Sentences with phrase «curated by assistant»

Unpacking the Green Book: Travel and Segregation in Jim Crow America is curated by Assistant Curator Samantha De Tillio.
Curated by Assistant Curator of Contemporary Art Jessi DiTillo of the Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, Oregon.
Curated by Assistant Curator of Contemporary Art Jessi DiTillo of the Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, Oregon, Emancipating the Past: Kara Walker's Tales of Slavery and Power explores Walker's transformation of historical materials through a range of different projects, bringing together some of her earliest and most recent artworks.
The exhibition was curated by Assistant Curator of Contemporary Art Jessi DiTIllio, Jordan Schnitzer Museum of Art, University of Oregon from the Portland, Oregon - based collections of Jordan D. Schnitzer and the Jordan Schnitzer Family Foundation.
The Art of Zero is organized by the Neuberger Museum of Art of Purchase College, SUNY and curated by Assistant Curator Avis Larson.
SUPERFRONT presents SUPERHERO: A POP - UP EXHIBIT WITH JIMENEZ LAI, curated by Assistant Curator Jackie Koenig.
Exhibition was curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton.
The San Francisco Museum of Modern Art's «Field Conditions,» curated by Assistant Curator of Architecture and Design Joseph Becker, is named after architect Stan Allen's essay of the same name.
This show is a selection from a larger exhibition organized by Miami Art Museum and curated by Assistant Director for Programs / Senior Curator Peter Boswell.

Not exact matches

The limited edition Whisky menu was specially curated by SUSHISAMBA Las Vegas Executive Chef Joel Versola, Assistant Corporate Sushi Chef John Um and Executive Pastry Chef Michael Outlaw with expert pairings by Hayes Swope and will include:
This exhibition is curated by Prints, Drawings and Photographs Curatorial Assistant Morgan Dowty.
The Hyundai Commission: SUPERFLEX will be curated by Donald Hyslop, Head of Regeneration & Community Partnerships, with Synthia Griffin, Curator of Regeneration & Community Partnerships and assistant curator Valentina Ravaglia.
The exhibition is curated by Omar Kholeif with Emily Butler, Mahera and Mohammad Abu Ghazaleh Curator, Whitechapel Gallery and Séamus McCormack, Assistant Curator, Whitechapel Gallery.
Mr. Johnson has exhibited in many corners of the world including the Tokyo Metropolitan Museum in Japan, the Guangzhou International Art Fair in China and New York City in a juried exhibition curated by Jordan Kantor, during his tenure as Assistant Curator at the Museum of Modern Art.
The show was curated by David Zwirner sales assistant Mary Mitsch and gallery assistants Martha Moldovan and Poppy Pulitzer.
The exhibition is co-organized by MoMA PS1 and Fundación Jumex Arte Contemporáneo, and curated by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1; and Magalí Arriola, Curator, Fundación Jumex Arte Contemporáneo; with Jocelyn Miller, Curatorial Assistant, MoMA PS1; and Javier Rivero, Curatorial Assistant, Fundación Jumex Arte Contemporáneo.
Curated by Karsten Lund, Assistant Curator, Unthought Environments seeks to explore and expand on the relationship among humans, ecology, and the natural environment.
The Hyundai Commission: Abraham Cruzvillegas will be curated by Mark Godfrey, Curator, Tate Modern, with Hansi Momodu - Gordon, Assistant Curator, Tate Modern.
I Don't Know, Or The Weave of Textile Language is curated by Magnus af Petersens, Chief Curator, Whitechapel Gallery and Achim Borchardt - Hume, Head of Exhibitions, Tate Modern with Poppy Bowers, Assistant Curator, Whitechapel Gallery and Hansi Momodu - Gordon, Assistant Curator, Tate Modern.
The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator of Prints and Drawings, department of prints and drawings, National Gallery of Art, Washington, and Mollie Berger, curatorial assistant, department of prints and drawings, National Gallery of Art, Washington.
It is curated by Achim Borchardt - Hume, Director of Exhibitions, Tate Modern; and Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art, New York; with Catherine Wood, Senior Curator, International Art (Performance), Tate Modern; and Fiontán Moran and Juliette Rizzi, Assistant Curators, Tate Modern.
The exhibition is curated by Massimiliano Gioni, Artistic Director; Margot Norton, Associate Curator; and Natalie Bell, Assistant Curator.
This exhibition is curated by Eva Respini, Barbara Lee Chief Curator, The Institute of Contemporary Art / Boston, with Katerina Stathopoulou, Curatorial Assistant, Department of Photography, The Museum of Modern Art, New York.
Guest curated by Tanya Zimbardo, Assistant Curator of Media Arts at the San Francisco Museum of Modern Art, the exhibition brings together for the first time historic works by these two artists, exploring their different approaches to the description of space through structured activity performed for the camera.
Imprint 93 (19 March — 25 September 2016) is curated by Dr. Nayia Yiakoumaki, Curator: Archive Gallery, Project Manager: NEON Curatorial Exchange & Award, Whitechapel Gallery with Poppy Bowers, Assistant Curator, Whitechapel Gallery.
Gun Country is organized by the Addison Gallery of American Art and curated by Stephanie Sparling Williams, Assistant Curator and Visiting Scholar.
MoMa's exhibition, curated by Cara Manes, Assistant Curator for Painting and Sculpture, features artworks from MoMA's permanent collection and includes artists Larry Bell, Robert Smithson, and Richard Artschwager.
-- Hannah Höch is curated by Daniel F. Herrmann, Eisler Curator and Head of Curatorial Studies, and art historian, Prof. Dawn Ades CBE, with Emily Butler, Assistant Curator.
Leap Before You Look: Black Mountain College 1933 — 1957 is organized by The Institute of Contemporary Art, Boston, and curated by Helen Molesworth, chief curator, Museum of Contemporary Art, Los Angeles, with Ruth Erickson, assistant curator, Institute of Contemporary Art, Boston.
Alien She is organized by the Miller Gallery at Carnegie Mellon University (CMU), and is curated by Astria Suparak, independent curator and former director of the Miller Gallery, and Ceci Moss, assistant curator for the Yerba Buena Center for the Arts — both of whom possess deep roots in the Riot Grrrl movement.
-- Adventures of the Black Square: Abstract Art and Society 1915 — 2015, 15 January — 6 April 2015 is curated by Iwona Blazwick OBE, Director, and Magnus af Petersens, Curator at Large, with Sophie McKinlay, Acting Head of Exhibitions and Candy Stobbs, Assistant Curator, Whitechapel Gallery.
Curated by Christopher C. Oliver, Assistant Curator of American Art, VMFA.
Another powerful exhibition using the medium of photography to document, and also to instigate social change, is «A Fire That No Water Could Put Out»: Civil Rights Photography curated by Erin Nelson, a curatorial assistant at the High Museum (November 4, 2017 — May 27, 2018).
NYC Makers: The MAD Biennial is organized by the Museum of Arts and Design and curated by Jake Yuzna, Director of Public Programs, assisted by Samantha De Tillio, Curatorial Assistant and project manager for the exhibition.
The Transformation Marathon is curated by Hans Ulrich Obrist, Co-Director, Exhibitions and Programmes, and Director of International Projects Lucia Pietroiusti, Curator, Public Programmes Ben Vickers, Curator of Digital Claude Adjil, Assistant Curator
It's organized by the Wexner Center for the Arts and curated by Lucy I. Zimmerman, a curatorial assistant at the Wex.
Lu Yang: Delusional Mandala is curated by Barbara Pollack, Independent Curator, with A. Will Brown, Assistant Curator.
Organized by the Portland Art Museum and curated by Jeannie Kenmotsu, Ph.D., Japan Foundation Assistant Curator for Japanese Art.
Curated by Dr. Sarah Eckhardt, Assistant Curator of Modern and Contemporary Art
The Transformation Marathon was curated by Hans Ulrich Obrist, Co-Director, Exhibitions and Programmes and Director of International Projects; Lucia Pietroiusti, Curator, Public Programmes; Ben Vickers, Curator of Digital and Claude Adjil, Assistant Curator.
Surface / Depth: The Decorative After Miriam Schapiro is curated by Elissa Auther, MAD's Windgate Research and Collections Curator with the support of Assistant Manager of Curatorial Affairs, Angelik Vizcarrondo - Laboy.
Curated by Gao Minglu, Assistant Professor in the Department of Art History at Read More»
The exhibition is curated by Piper Marshall, assistant curator, Swiss Institute, NY, and John Riepenhoff, Green Gallery, Milwaukee, in association with Polly Morris, Lynden's executive director.
«We Have Translated Each Other into Light» is curated by Ben Tollefson, assistant curator of SCAD exhibitions.
The exhibition is curated by Eva Respini, Barbara Lee chief curator at the ICA, and Katerina Stathopoulou, curatorial assistant in the Department of Photography, at MoMA, New York.
Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.
The exhibition, curated by the University of Arkansas's Alissa Walls, Ph.D, Assistant Professor of Art History, also features a library section, which serves as an introduction for those not as familiar with the artist's work, as well as an opportunity for those desiring a deeper level of investigation to study further.
Too we added an impromptu show of gallery artists» work from the back room that was curated & installed by our trusty gallery assistant Lauren and our intern Michelle.
The selection was curated by Gregory Harris, Assistant Curator of Photography.
It will be curated at Tate Britain by Elena Crippa, Curator of Modern and Contemporary British Art, and Laura Castagnini, Assistant Curator, and will tour to the Museum of Fine Arts, Budapest
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