Sentences with phrase «curated biennial exhibition»
a curated biennial exhibition of site - specific installation projects located in the landscape of Whitespace
http://www.whitespacecollection.com/ Not exact matches
Outside of her work for museums and biennials, Edwards has independently curated exhibitions at galleries, most notably «Blackness in Abstraction,» an expansive survey of the color black in non-figurative work, for New York's Pace Gallery in 2016.
2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago
Additionally, during the Prospect.3 biennial, the work of the participants was seen in the exhibition «Convergence: JMC @ Prospect.3», at the Center's Rampart Street studios, curated by artist, scholar and MacArthur Fellow Deborah Willis (Ph.D., New York University).
Hasegawa has curated and co-curated several major exhibitions, including the Istanbul, Shanghai and Sao Paulo biennials, and has been a member of the Asian Art Council at the Solomon R. Guggenheim Museum since 2008.
They also organized and curated the highly acclaimed international biennial Bishkek Contemporary Art Exhibition.
He has been a Lecturer at Yale University and Pratt University, and has curated a number of international exhibitions, including Dublin Contemporary 2011, the inaugural Irish biennial of contemporary art.
James curated the museum's summer exhibition, «NOT THE WAY YOU REMEMBERED,» and is currently co-curator of the museum's biennial survey of artists living or working in Queens.
She co-curated the 2004 and 2006 Whitney Biennials, and is curating a major trans - historical exhibition on the cinematic at the Whitney for Fall 2016.
As the founding director of the Artist's Institute in New York, Huberman has worked with artists such as Robert Filliou, Rosemarie Trockel, Haim Steinbach, and Thomas Bayrle, and will be publishing a book about them in 2015; he will also curate his fifth installment of Hello Goodbye Thank You, a biennial exhibition, at castillo / corrales in Paris.
Made in LA 2014, the second of the Hammer's biennial exhibitions, this time curated by Michael Ned Holte and Connie Butler, will open in June.
Goldschmied & Chiari selected for The National Museum of Women in the Arts, Washington, D.C., biennial exhibition series «Women to Watch,» June 5 - Sept 13, 2015, http://nmwa.org/press-room/press-releases/national-museum-women-arts-announces-artists-featured-biennial-exhibition Rachel Higgins in group exhibition «Negative Space,» curated by Gabrielle Garland and Stacie Johnson, The Knockdown Center, Maspeth, NY, Feb 28 - April 12, http://knockdown.center/event/negative-space/ Rachel Higgins in group exhibition «I Serve Art,» curated by Sara Reisman, Richard & Dolly Maass Gallery, Visual Arts Building, SUNY Purchase, Feb 17 - Mar 27, https://www.purchase.edu/Departments/AcademicPrograms/Arts/artdesign/richardanddollymaassgallery.aspx Josh Slater film «A Short Coma,» and interview featured in The Creators Connect, http://www.thecreatorsconnect.com/meet-josh-slater/ Rachel Higgins in group exhibition «Flat by Fiat,» Brooklyn, Jan 31 - Feb 21, 2015, open by appointment Goldschmied & Chiari: Untitled Portraits listed in «Feature Shoot Recommends: Top 10 Photo Events and Happenings in New York (Jan. 19 - 25),» by Ellyn Kail, Jan 19, 2015 http://www.featureshoot.com/2015/01/feature-shoot-recommends-top-10-photo-events-happenings-new-york-jan-19-25/ Goldschmied & Chiari: Untitled Portraits reviewed in the New Yorker Jan 12, 2015 http://www.newyorker.com/goings-on-about-town/art/goldschmied-chiari Loring Knoblauch's review «Goldschmied & Chiari: Untitled Portraits @kristenlorello» in Collector Daily Jan 12, 2015 http://collectordaily.com/artists/sara-goldschmied-and-eleonora-chiari/ Giacinto Occhionero in group exhibition, «You Don't Bring Me Flowers (+ The Mistress Project), Jan 24 - Mar 7, 2015, http://www.68projects.com/category/exhibitions-future/ Goldschmied & Chiari in group exhibition «Florilegia,» at Grimaldi Gavin, London, Jan 16 - Feb 28, 2014, http://www.grimaldigavin.com/index.php?method=section&action=zoom&id=160&lng=1&forceID=1e3f75e0c66514dbd92d42cc43bbfd19
Nat May, the former executive director of SPACE Gallery in Portland, will curate the 2018 biennial exhibition of contemporary art at the Portland Museum of Art.
May 28 — August 1, 2010 Social Skin - the third in a biennial series of exhibitions collaboratively curated by VCUarts Museum Studies students - included an eclectic mix of artworks and objects that present, explore, and delight in the body as cultural artifact.
Her work has garnered solo exhibitions, including All That Stands Between Us (2009), curated by Hills Snyder at Sala Diaz Gallery, and group shows including Urban Jalousie, the inaugural roaming biennial of Tehran in Istanbul, Turkey, curated by Amirali Ghasemi; and Bruit Rose, curated by Marie Frampier at Maison Populaire, a contemporary art center in Paris.
OUTSIDE THE BOX2, curated by Lisa Rockford, is the second biennial exhibition of outdoor, site - specific art in Palm Beach County, FL..
His work has also featured in numerous group exhibitions and biennials including «Roberto Burle Marx: Brazilian Modernist», Jewish Museum, New York, USA; «United States of Latin America», Museum of Contemporary Art, Detroit, Michigan, USA (2015); «The insides are on the outside», curated by Hans - Ulrich Obrist, Casa de Vidrio, Sao Paulo, Brazil (2013); the Aichi Triennial, Nagoya, Japan (2010), Museu de Arte Moderna de São Paulo, São Paulo (2009); the Sharjah Biennial, United Arab Emirates (2009); the Mercosul Biennial, Porto Alegre, Brazil (2007); the São Paulo Biennial (2006); the San Diego Museum of Art (2005) and the American National Society, New York (2005).
Notable exhibitions • «Jane Alexander: On Being Human,» Galilee Chapel of Durham Cathedral, England, 2009 • «Survey,» Jack Shainman Gallery, New York, New York, 2009 • «Jane Alexander,» Gasworks, London, 2000 • «Bom Boys and Lucky Girls,» University of Cape Town Irma Stern Museum, South Africa, 1999 Curated international Group exhibitions • Venice, Havana, Gothenburg, Tirana, Bamako, São Paulo, Singapore, and Dakar biennials • «Africa Remix» exhibited in Europe, Japan and South Africa, 2006 • «Africas: The Artist and the City,» Spain, 2001 • «Apartheid: The South African Mirror,» Spain, 2007 • «Personal Affects: Power and Poetics in Contemporary South African Art,» United States, 2004 • «The Short Century» in Germany and the United States, 2002
Significant exhibitions during her lifetime included the early São Paulo Biennials (1953 - 1967), the Second Pilot Show of Kinetic Work, curated by Guy Brett at the Signals Gallery, London in 1962; and a presentation at the Venice Biennale in 1968.
Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.
The biennial can be broken down into three essential parts: the Fotofocus Curated Exhibitions (eight exhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (exhibitions that are curated independently of FotoFocus, but support the theme and mission of the BieCurated Exhibitions (eight exhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (exhibitions that are curated independently of FotoFocus, but support the theme and mission of theExhibitions (eight exhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (exhibitions that are curated independently of FotoFocus, but support the theme and mission of theexhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (exhibitions that are curated independently of FotoFocus, but support the theme and mission of the Biecurated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (exhibitions that are curated independently of FotoFocus, but support the theme and mission of theexhibitions that are curated independently of FotoFocus, but support the theme and mission of the Biecurated independently of FotoFocus, but support the theme and mission of the Biennial).
Over the last twenty - five years Bickerton has exhibited extensively around the world, including recent exhibitions such as the «East Village USA» at the New Museum of Contemporary Art in New York; «Collecting Biennials», at the Whitney Museum of American Art; «Skin Fruit: Selection: Selections from the Dakis Joannou Collection at the New Museum of Contemporary Art, «Law of the Jungle» curated by Tiago Carneiro da Cunha at Lehmann Maupin all New York; and «Pop Life: Art in a Material World» at the Tate Gallery, London.
Select group exhibitions and biennials featuring his work have included «The Collectors,» curated by Elmgreen & Dragset for the Nordic and Danish Pavilions at the 53rd Venice Biennale; «Triumph of Painting: Part III,» Saatchi Gallery, London; Ideal Worlds — New Romanticism in Contemporary Art,» Schirn Kunsthalle, Frankfurt; and the 2004 Whitney Biennial.
Next year holds the promise of a solo exhibition at the Whitney Museum, curated by Christopher Y. Lew, who was recently tapped to curate that institution's upcoming 2017 biennial.
She has curated international exhibitions as part of numerous biennials including Printemps de Septembre 2016 (Toulouse, France); EVA International 2016 (Limerick, Ireland); Format International Photography Festival 2015 (Nottingham, UK); Summer of Photography 2014 (Brussels, Belgium); 10th Dak» Art Biennial 2012 (Dakar, Senegal); 3rd Photoquai Biennial of World Images 2011 (Paris, France).
Sillars has curated and overseen more than 150 exhibitions including major international solo shows with Lorna Simpson, Jim Shaw, Robert Breer, Bruce Nauman, co-curated three Liverpool Biennials and two Turner Prize exhibitions as well as experimental projects with emerging artists.
Tiago has curated exhibitions in museums, commercial galleries, biennials etc. in Spain, France, Morocco, Netherlands and Brazil, among which: Notes for a Shell, parallel project for Art - O-Rama, Marseille, France (2017); A spear, a spike, a point, a nail, a drip, a drop, the end of the tale, Ellen de Brujine Projects, Amsterdam (2016); Within the Sound of Your Voice, parallel project for the 5th Marrakech Biennale (2014).
Art and the Feminist Revolution, the Museum of Contemporary Art, Los Angeles (2007); BIENNIAL Exhibition at the Whitney Museum of American Art, New York (1997); and INside the VISIBLE curated by Catherine M. de Zegher, Institute of Contemporary Art, Boston, traveled to the National Museum of Women in the Arts, Washington, DC, the Whitechapel Art Gallery, London, and the Art Gallery of Western Australia, Perth (1996).
The rich program of the event is surely highlighted by eight major exhibitions curated by FotoFocus biennial Director Kevin Moore, who conceived this year's program around the documentary nature of the photographic medium.
With primary emphasis on contemporary art, students examine the various approaches to curatorial practice including curating in a global context, the rise of the biennial, performance art and non-traditional venues and the potential political and ethical implications of exhibition making.
Important solo and group exhibitions during Clark's lifetime include the early São Paulo Biennials (1953 - 1967); the Second Pilot Show of Kinetic Work, curated by Guy Brett at Signals Gallery, London in 1962; and a presentation, alongside Mira Schendel, at the XXXIV Bienale di Venezia in 1968.
I contacted Hammer Museum Chief Curator Connie Butler, and this was her response via email: «Made in L.A. was conceived as a curated biennial rather than a juried exhibition.
Milhazes will be participating in a number of group exhibitions this fall including When Lives Become Form at the Museum of Contemporary Art, Tokyo, curated by Yuko Hasegawa, opening October 21st; the Prospect 1 New Orleans, the largest biennial of international art to be organized in the US, opening October 31st for which she has been commissioned to make a chandelier - like room installation.
Among his curated exhibitions, workshops, and talks at the Parkingallery are Deep Depression (2004 - 2006); Sideways (2008); Urban Jealousy, 1st international roaming biennial of Tehran (2008 - 2009); and three editions of Limited Access Festival (2007 - 2011), which led to a variety of projects with art and education institutions in Germany, Netherlands, Serbia, UK, Egypt, Turkey, Brazil, and India.
He has also curated many seminal exhibitions in Europe, the U.S., and Asia, including international biennials in Shanghai (2000), Istanbul (2007), the Chinese Pavilion at the Venice Biennale (2007), and Lyon (2009).
As Kevin Moore, the artistic director of the Cincinnati biennial FotoFocus (which ran for the month of October), who curated the exhibition, Roe Ethridge: Nearest Neighbor, points out, «These photographs do not perform like an Alec Soth documentary project.
Her artwork has been exhibited widely in curated international group exhibitions including the Venice, Havana, Gothenburg, Tirana, Bamako, São Paulo, Singapore, and Dakar biennials, as well as in Africa Remix (2006) exhibited in Europe, Japan, and South Africa; Africas: The Artist and the City (2001), and Apartheid: The South African Mirror (2007) in Spain; Personal Affects: Power and Poetics in Contemporary South African Art (2004) in the USA; and The Short Century (2002) in Germany and the USA.
Through a rigorously curated and provocative exhibition program that showcases established and emerging international and Canadian artists, the biennial stands at the forefront of current investigations on contemporary still and moving images.
Serving as artistic director of Prospect 3: New Orleans (2014 - 2015), Franklin Sirmans curated the biennial's highly anticipated exhibition, «Basquiat in the Bayou.»
Tiago has curated exhibitions in museums, commercial galleries, biennials etc. in Spain, France, Morocco, Netherlands and Brazil.
In April 2014, he curated an exhibition of works by the artist Stephen Kaltenbach at OHIO Gallery, Glasgow, which was part of Glasgow International, the city's biennial festival of contemporary art.
Various venues May 26 - July 17 Curated by Niels Van Tomme Some of the most interesting thinking about biennials today is coming from curators who are abandoning standard exhibition...
As the founding director of the Artist's Institute in New York, Huberman has worked with artists such as Robert Filliou, Rosemarie Trockel, Haim Steinbach, andThomas Bayrle, and will be publishing a book about them in 2015; he will also curate his fifth installment of Hello Goodbye Thank You, a biennial exhibition, at castillo / corrales in Paris.
He curated many seminal exhibitions in Europe, the U.S., and Asia, including international biennials in Shanghai (2000), Istanbul (2007), the Chinese Pavilion at the Venice Biennale (2007), and Lyon (2009).
Norris's work has been shown in a solo exhibition at Contemporary Arts Center New Orleans, and groups shows at Contemporary Arts Museum Houston, in Gifted and Talented (curated by Clifford Owens) at Third Streaming Gallery, New York, Miami Art Basel with Lombard Freid, and in Prospect New Orleans biennials 1.5 and 2 (curated by Dan Cameron).
His work has also been featured in numerous group exhibitions and biennials, most recently the 14th Biennale de Lyon, curated by Emma Lavigne (2017), Manifesta 7 (2015), along with 2017 group shows at Guggenheim Bilbao, Albright Knox Art Gallery, Centre Pompidou - Metz, and a permanent installation at the Museum of Contemporary Art, Chicago.