Sentences with phrase «curate group shows over»

SHCC It's funny, the graduate committee actually encouraged students to curate group shows over solo exhibitions when I studied there.

Not exact matches

, groups show curated by de Pury de Pury, Venus Over Manhattan, NY Wall: Jean - Baptiste Bernadet, floor: Friedrich Kunath, wall, right: Rosemarie Trockel

I curated a group show at my gallery, The Untitled Space, titled «ONE YEAR OF RESISTANCE» which featured over 80 artists with works that addressed the last year of divisive politics in the United States since Trump was elected.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Founder and editor of (and frequent contributor to) the respected publication, The Brooklyn Rail, Bui has curated over 40 monographic and group shows since 2000, including a first anniversary commemoration of Hurricane Sandy, Come Together: Surviving Sandy, Year 1.

Over the past 12 years he has curated and organised over 50 exhibitions and projects, including solo shows by Simon Starling, Alex Katz, Lily van der Stokker, Henri Gaudier Brzeska, Linder, Albert Oehlen, Carol Bove, Dexter Dalwood, Mark Titchner, Heimo Zobernig, Hans - Peter Feldmann, Barbara Hepworth, Adam Chodzko, Deimantas Narkevicius, Eileen Quinlan, Peter Lanyon and Lucy McKenzie, as well as a number of group exhibitions including: «The Hollows of Glamour»,» This storm is what we call progress», «Pale Carnage», «The Indiscipline of Painting», «The Dark Monarch: Magic and Modernity in British Art» and most recently «Aquatopia: The Imaginary of the Ocean Deep&raqOver the past 12 years he has curated and organised over 50 exhibitions and projects, including solo shows by Simon Starling, Alex Katz, Lily van der Stokker, Henri Gaudier Brzeska, Linder, Albert Oehlen, Carol Bove, Dexter Dalwood, Mark Titchner, Heimo Zobernig, Hans - Peter Feldmann, Barbara Hepworth, Adam Chodzko, Deimantas Narkevicius, Eileen Quinlan, Peter Lanyon and Lucy McKenzie, as well as a number of group exhibitions including: «The Hollows of Glamour»,» This storm is what we call progress», «Pale Carnage», «The Indiscipline of Painting», «The Dark Monarch: Magic and Modernity in British Art» and most recently «Aquatopia: The Imaginary of the Ocean Deep&raqover 50 exhibitions and projects, including solo shows by Simon Starling, Alex Katz, Lily van der Stokker, Henri Gaudier Brzeska, Linder, Albert Oehlen, Carol Bove, Dexter Dalwood, Mark Titchner, Heimo Zobernig, Hans - Peter Feldmann, Barbara Hepworth, Adam Chodzko, Deimantas Narkevicius, Eileen Quinlan, Peter Lanyon and Lucy McKenzie, as well as a number of group exhibitions including: «The Hollows of Glamour»,» This storm is what we call progress», «Pale Carnage», «The Indiscipline of Painting», «The Dark Monarch: Magic and Modernity in British Art» and most recently «Aquatopia: The Imaginary of the Ocean Deep».

A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.

A former Director (2000 - 06) of San Francisco's CCA Wattis Institute, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), and Psycho Buildings (2008), an exhibition that included installations by artists such as Mike Nelson, Gelitin and Do - ho Suh.

Every year Southern Exposure, San Francisco hosts it's «no fee» juried show, a behemoth of a group show inviting artists from all over northern California to submit work, free of charge, to be curated by...

Phong Bui has curated over 50 monographic and group shows since 2000, including the first anniversary commemoration in 2013 of Hurricane Sandy: Come Together: Surviving Sandy, Year 1, «a sprawling, encompassing, inspiring exhibition of works by some 300 artists,» according to Roberta Smith of the New York Times.

Curated by celebrated fashion designer and curator Duro Olowu, this group show brings together over sixty international artists working in diverse media.

Having witnessed the rise of graffiti and urban art from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many others.

Group exhibitions include: «Everything Must Go,» Casey Kaplan, New York, «Talk Show» and «Turning Over a New Leaf» at Edward Thorpe Gallery, New York, and «Contemporary Painting,» Colby College Museum of Art, Waterville, Maine (curated by Alex Katz).

Opening: «Made in Space» at Gavin Brown's Enterprise and Venus Over Manhattan It's a busy night at Gavin Brown's Enterprise, with shows featuring the Afrika Bambaataa Master of Records vinyl archive and monochromes by the mysterious Henry Codax opening alongside «Made In Space,» a group show curated by Peter Harkawik and Laura Owens that's also going to be at Venus Over Manhattan.

Michael has had works exhibited in over twenty solo shows, fifty curated group exhibitions, and written about in countless publications.

Tiny Terrors Curated by Jeremy Cross, A group show of miniaturized phobias, 100 works from over 60 artists

I have exhibited my work over the past twenty years in many group and solo shows throughout the United States including Franconia Sculpture Park Minnesota, Brooklyn Public Library, Usdan Center Bennington College, in New York City at The USB Gallery, Lesley Heller Fine Art, Participant, White Columns, Outpost, Storefront, Norte Maar and Schema, in Los Angeles at Artist Curated Projects and LACE, Drawing Rooms in Jersey City, and Mount Airy Contemporary Artists Space in Philadelphia.

A former Director (2000 - 06) of CCA Wattis Institute, at the California College of Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruscha, Jeremy Deller, Carsten Holler, Tracey Emin, and George Condo.

Scoggins has had works exhibited in over twenty solo shows, fifty curated group exhibitions, and has been written about in countless publications.

Unconventionally, for a degree show, the four artists curated a space that conveyed a strong collective identity, placing the group over the individual at a time when «showcasing» is the name of the game.

Every year Southern Exposure, San Francisco hosts it's «no fee» juried show, a behemoth of a group show inviting artists from all over northern California to submit work, free of charge, to be curated by a guest juror - this year it's the Assistant Curator of Hammer Museum, Corrina Peipon.

- Terri Hopkins, Emerita Curator, The Art Gym at Marylhurst University (catalog excerpt) In a career now in its fourth decade, Hayes has held over thirty - five solo exhibitions in the U.S. and abroad, and his works have been curated into nearly seventy group shows by a broad diversity of curatorial voices, among whom are: Kristy Edmunds, Cassandra Coblentz, Stuart Horodner, Linda Tesner, Bruce Guenther, Terri Hopkins, John Weber, Peter Frank, Willem de Looper and Mary Jane Jacob.

Jérôme Sans has curated over 300 solo and group shows worldwide, in art institutions and outside, among others:

He has curated or co-curated over 100 exhibitions in the Americas, Asia and Europe including solo shows of Dennis Oppenheim, Javier Téllez, Miguel Angel Rios, Bik Van der Pol, Gordon Cheung, Riiko Sakkinen, Wojtek Ulrich, Shahram Entekhabi, Sun Yao, and Lui Lei, as well as group exhibitions including The Twilight of the Idols (Madrid), The Metamorphosis (Shanghai), Body Double (Wrocław), The Picture of Dorian Gray (Mexico City), Under Your Skin (New York City), The Phantom Limb (Chicago), The Crystal Land Revisited (Newark), That Obscure Object of Desire (Monterrey, Mexico), The Bermuda Triangle (Miami), Under the Volcano (San Jose, Costa Rica) and Theater of Cruelty (New York City).

Over the last 12 years Martin has curated numerous exhibitions and projects, including solo shows by Simon Starling, Albert Oehlen, Lily van der Stokker, Alex Katz, Hans - Peter Feldmann, Heimo Zobernig, Dexter Dalwood, Carol Bove, Bojan Sarcevic, Deimantas Narkevicius, Peter Fraser, Katy Moran, Mark Titchner, Brian Griffiths and Lucy McKenzie, as well as group exhibitions that include The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, 2009; Pale Carnage, Arnolfini, 2007; and The Hollows of Glamour, Herbert Read Gallery, 2003.

She has curated numerous exhibitions, including most recently Love is a Stranger at Creative Growth Art Center in Oakland, and has organized over 50 exhibitions ranging from solo shows of the work of Richard Artschwager, Dan Flavin, and Brice Marden to major group exhibitions such as Monuments for the USA and IRREDUCIBLE: Contemporary Short Form Video.

When asked what it's like to have championed Schnabel's paintings over the past few decades while many curators were avoiding them — aside from the occasional 1980s group show — Hollein, who curated a Schnabel survey in 2004 while director of the Schirn Kunsthalle in Frankfurt, explained that it's a curator's job to «do what you believe in.»

Curated by art historian John Wilmerding, this outstanding - sounding group show, which examines how Pop artists broadened the scope of classical still life to include sculpture and other new media, includes over 75 artworks from an all - star list of artists from Jasper Johns and Jeff Koons to Wayne Thiebaud and Andy Warhol.