Sentences with phrase «curated exhibition titled»

Both pieces were featured at Art Basel Miami Beach in 2014, in a curated exhibition titled Cosmic Connections.

For START, Obaidi also has curated an exhibition titled «Identity, Construction and Deconstruction», drawing together works by emerging artists from the Fire Station Artists in Residence programme in Doha, Qatar.

The Standard Bank Gallery has joined hands with renowned artist and curator, Usha Seejarim to present a thought provoking and boldly curated exhibition titled, I am because you are: A search for Ubuntu with Permission to dream.

Leisa Rundquist (Associate Professor of Art History) curated the exhibition titled Social Geographies: Interpreting Space and Place for the Asheville Art Museum (January 25 — May 18, 2014).

C24 Gallery curated exhibition titled How Many Miles To Babylon, Recent Paintings From Los Angeles to New York.

Not exact matches

Originally titled Picasso in Contemporary Art, the exhibition was first presented at the Deichtorhallen Hamburg on the occasion of its own 25th anniversary and curated by the institution's general director, Dirk Luckow.

The title formulation is one Jaray has used before — in 2013, she curated a group exhibition at Megan Piper titled The Edge of Painting — and it is clear that Jaray is interested in the definitions of painting, printing and the boundaries between different media.

In addition to his «Home» contribution — a sprawling construction of found materials inspired by informal types of housing — Abraham Cruzvillegas has curated an exhibition that bears an exceedingly lengthy title, with fellow Mexican artist Gabriel Kuri at Hollywood's Regen Projects.

The Freight + Volume Gallery in Chelsea is currently featuring an exhibition titled Mie: A Portrait of 35 Artists curated by Nick Lawrence and Mie Iwatsuki.

Titled with a musical metaphor, the legendary exhibition was curated by Thelma Golden, then - deputy director for exhibitions and programs.

The exhibition is titled «Somewhat Abstract» and is curated by Alex Farquarson.

The exhibition titled Thick Time is curated by Iwona Blazwick, Whitechapel Gallery Director and will be the artist's first major public solo presentation in the UK in over 15 years.

Opening tonight is a group exhibition curated by Ricky Swallow titled, «GRAPEVINE ~» featuring artists who have all worked in clay, in California, for more than 40 years.

This year she also curated a group exhibition for the Spring Break art show in March titled «The Presentation of Self in Everyday Life,» which featured Jeremy DePrez, Hannah Whitaker, Liz Nielsen, Graham Caldwell, and Eric Shows.

Its seasonal New Prints exhibition, curated by Nicola López and titled «Somewheres and Nowheres,» will open on October 25 in its Chelsea gallery space (508 W 26th St / 10th Ave) with a reception and artist talk on Thursday, November 6 from 6 - 9 pm and breakfast artist talks on Saturday the 8th at 9:30 am (general public) and 10:15 am (IPCNY members and members of museum print groups).

Curates exhibition at MIT's Hayden Gallery titled The Narrative Impulse, which opens on 16 November and includes the work of Mazur, Mary Frank, Robert Birmelin, and Irving Petlin; joins the Robert Miller Gallery, New York (exhibits the Stoneham Zoo series of paintings, drawings, monotypes, and pastels); group exhibitions: Grafica Contemporanea Americana, Galleria Bevilacqua, La Massa, Venice, Italy; Nouvelle Sujectivité, Palais des Beaux - Arts, Brussels; Fifty American Works on Paper from the Collection of Mr. and Mrs. Stephen D. Paine, Williams College Museum of Art, Williamstown, Massachusetts.

Lehmann Maupin announces its participation in LUSH LIFE, an exhibition curated by Franklin Evans and Omar Lopez - Chahoud and inspired by Richard Price's 2008 novel of the same title.

«Theaster Gates: True Value,» the Chicago - based artist's first exhibition in Milan, which takes its title from an installation featuring the entire contents of a shuttered hardware store, was also curated by Dyangani Ose.

The exhibition, curated by Rachel Gugelberger and Reynard Loki, takes its name from the title of a 2010 special report published by The Economist that observed the emergence of «a new kind of professional... the data scientist, who combines the skills of software programmer, statistician and storyteller / artist to extract the nuggets of gold hidden under mountains of data.»

The 56th International Art Exhibition titled All the World's Futures, is curated by Okwui Enwezor and organized by la Biennale...

Copro Gallery is opening two exhibits this month, the first one is titled Roadside Attractions lll a group exhibition curated by art collector and music composer, Cris Velasco, and the other is a solo show of work by Mark Garro, titled Blues of the World.

The show presented at MAMbo, titled Arte Povera 1968 and curated by Germano Celant and Gianfranco Maraniello takes its cue from one of the first Arte Povera exhibitions, held in Bologna in February, 1968, in Galleria de» Foscherari and offers its own specific reading of the origins of Arte Povera, and of its ties to historic and present publishing projects.

The 57th Venice Biennale, International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is fast - approaching.

There could be no more accurate title for the recently opened exhibition CO-WORKERS at MAMVP, organized or curated, or whatever they call it these days, by Angeline Scherf, Toke Lykkeberg and Jessica Castex.

The exhibition titled Thomas Ruff is curated by Whitechapel Gallery Director Iwona Blazwick.

In 2017, Charrière will be featured in the 57th International Art Exhibition, titled VIVA ARTE VIVA, curated by Christine Macel for La Biennale di Venezia and at Unlimited, Art Basel 2017.

Titled This Is The Sea and curated by Mohammed Salemy, the exhibition is inspired by Hito Steyerl's video Liquidity Inc, exploring several metaphoric imports of the concept of the sea.

The 57th International Art Exhibition, titled VIVA ARTE VIVA, will be curated by Christine Macel and organized by La Biennale di Venezia chaired by Paolo Baratta.

In 1976 the painter R.B. Kitaj RA curated for the Arts Council at the Hayward Gallery in London an exhibition titled The Human Clay.

A new exhibition curated by Kyunghee Pyun, History of Art, and Deborah Saleeby - Mulligan of Manhattanville College titled Violated Bodies: New Languages for Justice and Humanity is now on view at the John Jay School of Criminal Justice's Anya and Andrew Shiva Gallery.

In keeping with our mission to investigate critical moments in the interconnected histories of global black life, Goodman Gallery is pleased to present To Be Young, Gifted, and Black the next edition of the ongoing series Working Title, an exhibition curated by one of our most thoughtful and provocative artists, Hank Willis Thomas.

Our friends down at Red Truck Gallery are setting up a new group exhibition titled Le Bord, featuring seventeen boundary pushing artists curated by Gabriel Shaffer.

The exhibition, which takes its title from a protest sign captured by Bettmann on Fifth Avenue in Manhattan during the Women's Liberation Parade in August 1971, is curated to complement and expand on Making Space: Women Artists & Postwar Abstraction currently on view at the Museum of Modern Art (MoMA, New York).

RUBBER FACTORY is pleased to present a group exhibition titled, Women in Colour, curated by Ellen Carey.

Subliminal Projects» latest is a skate - art retrospective titled DIY: The History of Creative Culture in Skateboarding, curated and created by Jürgen Blümlein of FauxAmi Exhibitions and The Skateboa

-- despite a provocative title shared with a John Baldessari piece — is an exhibition conceptualized, if not actually curated, by committee.

In 2013, López was featured in the exhibition «A Trip from Here to There» at The Museum of Modern Art, New York, an exhibition centered around his work by the same title, curated by Jodi Hauptman and Luis Pérez - Oramas.

Currently, Polyforum Siqueiros in Mexico City presents the third solo exhibition of Tony Orrico, titled CARBON, and curated by MARSO.

Titled No borders in a wok that can't be crossed, Marten's exhibition is curated by Beatrix Ruf.

Titling and describing the exhibition is part of the curating process.

Titled No borders in a wok that can't be crossed, Marten's exhibition is curated by Beatrix Ruf and is the first major collaboration between CCS Bard and the Kunsthalle Zürich and was presented as part of the inaugural program of the Kunsthalle's newly expanded Löwenbräukunst complex in 2012.

Titled «other side», it has been curated by Sanna Moore (Exhibitions curator at Towner).

One part of the exhibition, titled The Eyes of the Nation: Visual Art in a Country Without Boundaries, curated by Ellen Ginton, included the recreation of Michael Druk's 1977 work, Territory, Living Space (first presented at Sammlung Ludwig, Aachen, Germany)

On view through January 17, 2016 and curated by Alex Gartenfeld, the exhibition includes the first complete presentation of photographs from the artist's ongoing series Black Box Collision A, as well as 12 posters from Ebner's collaborative project with David Reinfurt, A HUDSON YARD; and the title video, A PUBLIC CHARACTER, edited by Erika Vogt and scored by Alex Waterman, among other highlights.

I'm Isa Genzken, The Only Female Fool in the self - chosen title of Isa Genzken's exhibition curated by Nicolaus Schafhausen at Kunsthalle Wien.

In 2013, he curated an exhibition at the Albertinum in Dresden, titled «Constable, Delacroix, Friedrich, Goya.

Curated by Adrian Heathfield, Taiwan's Pavilion at the 57th Venice Biennale in 2017 featured Hsieh's work in an exhibition titled Doing Time.

The 56th International Art Exhibition titled All the World's Futures, is curated by Okwui Enwezor and organized by la Biennale di Venezia.

In the Spring of 2014, she curated an exhibition on pluralism in contemporary Asian visual culture, titled Plural Vision, at the Gene Siskel Film Center.

Tim Gowan & I am very excited to curate our first exhibition for Trans - cen - der Art Group, Titled: «Transcendence of Us» during Bushwick Open Studios 2017.