Sentences with phrase «curated do it exhibition»
On a bridge inside Manchester's colossal Arndale centre two attractive young performers are interpreting Theaster Gates's instruction - work How to Catch the Holy Ghost or Get Arrested in a Shopping Mall (2012), an offsite event for the Hans Ulrich Obrist - curated Do It exhibition, part of the Manchester International Festival.
https://artreview.com/ Not exact matches
I'd probably choose to do the same thing — curate exhibitions — which I would enjoy infinitely more without the stress of how I pay my mortgage.
«The gallery is historical and intergenerational and very exhibition - and curated - heavy, and we felt that the Independent was without a doubt the best fair to respond to what we do.»
Mimi Gross has done an incredible job developing The Renee and Chaim Gross Foundation, Susan Bee has curated exhibitions of the work of her father Sigmund Laufer and her mother Miriam Laufer.
Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY
Elisabeth Condon and Carol Prusa did, enough to curate the exhibition in a slightly different form for the Schmidt Center Gallery of Florida Atlantic University.
2006 USA Today, Royal Academy of Arts, London, UK Youth of Today, Schirn Kunsthalle, Frankfurt, Germany Constant Disturbance, Centro Cultural Español, Curated by Gean Moreno, Miami, FL Bring it on, Monique Meloche Gallery, Chicago, IL Transformer, Traveling exhibition of contemporary artworks from the West Collection, Main Line Art Center, Haverford, PA Nominally Figured, Recent Acquisitions in Contemporary Art, Fogg Art Museum Harvard University, Boston, MA Making Do, Yale University School of Art, New Haven, CT
I Don't Know, Or The Weave of Textile Language is curated by Magnus af Petersens, Chief Curator, Whitechapel Gallery and Achim Borchardt - Hume, Head of Exhibitions, Tate Modern with Poppy Bowers, Assistant Curator, Whitechapel Gallery and Hansi Momodu - Gordon, Assistant Curator, Tate Modern.
an exhibition curated by Nick Tremley, originating at Pace London, focusing on works done in the spirit of Mingei, or «people's art,» folk art, a Japanese philosophical and aesthetic movement conceptualized in the 1920s by Japanese theorist Sōetsu Yanagi.
New work from New York, Syracuse University Art Galleries, Syracuse, NY Art on Paper 2010: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC The Silk Road, Saatchi Gallery, London and Lille, France Paper, Frederic Snitzer Gallery, Miami, FL Does the Angle Between Two Walls Have a Happy Ending, curated by Ishmael Randall Weeks, Federica Schiavo Gallery, Rome, Italy
2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA
Don't miss a series of curated exhibitions on the Factory Floor including Conscious Design and Oui Design; the Design Schools Workshop with students from around the globe collaborating around the theme Future Heirloom; a Career Day on May 17, open studio tours and a new mural by artist Camille Walala.
In a 2000 interview with Hans Ulrich Obrist (whose ongoing Do It project owes a debt to Mr. Siegelaub's book exhibitions), Mr. Siegelaub explained, in part, why he stopped curating contemporary art.
More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LAX > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.
While the majority of what we do seasonally is solo exhibitions; we have, almost every season, invited artists to curate an exhibition.
Janet McKenzie: How different do you think an exhibition will be that has been curated by artists as opposed to curators?
More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LA > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.
She has done freelance editing and curating in New York with the exhibition CLAP at 10x10 Photobooks and has participated in residencies in Minnesota with The Little Brown Mushroom, the publishing house Alec Soth 2013, TAKT Berlin 2014, and ZKU Berlin 2016.
A few works on paper that I did in the 1970s are going to be shown for the first time in Four Figures, a group exhibition curated by artist Tom Knechtel at Marc Selwyn Fine Art in Beverly Hills, California, opening Saturday July 12 through August 23.
And I realized pretty quickly that in my new role as a director - slash - fundraiser - slash - janitor of Participant, when curating solo exhibitions, most people don't even really see the curator, if you're doing a good job.
2003 A Nova Geometria, Galeria Fortes Vilaça, São Paulo, Brazil PLUNDER: Culture as Material, Dundee Contemporary Arts, Dundee, Scotland From Dusk to Dusk - Art between Light and Dirt, Charlottenborg Exhibition Hall, Copenhagen, Denmark MAMAM - Museu de Arte do Recife, Recife, Brazil Frankenstein, Tanya Bonakdar Gallery, New York, USA (curated by Ethan Sklar) Delays and Revolutions, Venice Biennale, Italy Land Land!
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)
This is the latest in a line of beautifully curated, closely focused exhibitions that the Courtauld Gallery does so well.
This exhibition does not pretend to be a curated show.
Curated by Sylvie Ramond, director of Lyon's Musée du Beaux - Arts, and French Academy director Eric de Chassey, the exhibition contains the experiments on canvas Soulage began working on in 2000, when he returned to painting after years of absence.
David Zwirner Gallery's recent group exhibition Folk Devil, curated by Associate Director Rodolphe von Hofmannsthal, didn't exactly breach the conventions of the standard Chelsea group show, but I forgave it.
2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York
Al Qasimi then discussed «do it [In Arabic],» curated by Hans Ulrich Obrist, a franchised relational aesthetics exhibition (launched in 1993) that has been touring globally since that time.
How do you feel about the fact that we're comparing large - scale curated exhibitions with what are effectively large - scale shopping opportunities?
Charles Esche has curated or co-curated numerous international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, London, 2000.
It basically let me curate solo exhibitions in the space, so people don't just see one piece by an artist here and there in a mishmash, but can see a solo exhibit of Jon Rafman, a solo exhibit of Chris Hood, a solo exhibit of Charlie Billingham, a solo exhibit of Oscar Murillo.
How did you begin working with Lucien Terras, who curated the exhibition in the gallery space of your apartment building?
Craig - Martin said his first response to being asked to curate the enormous show was that he «didn't want to do it at all», adding: «There are few exhibitions of this scale so it is very demanding to look at and it is very demanding to hang and can be very demanding to make sense of without collapsing into a sense of confusion.»
Curated by Søren Grammel, exhibition focuses on the installation Frankfurter Block, [2016] 2014, 2012, an expansive and multifaceted project Mucha did not complete in its present form until two years ago.
With almost 100 works on display, this mammoth exhibition has been expertly curated in a manner that doesn't follow the traditional chronological route; «The works are grouped into key sequences, allowing connections and common themes to emerge and to promote a comprehensive understanding of Jones's wide - ranging artistic practice.»
Goldschmied & Chiari selected for The National Museum of Women in the Arts, Washington, D.C., biennial exhibition series «Women to Watch,» June 5 - Sept 13, 2015, http://nmwa.org/press-room/press-releases/national-museum-women-arts-announces-artists-featured-biennial-exhibition Rachel Higgins in group exhibition «Negative Space,» curated by Gabrielle Garland and Stacie Johnson, The Knockdown Center, Maspeth, NY, Feb 28 - April 12, http://knockdown.center/event/negative-space/ Rachel Higgins in group exhibition «I Serve Art,» curated by Sara Reisman, Richard & Dolly Maass Gallery, Visual Arts Building, SUNY Purchase, Feb 17 - Mar 27, https://www.purchase.edu/Departments/AcademicPrograms/Arts/artdesign/richardanddollymaassgallery.aspx Josh Slater film «A Short Coma,» and interview featured in The Creators Connect, http://www.thecreatorsconnect.com/meet-josh-slater/ Rachel Higgins in group exhibition «Flat by Fiat,» Brooklyn, Jan 31 - Feb 21, 2015, open by appointment Goldschmied & Chiari: Untitled Portraits listed in «Feature Shoot Recommends: Top 10 Photo Events and Happenings in New York (Jan. 19 - 25),» by Ellyn Kail, Jan 19, 2015 http://www.featureshoot.com/2015/01/feature-shoot-recommends-top-10-photo-events-happenings-new-york-jan-19-25/ Goldschmied & Chiari: Untitled Portraits reviewed in the New Yorker Jan 12, 2015 http://www.newyorker.com/goings-on-about-town/art/goldschmied-chiari Loring Knoblauch's review «Goldschmied & Chiari: Untitled Portraits @kristenlorello» in Collector Daily Jan 12, 2015 http://collectordaily.com/artists/sara-goldschmied-and-eleonora-chiari/ Giacinto Occhionero in group exhibition, «You Don't Bring Me Flowers (+ The Mistress Project), Jan 24 - Mar 7, 2015, http://www.68projects.com/category/exhibitions-future/ Goldschmied & Chiari in group exhibition «Florilegia,» at Grimaldi Gavin, London, Jan 16 - Feb 28, 2014, http://www.grimaldigavin.com/index.php?method=section&action=zoom&id=160&lng=1&forceID=1e3f75e0c66514dbd92d42cc43bbfd19
The exhibition is curated by: Agnès de la Beaumelle (Honorary Chief Curator, Centre Pompidou), Marie - Laure Bernadac (Honorary Chief Curator, Musée du Louvre), Denis Hollier (Professor of Literature French Department at New York University) with, expert advisor Jean Jamin.
group exhibition i «m sorry, i didn't quite catch that, curated by Bob Bicknell - Knight, has been reviewed by AQNB.
Van Meel has curated the group exhibition Luminous Flux at Arti et Amicitiae in Amsterdam (2014) and was the initiator of Does Not Equal, a collaborative project on the creative potential and ongoing concerns of feminism at W139 in Amsterdam (2015).
Van Meel has curated the group exhibition Luminous Flux at Arti et Amicitiae in Amsterdam (2014) and is the initiator of Does NotEqual, a collaborative project on the creative potential and ongoing concerns of feminism at W139 in Amsterdam (2015).
Recent group exhibitions include Hiding in Plain Sight: A Selection of Works from the Buxton Collection at the Bendigo Art Gallery in Australia, Believe Not Every Spirit, But Try The Spirits, curated by Lars Bang Larsen & Marco Pasi at the Monash University Museum of Art in Melbourne and Don't Hide The Hate at the Slopes Gallery in Melbourne.
I don't normally toot my own horn quite so insistently, but this has been an extraordinary 12 months for me — many good exhibitions, all curated by dealers and curators with exquisite sensibilities, in the company of many strong artists — that I've been posting walk - throughs of the shows -LRB-
The gallery does not provide funding for curated exhibitions at this time, but we can offer support and resources for locating funding for accepted exhibitions.
Artist Simone Leigh's (2010 - 2011 Artist in Residence at the Studio Museum in Harlem) exhibition You Don't Know Where Her Mouth Has Been, curated by Rashida Bumbray is currently on view at The Kitchen in New York City.
Exhibitions (our selection features artist curated exhibitions): Zone 1 / BOS # 26 / Do it Yourself @ 195 Morgan Avenue (formerly 3rd Ward) If you pick just one studio building to visit Exhibitions (our selection features artist curated exhibitions): Zone 1 / BOS # 26 / Do it Yourself @ 195 Morgan Avenue (formerly 3rd Ward) If you pick just one studio building to visit exhibitions): Zone 1 / BOS # 26 / Do it Yourself @ 195 Morgan Avenue (formerly 3rd Ward) If you pick just one studio building to visit this is it.
beta pictoris gallery is excited to announce gallery artists Barbara and Michael Leisgen's inclusion in the upcoming exhibition «SUBLIME - Les Tremblements du Monde» at the Centre Pompidou - Metz, an exhibition curated by Hélène Guenin.
Her work has been the subject of solo exhibitions at Kristen Lorello, NY, and Saskia Fernando Gallery, Colombo, Sri Lanka, and included in the following group exhibitions: Plus One, curated by Melanie Kress, Sideshow Gallery, Brooklyn, NY, [Old / New] Psychedelic Providence, curated by Jamilee Lacy and sponsored by Providence College Galleries, Tiger Strikes Asteroid, Chicago, IL, and You Don't Bring Me Flowers, curated by Quang Bao, 68 Projects, Galerie Kornfeld, Berlin, Germany.
If you're in Singapore, don't miss the phenomenal «Art From the Streets» group exhibition at @artsciencemuseumsg curated by #magdadanysz.
He has curated numerous public projects and exhibitions in Atlantic Canada, including The Frontier is Here, Nightwalks with Teenagers and Doing Our Own Thing: Back - to - the - Land in Eastern Canada During the 1970s.