Sentences with phrase «curated exhibitions as»

Among the creative projects he collaborated with, he curated exhibitions as a freelancer for the Musée d'Art moderne de la Ville de Paris in 1999; au Magasin, Centre National d'Art Contemporain de Grenoble or at the Centre Pompidou, Paris.

He has independently curated exhibitions as well, including: Pathways to Unknown Worlds: Sun Ra, El Saturn & Chicago's Afro - Futurist Underground, 1954 - 68 (with John Corbett and Terri Kapsalis); Interstellar Low Ways (with Huey Copeland); Can Bigfoot Get You a Beer?

Alongside a host of solo and group shows, he has curated exhibitions as far afield as Hong Kong, and has for the last two years been co-running an exhibition space called Horatio Junior in south London.

For his exhibition at our Pantin gallery, he visited several times as he was creating his new works, curating the exhibition as he worked accordingly.

Since 2009 she curates exhibitions as well as temporary interventions, performances and discursive events in the field of contemporary art and architecture.

[11] In 2013 he initiated the Rail Curatorial Projects which aims to curate exhibitions as social experiments.

Whilst in Liverpool he worked extensively on artist - led activity, converting studio space into project space, curating exhibitions as part of the Independents strand of the Liverpool Biennial, and co-founding The Royal Standard artist - run organization.

She has worked curating exhibitions as well as film festivals.

Not exact matches

The largest professionally - curated exhibition of independent beauty brands, IBE has become a bi-coastal event with a special focus on companies committed to formulating with safe and sustainable ingredients — think of it as an incubator for up - and - coming beauty, wellness and lifestyle brands.

Later, in August 2012, Venus Patrol was invited to present a week of games at La Gaîté lyrique, Paris's esteemed & frankly totally amazing gallery / cultural space, as part of Joue le jeu, a record - breaking summer - long Gaîté exhibition curated by Heather Kelley, Cindy Poremba and Lynn Hughes.

Occasionally, I curate exhibitions, and I curate [exhibitions at] the museum school, as well, which is always very exciting.

As cofounder of the Center for Historical Reenactments (CHR), an independent project based in Johannesburg, Ngcobo curated «PASS - AGES: references & footnotes» at the old Pass Office in Johannesburg and contributed to the ongoing project «Xenoglossia, a research project,» culminating this year in an exhibition in Johannesburg.

Archive Gallery, Whitechapel Gallery The Whitechapel Gallery presents a dedicated programme of exhibitions curated from archives twice a year in Gallery 4, bringing them to life as a curatorial resource through rare films, photographs, artefacts and documents.

As a museum professional, he has curated or co-curated over 350 exhibitions during his career.

David Chipperfield's building has proved a perfect stage — both for the display of collections and as a platform for a breathtaking sequence of special exhibitions, curated with determined originality by the talented curatorial team.»

Since 2000 she has curated numerous exhibitions, symposia and performance events in Europe and North America at venues such as MUMOK Vienna, and Tate Modern.

Mr. Johnson has exhibited in many corners of the world including the Tokyo Metropolitan Museum in Japan, the Guangzhou International Art Fair in China and New York City in a juried exhibition curated by Jordan Kantor, during his tenure as Assistant Curator at the Museum of Modern Art.

What follows, in the exhibition, are works by artists who have persevered in defiance of portrait fatigue, such as Alex Katz and Chuck Close, and some creative curating that asks us to think of 1970s Body Art, anonymous street photography, and certain still lifes as portraits.

Fatos Ustek recently curated fig - 2, a ground - breaking project initiated by OUTSET which presented 50 exhibitions in 50 consecutive weeks throughout 2015 at the Institute of Contemporary Arts (ICA), London, and acted as associate curator for the 10th Gwangju Biennale, South Korea.

Locks Gallery is pleased to present Catch as Catch Can, a group exhibition curated by Fionn Meade.

From 2008 to 2013, Sheridan worked as director of exhibitions and publications at Mercer Union, a recognized center for contemporary art in Toronto, where she has subsequently curated numerous well - received presentations and exhibitions by artists including Pierre Leguillon (2012), Aleksandra Mir (2011), and Sol LeWitt (2010).

Drawn from the holdings of the Isamu Noguchi Foundation and Garden Museum and curated in collaboration with the artist's last and most important dealers, Arne Glimcher and Susan Dunne of Pace Gallery, the exhibition addresses the artist's category - defying range as a world shaper.

He has curated exhibitions such as «Into the Open,» the US representation at the Venice Biennale for Architecture; the «Perpetual Peace Project» at the International Peace Institute at the United Nations; «Mixplace Studio» with People's Emergency Center.

As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of ArAs curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Aras well as numerous other publications for the El Paso Museum of Aras numerous other publications for the El Paso Museum of Art.

As NYPL's senior art librarian she curates exhibitions and events at New York Public Library where she has initiated several exhibition and program series featuring the work of emerging and renowned artists, authors, critics, designers and others.

During the 1990s she managed Laurie Anderson's studio, wrote reviews for Art in America, worked as an educator at MoMA, curated exhibitions at pop - up sites, conducted salons for artists and writers, taught art history, while completing her master's and doctorate in art history, from the Institute of Fine Arts, New York University, under the mentorship of Linda Nochlin.

Harris Lindsay as a space is not unfamiliar with contemporary art exhibitions: in 2011, the dealership was host to Now & Then, an exhibition curated by Adrian Dannatt and featuring works by Pablo Bronstein, Alastair Mackie and Grayson Perry.

It is with this knowledge and artist community that Rubenstein so successfully curates exhibitions such as Fort Greene.

He returned to his artistic practice in 2005, and has since exhibited in several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.

Since 2005, Bojan worked closely with Ulay, writing, curating, and producing materials for several international exhibitions such as Ulay's first major retrospective, GEN.E.T.RATION ULTIMA RATIO, (2005), at Centro Parraga, Murcia, Spain, while contributing to his recent retrospectives at Nederlandse Fotomuseum, Rotterdam, and Schirn Kunsthalle Frankfurt.

His trajectory can be seen as a search for Modernism, according to Guild Hall Museum Director and Chief Curator Christina Mossaides Strassfield, who curated the exhibition.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous independently curated exhibitions.

As part of this landmark exhibition, celebrated artist and Royal Academician Jenny Saville has curated La Peregrina, a personal and contemporary response to Rubens and His Legacy.

Turner Prize - winning artist Mark Leckey has curated an exhibition that explores the magical world of new technology, as well as tracing its connections to the beliefs of...

As a founding member of the artists collective TABOO he helped curate 13 exhibitions and has independently curated over 10 other.

This ongoing series of thoughtfully curated exhibitions, conversations, and performances is designed to spark public dialogue about ever - evolving gender roles, women's and LGBTQ equality, as well as feminist ideology, activism, and agitation.

Art File artists have a public presence on our website as well as the opportunity to be considered for inclusion in our frequent member - and guest - curated exhibitions.

A group exhibition of contemporary artists exploring 2 and 3 - dimensional sculpture curated by Indira Cesarine to take place July 2018 at The Untitled Space gallery in New York City as well as online on Artsy.

Situated in a townhouse, the new gallery is used to curate historic exhibitions by artists within the Petzel program, as well as focus on curatorial projects and publishing activities.

With this in mind, the top floor of the exhibition serves as a masterful stroke of curating, showing a number of mid-20th century canvases by the artist that serve not only to chart his evolution and development of his immediately recognizable painterly themes, but also to invite a striking comparison to the artist's compatriots.

As part of the exhibition Rubens and His Legacy, British painter Jenny Saville has curated a contemporary response to the «prince of painters».

In addition to this, Jarvis has independently curated and consulted on many fine art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014).

Martin explained as much in Boston on Friday afternoon for a preview of The Idea of North: The Paintings of Lawren Harris, an exhibition that he himself curated.

Curated by artist Daphne Wright, this exhibition takes these specific aspects of Freud's intimate studio practice as a starting point to explore themes of vulnerability, longing and loss that permeate the painter's work.

She also maintains a position as Assistant Curator at BRIC Contemporary Art a program of BRIC Arts Media Bklyn, and at BRIC Rotunda Gallery she has curated a number of public programs and exhibitions.

Haddon's paintings have been included in exhibitions such as «Theatre of the World», MONA, Tasmania (curated by Jean - Hubert Martin), Contemporary Encounters, National Gallery of Victoria, Melbourne and Art Platform LA, 2012.

As a Curator at The Metroplitan Museum of Art, Sims curated the exhibition Stuart Davis, American Painter in 1991.

Featuring exhibitions, a residency, curated events, and a publication, the project seeks to explore possibilities for a critical aesthetics and poetics of diaspora, approaching «nostalgia» as a vehicle for negotiating «place» in migration (against the «nostalgic» as a mode of representation); and spatial, oral and aural forms of «leisure» as processes of inscribing, translating and performing identity, memory, and territory.