The Assists meet the ASSISTED this week in a group show
curated by Stockholder featuring work from artists who investigate alternative modes of exhibition.
ICI will also return to Chicago for an exclusive International Forum program to coincide with a solo exhibition of Stockholder's new work and a group show
curated by Stockholder at Kavi Gupta.
Not exact matches
by Stephanie Cristello
Curated by and including work of artist Jessica
Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.
«Assisted» KAVI GUPTA GALLERY 835 W. WASHINGTON BLVD. «Assisted,» a vibrant group exhibition
curated by Jessica
Stockholder, was predominantly installed on the second floor of Kavi Gupta, above
Stockholder's concurrent solo show «Door Hinges.»
Curated by and including work of artist Jessica
Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.
Installation view, ASSISTED,
curated by Jessica
Stockholder, Kavi Gupta Elizabeth Street, Floor Two.
Door Hinges is presented in conjunction with ASSISTED, a group exhibition
curated by Jessica
Stockholder.
Curated by and including work of artist Jessica
Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features 16 artists, and could easily be a visual essay on form and object - hood.
Its highly ambitious first show was
curated by Paul Schimmel and scholar Jenni Sorkin, and explores the way in which 34 female artists (such as Louise Nevelson, Louis Bourgeois, Lee Bontecou, Ruth Asawa, Lynda Benglis, Eva Hesse, Jessica
Stockholder, Karla Black, and Liz Larner) over the past 70 years have radically shaped and changed the conversation around sculpture in modern and contemporary art.
Jessica
Stockholder and Amanda Ross - Ho are included in MOCAD's exhibition titled 99 Cents or Less,
curated by Jens Hoffmann, Susanne Feld Hilberry Senior Curator at Large.
Before They Became Who They Are, Kravets / Wehby Gallery, New York, NY; (13 Jan. - 10 Feb),
curated by Norman Dubrow Galerie Nachst St. Stephan, Vienna, Austria (6 Dec. - 3 Feb. 2001) Gebaude: Donald Judd, Gerhard Merz, Jessica
Stockholder (with OpenOffice), Heimer & Döring Kunstberatung, Berlin, Germany; (27 Sept. — 18 Nov.) Skulptur 2000, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany;
curated by Ute Riese (cat., 1 Oct - 12 Nov) Beyond the Press: Innovations in Print, Hand Workshop Art Center, Richmond, VA; (21 Jan - 12 Mar) Spilled Edge / Soft Corner.
«Assisted,» a vibrant group exhibition
curated by Jessica
Stockholder, was predominantly installed on the second floor of Kavi Gupta, above
Stockholder's concurrent solo show «Door Hinges.»
I was reminded of this again last year when I saw a piece of his in «The Jewel Thief» (2010), a remarkable exhibition
curated by Jessica
Stockholder (with Ian Berry) at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, NY — what a surprise to see Krushenick's work there, and then a moment later it wasn't surprising: Of course an eye as sharp and unconventional as
Stockholder's would «get» him.
«Jessica
Stockholder: Door Hinges» and «Assisted:
Curated by Jessica
Stockholder» run through Jan. 16 at Kavi Gupta, 219 N. Elizabeth St., 312-432-0708, www.kavigupta.com; «Jessica
Stockholder: Rose's Inclination» runs through July 2, 2017, at the Smart Museum of Art, 5550 S. Greenwood Ave., 773-702-0200, www.smartmuseum.uchicago.edu.
«Assist 1,» is part of «Jessica
Stockholder: Door Hinges» and «Assisted:
Curated by Jessica
Stockholder» running through Jan. 16 at Kavi Gupta Gallery.
His group exhibitions include «The Jewel Thief»
curated by Ian Berry and Jessica
Stockholder at Tang Teaching Museum, «The Geometric Tradition in American Art» at Whitney Museum of American Art and «1989 Biennial Exhibition» at Whitney Museum of American Art.
Sam Moyer in an off - site group exhibition entitled «Painting Made Different: Fabian Marcaccio, Sam Moyer, & Jessica
Stockholder»
curated by Jill Brienza at the Salina Art Center, Salina, KS.