerists.

Taking as its starting point three seminal exhibitions curated by Lubaina in London from 1983 to 1985, the Tate Britain display charted the coming to voice of a radical generation of British artists who challenged their collective invisibility in the art world and engaged in their art with the wider social and political issues of 1980s Britain and the world.

Curated by Dr Ziba Ardalan, Founder / Director of Parasol unit, the exhibition is accompanied by a tailored programme of educational events aimed at engaging the public.

By contrast, the charmingly folkloric style of Cambodian artist Vann Nath's paintings jars with the first - hand recollections of torture by the Khmer Rouge that they depict, while Dinh Q. Lê, whose family was driven into exile by the Khmer Rouge, has curated a lyrical exhibition of observational drawings by artists in the Vietcong of downtimes between engaging the enemy.

Condorelli has long engaged with the architecture and context of the exhibition space, building modular furniture and reflecting on the history of the institutions where she is showing, a fitting choice for this exhibition, then, which celebrates curatorial and artistic work as always related in ways that go beyond any traditional sense of curating as a practice of caring and selecting.

The exhibition, curated by Kaytie Johnson, highlights radical, alternative, and socially - engaged practices as responses to and reflections on the devastating and far - reaching effects of social, political, and economic events of the decade.

She curated exhibitions including Social Paper, the first exhibition considering hand papermaking in a socially engaged art context, and Among Tender Roots, the first retrospective featuring Mexican artist, Laura Anderson Barbata's work.

Curated by Josh Ginsburg, the exhibition is focused on «works and practices that fluidly seek to engage entropy and efficiency, waste, residue and offcuts, transactions, propositions, and serious play».

Since 2006, he has organized or curated over 30 exhibitions, with a focus on artists whose practices involve social or politically engaged themes.

Nicholas Cohn Art Projects curates exhibitions and organizes art happenings dedicated to socially engaged visual arts.

Our project space hosts a critically engaged programme of curated exhibitions, residencies, screenings and events for emerging, mid-career and established artists.

Curating exhibitions that can engage the public visually, but also educationally, has become an extremely important aspect of what they try to achieve every time a new exhibition is put together.

Curated by Juan Roselione - Valadez as well as Mera and Don Rubell, the exhibition is the result of repeated visits by the Rubell family to Brazil, where they have been building and fostering relationships with the artists on view over time: «Going to Brazil, meeting artists, and experiencing their work, we were particularly intrigued by certain artists who engaged a more intuitive and spiritual approach to their practice,» tell Mera and Don Rubell.

«LOOKING BACK» - SPECIAL CLOSING EVENT / SCREENING AT ANTHOLOGY FILM ARCHIVES A special one - night screening as a part of the exhibition «Looking Back - the 4th White Columns Annual», curated by Primary Information PAUL SHARITS SHUTTER INTERFACE (1975, 32 minutes, double 16 mm, color, sound) This 2 - projector version of the 4 - projector «locational» installation reorganizes the four reels into an equally engaging work meant for theatrical screening.

Debra Wolf reviews «Luxe, Calme et Volupte» in the Atlanta Journal - Constitution: «Order and beauty form the organizing principle in an engaging new painting exhibition at Marcia Wood Gallery curated by artist and writer Joanne Mattera.

Because of the sheer size and scope of the building, how do you manage to curate new exhibitions and make them engaging?

Volk has curated numerous exhibitions in the United States and abroad, including Elemental (2013) at Havremagasinet in Boden, Sweden, which featured both Icelandic artists and international artists deeply engaged with Iceland, and The Transportation Business (2015) at Jane Lombard Gallery in New York, with works by US and international artists that involve multiple kinds of transportation.

Originally trained as an art historian focusing on the nineteenth - century, Olander curated numerous exhibitions exploring how contemporary art engages social and political conditions, including «The Art of Memory / The Loss of History» (1985) and «Fake» (1987).

An exhibition at the Tate Modern in London, curated by Zoe Whitley and Mark Godfrey with assistant curator Priyesh Mistry, investigates how African - American artists have chosen to engage with Black politics via visually impactful abstract and figurative works.

Several Art21 artists temporarily engage in a moment of symbiosis in the New Museum's new group exhibition, After Nature, curated by Massimiliano Gioni with the assistance of Jarrett Gregory and...

2013 Wingding 3rd Anniversary Exhibition, LVL3, Chicago, IL 2013 Fractal Semblance, Roots and Culture, Chicago, IL 2012 NADA Miami, Rawson Projects, Miami, FL 2012 Fictitious Truths curated by Kara Rooney, Rooster Gallery, New York, NY 2012 Anderson, Murphy, Nielsen, New Capital Projects, Chicago, IL 2012 People Who Work Here curated by Rawson Projects, David Zwirner gallery, New York, NY 2012 First Love, curated by Angela Bryant O'Connor gallery, Dominican University, River Forest, IL 2011 Color: Fully Engaged, curated by Jamilee Polson, A & D gallery, Columbia College, Chicago, IL 2011 Juried Auction, NURTUREart hosted by the Chelsea Art Museum, New York, NY 2010 Feeble Intimacy, LVL3, Chicago, IL 2010 MinimumixaM curated by Nicholas Cueva, Dan Gunn, and Heather Mekkelson Twelve Galleries Quarterly # 1 hosted by Pentagon Gallery, Chicago, IL 2009 Ship in a Bottle, Sullivan Galleries, School of the Art Institute of Chicago, Chicago, IL 2008 Liz Nielsen at Accomplice Projects, Art Basel Miami / Bridge Fair, Miami, FL 2007 Awesome in Giftshop project space, Gescheidle Gallery Chicago, IL 2007 Word of Mouth presented by Diet Gallery, Art Basel Miami / Bridge Fair Miami, FL 2005 Art Chicago, Lisa Boyle Gallery, Chicago, IL 2005 Art Basel Miami / Aqua Art, Lisa Boyle Gallery, Miami, FL 2005 Genderosity, 4 - F Gallery, Los Angeles, CA 2005 Art Chicago / NOVA Young Art Fair, Project Rooms: (The Mothership Installation), Chicago, IL 2004 Who's doing Self - Portraiture in 2004?

She has curated exhibitions including Social Paper: Hand Papermaking in the Context of Socially Engaged Art with Jessica Cochran, and Revolution at Point Zero: Feminist Social Practice with Neysa Page - Lieberman.

Several Art21 artists temporarily engage in a moment of symbiosis in the New Museum's new group exhibition, After Nature, curated by Massimiliano Gioni with the assistance of Jarrett Gregory and Chris Wiley.

Pierogi represents the work of emerging, mid-career, and established artists engaging in conceptually driven, process oriented work in a wide range of media: from the diagrammatic drawings of Mark Lombardi, the large - scale, nuanced still life drawings of Dawn Clements, and the interactive installations of Andrew Ohanesian, to the historically significant work of Kim Jones (who began his career as a performance artist in LA in the early 1970's), as well as curated exhibitions such as the award - winning Dead Tree installation (a recreation of the Robert Smithson work originally shown in Dusseldorf's Kunsthalle, 1969).

GalleriesNow presents a curated selection of the world's best exhibitions from leading galleries to an engaged, international audience of collectors, curators and art professionals.

Curated by Susanne Ghez, the exhibition demonstrates Baghramian's particular deftness with sculptural form and savvy in an engaging exhibition context.

Vox members are committed to actively engaging in an ongoing dialogue of experimental artistic practice through producing and curating exhibitions, performance events, artist lectures and discussions.

18 Holden Street Gallery — Exhibitions include the «Phylogeny Projects» a group show curated by Derek Parker and Anne Roecklein and «Art into Life, Life into Art: Matei Bejenaru's Socially Engage Art Practice» curated by Izabel Gallieara.

Throughout the winter term, students engaged in active and thoughtful conversations to curate a project exhibition that operates in dialogue with the adjacent exhibition Attentive Arrangements.