Sentences with phrase «curated exhibitions reveal»

Our artist guest - curated exhibitions reveal new perspectives of drawing from an artist's point of view.

Not exact matches

GROUP EXHIBITIONS 2017 Flaming June VII: Flaming Creatures, GAVLAK, Los Angeles, CA The Night of Forevermore, Psychopomp, Laband Art Gallery, Loyola Marymount, Los Angeles, CA 2016 Only Lovers, Le Couer Gallery, Paris, France Hearsay: Artists Reveal Urban Legends, curated by Wendy Sherman, presented

Curated by Agustín Arteaga, the DMA's new Eugene McDermott Director, and the result of a combined cultural endeavor between Mexico and France, this major traveling exhibition showcases the work of titans of Mexican Modernism alongside that of lesser - known pioneers, including a number of rarely seen works by female artists, to reveal the history and development of modern Mexico and its cultural identity.

Curated by Andrea Lissoni in the «Shed» space, the exhibition offers a selection of Condorelli's most significant works, which reveal her ability to work with the relationships between art and architecture, space and socio - historical contexts.

With some of my daughter's heartbreaking reproaches about my art practice seared in my brain, I ventured out this week to see «To Be A Lady: Forty - five Women in the Arts,» a superb exhibition, curated by Jason Andrew, that features work by many legendary artist mothers, including Louise Nevelson and Grace Hartigan who famously left their offspring to be raised by others, and Alice Neel, an unconventional mother whose grandson Andrew's documentary reveals his father's deep resentment about Neel's choices.

Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.

The 2017 Venice Biennale, opening on May 13, has revealed the list of one hundred and twenty artists participating in the international exhibition «Viva Arte Viva,» curated by Christine Macel.

They reveal so much about the nature of this wonderful, highly personal exhibition curated by Ligon.

Hilton Als, a theater critic at The New Yorker, who curated the Alice Neel exhibition in Chelsea, writes, «In the years since her death, viewers young and old have experienced the kind of thrill I feel, still, whenever I look at Neel's work, which, like all great art, reveals itself all at once while remaining mysterious.»

Notes The Warehouse Gallery Director Astria Suparak, who curated the show in concert with each organization, «This exhibition reveals the unique personality of each Coalition member, elucidating the different objectives and sampling treasures from each collection.

With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibition offers new insights into the life and work of Andy Warhol, while also revealing something about the personality of the collector.

PR: What came first: The idea to curate an exhibition with water as theme or the idea to curate an exhibition that would reveal what you described in the exhibition catalogue essay as a «new form of expression» — artists making site - specific work on the water instead of water in the distance as muse?

With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.

Tillmans's own image rarely appears here (while the gallery permits photography, the exhibition leaflet specifies «no selfie - sticks»), but the gregariousness of the curating — which features a rare videowork, a live programme, ephemera from the artist's Berlin - based project space, juvenilia like a foray into garment design and an inexplicable gong sculpture — reveals the artist in a surprising number of dimensions; he even codesigned the catalogue.

Changing curated exhibitions mostly reveal art made in The Hamptons.

Guest curated by Debra Bricker Balken, the exhibition and accompanying catalogue present both a celebration and assessment of the work, revealing how Takenaga has enriched the languages of abstraction during the past two decades.

The exhibition, curated by Daniel Belasco, the curator of exhibitions and programs at The Dorsky Museum, reveals how Polich has impacted the development of contemporary art by opening up the industrial process of metal casting and fabrication to accommodate the creative choices of artists.

(São Paulo, Brazil) Fronteiras Incertas: Arte e Fotografia no Acervo do MAC USP [Uncertain Borders: Art and Photography in the MAC USP Collection] is an exhibition curated by Helouise Costa reveals a historical aspect that exists in the latest artistic production.

The Modern Art Museum of Fort Worth, Texas Curated by Andrea Karnes This major survey exhibition of the work of Brooklyn - based artist KAWS (American, born 1974) will feature key paintings, sculptures, drawings, toys, and street art interventions to examine KAWS's prolific career in depth, revealing critical aspects of his formal, conceptual, and collaborative developments over the last twenty years.

Curated by Norman Rosenthal, who worked with Joseph Beuys on many exhibitions from 1970 onwards, the exhibition brings together pivotal works from various stages of his life, revealing the extent to which Joseph Beuys» ideas were clearly defined from the very beginning of his artistic career.

Occupying all of The Drawing Room's gallery spaces, the exhibition is curated to reveal a palatable dialogue between eight artists working in painting, sculpture or photography, each with a distinct sources of inspiration.

Notable galleries for 2014 include: Kevin Kavanagh (Dublin), presenting a storytelling series by Sonia Shiel, current ISCP NY artist - in - residence and recipient of Ireland's 2014 Arts Council Project Award; Laura Bulian Gallery (Milan), highlighting career Conceptualist Vyacheslav Akhunov, whose cultural investigations were featured in dOCUMENTA (13) and the 2013 Venice Biennale's Central Asian Pavilion; contemporary Bahamanian art hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMITH.

In addition to curated exhibitions of contemporary art, AMERINDA's new non-fiction volume, No Reservation: New York Contemporary Native American Art Movement, distributed by D.A.P., reveals a previously hidden history of contemporary Native American art in New York City.

A retrospective view of previous Biennales revealed the strength of an immersive installation by one or two artists versus an exhaustive, curated group exhibition.

For Tim, curating this exhibition has revealed some unexpected and fascinating relationships between works from his collection and those from the gallery.

BROOKLYN, NY — Tiger Strikes Asteroid New York is pleased to present Revealing Reflected Refractions, an exhibition featuring work by Andy An, Karin Ferrari, Hai - Hsin Huang, Alison Kudlow and Nooshin Rostami; curated by Jonathan Cowan and Rachael Gorchov.

The group show was curated by artist Paton Miller and is the third annual exhibition revealing artists working on the East End.

In 1992, the African - American artist Fred Wilson (b. 1954) curated an exhibition at the Maryland Historical Society in Baltimore that revealed the racial and class prejudices reflected by the museum's holdings.

The exhibition, curated by Jennifer Farrell, Curator of Exhibitions, and Bruce Boucher, Director of the Fralin Museum of Art at the University of Virginia, Charlottesville, Virginia, includes early prints from the collections of Jordan D. Schnitzer and the Jordan Schnitzer Family Foundation, which reveal Johns» early adaptation of the medium in creating some of his most iconic images.

In 2012, art advisor Heidi Lee Komaromi curated, «Sol LeWitt: Works on Paper 1983 - 2003», an exhibition revealing the variety of techniques LeWitt employed on paper during the final decades of his life.

This long awaited exhibition, curated by historian David Anfam, reveals the full breadth of a movement that will forever be associated with the boundless creative energy of 1950s New York.

The exhibition, curated by Alice Gray Stites, aims to explore and reveal the visible and hidden forces shaping what the contemporary world looks like.