Sentences with phrase «curated by chief»

The exhibition, organized by the Hammer Museum, Los Angeles is curated by Chief Curator Douglas Fogel.

California Landscape into Abstraction: Works from the Orange County Museum of Art is organized by the Orange County Museum of Art and curated by Chief Curator Dan Cameron.

The exhibition showcases artworks specially curated by our Chief Curator Rebecca Wilson for the London Design Fair as Samsung introduces The Frame, an intelligent TV which uses Art Mode technology to realize the qualities of real artworks and features The Saatchi Art Collection for The Frame.

Curated by our Chief Curator Rebecca Wilson, the exhibition, entitled «Domestic Fictions,» presents a new series of paintings which are as much about the «luscious butteriness of oil paint,» as Wood puts it, as they are rich narratives about an eclectic cast of characters.

Christodoulos Panayiotou: One Thousand and One Days is organizd by the Contemporary Art Museum St. Louis and curated by Chief Curator Dominic Molon.

Figure Studies: Recent Representational Works on Paper is organized by the Contemporary Art Museum St. Louis and curated by Chief Curator Dominic Molon.

Curated by the Chief Curator Levent Çalıkoğlu, the exhibition runs from 10 March to 10 June 2012.

Group and solo exhibitions are curated by the chief curator and occasionally include significant traveling exhibitions that inform the exhibition focus.

Not exact matches

Dorsey, who is in his second stint as chief executive at Twitter, has rolled out a «buy now» button that allows users to make purchases and a feature that shows users the site's best tweets and content as curated by a Twitter team.

The list was curated by Burberry president and chief creative officer Christopher Bailey, who often booked live performances for the brand's runway shows.

The Walls were curated by Fred Dewey, former Executive Director of Beyond Baroque Literary Arts Center located in Venice, with support from Mike Bonin, current Chief of Staff to LA City Councilman 11th District (Venice), Bill Rosendahl.

The exhibition is curated by Christina Mossaides Strassfield, Museum Director / Chief Curator.

NSFW: Female Gaze is a large thematic group exhibition at the Museum of Sex, curated by Vice's Creators» editor in chief, Marina Garcia - Vasquez, and Museum of Sex's associate curator, Lissa Rivera.

This exhibition is organized by Crystal Bridges Museum of American Art, and was curated by Lauren Haynes, Curator of Contemporary Art, Crystal Bridges; and Chad Alligood, Chief Curator of American Art, The Huntington Library, Art Collections, and Botanical Gardens.

The 2018 Biennial, the 33rd, will be curated by Gabriel Pérez - Barreiro, Director and Chief Curator of the Colección Patricia Phelps de Cisneros.

The exhibition is curated by Public Art Fund Director & Chief Curator Nicholas Baume.

It is curated by Klaus Biesenbach, P.S. 1 Chief Curator, Curator in the Department of Film and Media at The Museum of Modern Art, and the Founding Director of KW.

I Don't Know, Or The Weave of Textile Language is curated by Magnus af Petersens, Chief Curator, Whitechapel Gallery and Achim Borchardt - Hume, Head of Exhibitions, Tate Modern with Poppy Bowers, Assistant Curator, Whitechapel Gallery and Hansi Momodu - Gordon, Assistant Curator, Tate Modern.

Curated by Claudia Schmuckli, Blaffer director and chief curator, the exhibition presents a 25 - year survey of Feher's works.

The exhibition is curated by Ann Goldstein, Director, Stedelijk Museum, Amsterdam; in cooperation with the Mike Kelley Foundation for the Arts; and organized at MoMA PS1 by Connie Butler, formerly The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, now Chief Curator, Hammer Museum, Los Angeles; and Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1.

I Stand, I Fall is organized by ICA Miami and curated by Deputy Director and Chief Curator Alex Gartenfeld.

This exhibition is curated by Eva Respini, Barbara Lee Chief Curator, The Institute of Contemporary Art / Boston, with Katerina Stathopoulou, Curatorial Assistant, Department of Photography, The Museum of Modern Art, New York.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

Walid Raad: Miraculous Beginnings is curated by Achim Borchardt - Hume, Chief Curator, Whitechapel Gallery.

Leap Before You Look: Black Mountain College 1933 — 1957 is organized by The Institute of Contemporary Art, Boston, and curated by Helen Molesworth, chief curator, Museum of Contemporary Art, Los Angeles, with Ruth Erickson, assistant curator, Institute of Contemporary Art, Boston.

The third, much talked about «queer» floor, curated by Stuart Comer, Chief Curator of Media and Performance at MoMA, does in fact deliver on many fronts.

Curated by Peter Galassi, former Chief Curator of Photography at The Museum of Modern Art, New York, «In the Studio: Photographs,» includes over 150 photographs by 40 artists &

Jonathan Meese: Sculpture is organized by the Museum of Contemporary Art, North Miami and is curated by MOCA Executive Director and Chief Curator Bonnie Clearwater.

E. Charlton Fortune: The Colorful Spirit is organized by the Pasadena Museum of California Art and curated by Scott A. Shields, Ph.D., California art scholar and Crocker Art Museum's Associate Director and Chief Curator.

Mel Chin: All Over the Place is curated by Laura Raicovich, and Manon Slome, Co-Founder and Chief Curator of No Longer Empty and is a partnership with the Queens Museum of Art.

Organized by the Museum of Contemporary Art, this exhibition is curated by Bonnie Clearwater, MOCA Executive Director and Chief Curator.

Mohamed Bourouissa: Urban Riders is curated by Sylvie Patry, deputy director for collections & exhibitions and Gund Family Chief Curator at the Barnes Foundation.

It was with great humor, I soon found yet another linkage between the two artists; «Rivane Neuenschwander: A Day Like Any Other» was curated by Richard Flood, Chief Curator at the New Museum.

Organized by Malba — Fundación Costantini and curated by Philip Larratt - Smith (Deputy Chief Curator, Malba, Buenos Aires) and Frances Morris (curator of Kusama's retrospective at Tate Modern, London) in collaboration with the artist's studio, the exhibition offers an in - depth survey of the work of the most prominent living Japanese artist through over 100 carefully chosen works from 1950 to 2013, including paintings, works on paper, sculptures, videos, slideshows, and installation works.

Clemens von Wedemeyer is curated by Klaus Biesenbach, P.S. 1 Chief Curator and Curator, Department of Film and Media at The Museum of Modern Art, with the valuable assistance of Jenny Schlenzka.

Curated by The Untitled Magazine's editor - in - chief Indira Cesarine and Denise Krimershmoys of Vohn Gallery, the exhibit features a wide array of mediums, including painting, sculpture, photography, printmaking, and embroidery.

The exhibition will be curated by the museum director, Susanna Pettersson; the chief curator, Anna - Maria von Bonsdorff; and the curator, Anu Utriainen.

To get some insight into the thinking behind this body of work, and the way the artist — a winner of the Frieze Foundation's Cartier Award and a participant in the 2006 Whitney Biennial — approaches his work, Artspace editor - in - chief Andrew M. Goldstein spoke to him via telephone as he was setting up a new show, a mini survey part of the Glasgow International Arts Festival, curated by Sarah McCory.

Curated by the Public Art Fund Director and Chief Curator, Nicholas Baume, Descensionexplores the behavior of water, with a continuous swirling motion, this 26 - foot - diameter liquid mass converges in a central vortex as if rushing water is being sucked into the earth's depths.

The exhibition is curated by Eva Respini, Barbara Lee chief curator at the ICA, and Katerina Stathopoulou, curatorial assistant in the Department of Photography, at MoMA, New York.

Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.

The show was organized and curated by Alicia G. Longwell, the chief curator for the Parrish Art Museum.

At the MCA, she curated solo exhibitions of work by Gaylen Gerber and José Lerma, and worked with chief curator Michael Darling on landmark projects like the exhibitions «Destroy the Picture: Painting the Void, 1949 - 1962 ″ and «Think First, Shoot Later: Photography from the MCA Collection.»

Art for a New Understanding: Native Voices, 1950s to Now is organized by Crystal Bridges, and curated by independent curator Candice Hopkins (Tlingit, citizen of Carcross / Tagish First Nation), Crystal Bridges Curator of American Art, Mindy Besaw, and Manuela Well - Off - Man, Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Mexico.

It also includes an introductory essay by John Elderfield, Allen R. Adler Distinguished Curator and Lecturer at the Princeton University Art Museum and Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, who has curated groundbreaking exhibitions on both artists.

The exhibition is curated by Sylvie Patry, Consulting Curator at the Barnes and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, and is organized by the Barnes Foundation, Philadelphia, and the Musées d'Orsay et de l'Orangerie, Paris, in collaboration with La Cinémathèque française, Paris.

The show is curated by Elena Prohaska Glinn and Christina Mossaides Strassfield, Museum Director / Chief Curator of Guild Hall.

The exhibition is curated and designed by Oren Sagiv, Chief of Exhibition Design at the Israel Museum, with Eyal Rozen.

The exhibition is curated by Richard Flood, Chief Curator at the New Museum, New York, and is organised by the New Museum in collaboration with IMMA.

Curated by MCA Chief Curator Rachel Kent, this is the artist's first retrospective exhibition in the Southern Hemisphere and is exclusive to Sydney.