Sentences with phrase «curated by local artists»

To celebrate the region's cultural heritage, the lobby will feature a sculpture curated by local artists, a garden wall and mirrored water feature, as well as retail space.

Not exact matches

April 6, 2016, Sausalito, CA — On Friday, April 29th, Madrigal Family Winery Tasting Salon & Gallery in Sausalito will host the 6th in its Art and Wine series, featuring the work of three local professional Marin County artists: Christin Coy, Dorallen Davis and Kathleen Lack, curated by Shiva Pakdel.
On Friday, April 29th, Madrigal Family Winery Tasting Salon & Gallery in Sausalito will host the 6th in its Art and Wine series, featuring the work of three local professional Marin County artists: Christin Coy, Dorallen Davis and Kathleen Lack, curated by Shiva Pakdel.
The gallery's debut exhibition, for instance, comprises prints curated by the Logan Square - based Transit Residency Program, which supports both inbound and outbound artists in finding local and remote residencies.
After two films that were rich experiences to say the least (emotionally draining is another way to put it), it was a treat to end the night with the first installment of the festival's four - part Artists in Residence program, curated by the four members of legendary metal outfit Metallica (who also happen to be local legends).
The creative spirit of The Blackstone is brought to life through uniquely - curated art pieces by more than 1,600 local artists placed throughout the hotel, including in the Art Hall, guest rooms and public spaces, as well as woven throughout various guest touch points including the bespoke room keys, in - room amenities, and more.
By curating themes, commissioning local artists and actively fundraising, this foundation aims to bring stunning murals to life.
Other highlights this weekend include Bushwick Basel, in which 11 mainstays of Bushwick's gallery scene will be curating their own show within Starr Space; the Buswhack series of performance and film at the Bushwick Starr; «Sculpture Garden» at the Historic Onderdonk House, a group show of sculpture co-curated by Deborah Brown of Storefront Bushwick and one of our favorite local artists, whose latest series of paintings, «Freewheeling,» opens at the Active Space during the festival.
Locust Projects presents Synesthetics, a group exhibition curated by local architect and artist Felice Grodin.
Art Night 2018 consists of twelve new commissions, one - off exhibitions and premieres curated by the Hayward Gallery * alongside special artist projects and events presented by local organisations, independent creatives and collectives in response to Art Night's Open Call *.
He said he was grateful for the opportunities he'd had at the NGV, under its director Tony Ellwood, curating major shows including the institution's landmark Melbourne Now exhibition of works by local contemporary artists and a survey of works by British artist David Shrigley.
Later that year, the Center piloted a local emerging studio program which included ten artists from the New Orleans community, culminating with «Convergence: [email protected]», a Prospect New Orleans satellite exhibition curated by Deborah Willis, Ph.D..
Curated by Linda Norden, an art historian, and Peter Ballantine, an authority on Judd, «Local History» features works from the late 1950s to the mid-1960s that underscore the three artists» shared obsession with the fine line between painting and sculpture.
It's actually three shows in one: local artists Mark A. Fisher and Alison Ouellette - Kirby curated a group show from pinhole photographs submitted by national and local artists, and they also brought in works by nationally known pinhole artists Nancy Spencer and Eric Renner, along with original pinhole cameras and photographs by Alabama - based Pinky / MM Bass.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show organized by the International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices: Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21
Curated by the renowned North Country ceramicist and arts patron Jackie Sabourin, The Jay Invitational of Clay features an extraordinary selection of works in clay from the functional to the fanciful by local, regional, and internationally recognized artists.
Artist - run space whose goal is to increase visibility of women artists in our local community and beyond by curating shows representing a vast array of media.
Most recently, she led a major collaboration with a local Indianapolis developer to curate the art program for The Alexander art hotel that opened in downtown Indianapolis in 2013, featuring work by 25 artists, including 14 newly commissioned pieces.
In this exhibition curated by Elise Goodheart, nine local artists were invited to explore the roots of Sag Harbor's past through it's buildings and «places.»
Curated by Leigh Robb, the unnerving explorations of incorporeal identities in the works of more than twenty local and international artists shown in Dead Ringer offer some insight into this «fatal» attraction.
AURORA 2018's curated exhibition will present a fresh lineup of local, national and international contemporary artists selected by three prestigious guest curators hailing from Dallas, New York and Berlin.
Epicure features artwork by local artists, curated by some of the DC area's leading art professionals.
Curated by Mark Mennin and Barbara Talbot, WAA SCULPTURE WALK 2018 is a Public Art Exhibition featuring over 40 internationally recognized artists, emergent sculptors, as well as participating local talents.
EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
Group exhibition with visual art works by 14 local and international artists, with various techniques, including painting, drawing, sculpture, video — curated by Arturo Desimone & Sebastian Rypson --
Fitzroy is one of the main cultural draws, the bohemian neighbourhood known for its rooftop bars, vintage shops and secondhand bookstores, as well as galleries such as Brunswick Street Gallery, a studio and exhibition space for independent local artists, curated by Kathleen Ashby.
Bushwick Open Studios» Street Art Pop - Up Store: A curated selection of affordable art by street artists & local favorites, June 1 - 3, 2012.
Curated by Rochelle Spencer and Audrey T. Williams, this group exhibition pairs the AfroSurreal Writers Workshop with local artists and Oakland residents to examine how play intersects with urban life.
It is curated by Susan Oliver Heard and features 11 artists, both local and international, whose work addresses the intersection of femininity and feminism.
Deconstructing the Habit had been running since June 6 and was curated by performance artist and independent curator Angela Washko, an artist in residence at Flux Factory who performs at local venues throughout New York City.
Local artists commissioned and curated by Dashboard include: Paul Stephen Benjamin, Branden English, Nancy Floyd, Jason Kofke, Joe Peragine, Carl Janes, Mary Engel, Lonnie Holley, and Jim White.
THE EDGE AND A LITTLE BEYOND & NOLA AVIENNE AT SOIL GALLERY Another show for aficionados of painting is SOIL's The Edge and a Little Beyond: Six Abstract Artists, curated by Julie Alexander, local painter and lover of paint.
The 2nd Annual Jay Invitational of Clay will feature an extraordinary selection of works in clay from the functional to the fanciful by local, regional, and internationally recognized artists curated by the renowned North Country ceramicist and arts patron Jackie Sabourin with the assistant of Norte Maar's Director, Jason Andrew.
Presenting 100 galleries, not - for - profits, and artist - run spaces from 50 cities across four continents, the ninth edition of the fair also features a 30 - foot video wall with rotating single - channel works, a special exhibition about the body as site tension and provocation curated by rising art - star Derrick Adams, live interviews with artists and curators at the project booth for Clocktower Radio, design projects in collaboration with Architectural Digest and tasty treats from local foodie partners Er Baretto, Littleneck, and Everyman Espresso.
«The Annual» The yearly exhibit of work by local artists, curated by Edra Soto of the Franklin, includes a chance to view and purchase pieces during a free breakfast on Fri 9/23 at 9 AM.
In the gallery, Electric Machete Studios works for the advancement of contemporary and experimental cultural arts by featuring the work of emerging and established Latinx / Xicanx / Indigenous artists and curating local, national, and international exhibitions.
The project space is devoted to Knickerbocker Mini Maw curated by artist Brent Owens, which will feature artist - made objects inspired by Bushwick's bustling strip of 99 cent stores, fastfood joints and other local shops.
In May, five artists spent a week in Gairimudi, living amongst locals, playing with the children and listening to stories, as part of a short - term artist residency curated by visual artist Kailash K Shrestha and co-curated by Nischal Oli.
Curated by Danielle Krysa of The Jealous Curator, California Girls showcases the works of 6 local L.A. artists: Ophelia Chong, Kelly Puissegur, Laurie Raskin, Jill Sykes, Erin Tengquist, and Stephanie Vovas.
Curated by former CAC director Don Marshall, this and the Spaces expo upstairs, curated by visual arts director Amy Mackie, have helped bring local artists back to the CAC in a big way for the first time iCurated by former CAC director Don Marshall, this and the Spaces expo upstairs, curated by visual arts director Amy Mackie, have helped bring local artists back to the CAC in a big way for the first time icurated by visual arts director Amy Mackie, have helped bring local artists back to the CAC in a big way for the first time in ages.
The format pairs a Santa Fe Art Project exhibition curated by gallery staff with a guest - curated show of local and regional artists.
Rounding out the trifecta will be Outer Local (October 21 - November 6), curated by SCUBA collective artists Crockett Bodelson and Sandra Wang.
I curate a zine and print collection at STOREFRONT called Brain Waves, which includes a lot of my favorite local artists and features many works by Pen Fifteen Press, a local press and studio.
Curated by Justin Hoover, the exhibition titled The Channel of Democracy: Womanhood, Power & Freedom in Video Art will highlight 16 local and international female video and new media artists exploring the issues of power, equity and representation.
Curated by Butter gallery's director Francisco De La Torre; the exhibit also marks the debut of Butter Gallery artist and Wynwood Murals editor Diana Larrea in the local curatorial arena, as Co-Curator of Las Ilustres.
The Witnessing Event, curated by Rashmi Viswanathan features the works of Residency Unlimited local and international artists Anna Orlikowska (Poland), Željka Blakšić (aka Gita Blak)(NYC), Joshua Nierodzinski (NYC), and Georg Petermichl (Austria).
Selected Solo Exhibitions 2018 Boiling Frogs, curated by Eva Birkenstock, Kunstverein Düsseldorf Miart, Generations Sector, with ChertLüdde, Milan (upcoming) 2017 Double Standards, ChertLüdde, Berlin Bad Basket, Lodos, Mexico City 2016 Tap & Die, Performance at 1646, The Hague Exitainment, Riverside, Bern Meat in window, worried by a wasp, curated by Michal Novotným, Centre for Contemporary Art FUTURA, Prague 2015 Statements, Art Basel, with Chert Berlin Round Five, with Isa Genzken, at Flex, Berlin 2014 Dream House Experience, Städtische Galerie Delmenhorst, Delmenhorst Pessimistinnen, performance at the opening of Liste, Basel Local Artist, Chert, Berlin Stoikerinnen, curated by Anna Sabrina Schmid, Kunstverein Harburger Bahnhof, Hamburg 2013 Certaines Femmes pessimistes près d'un lac, M J Gallery, Geneva Pessimistinnen, solo presentation with Chert, Art Berlin Contemporary, Berlin Where is your alibi, Mr. Motorway?
Curated by MISTAKER MAKER for Strongbow at Lxfactory, the Portuguese artist once again used trash and found materials to create a 3D sculpture of a bee which will now be living amongst the local residents.
The performance is curated and choreographed by Mitchell Center guest artist Allison Orr, of Folklift Danceworks, in collaboration with local choreographers via Dance Houston.
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