Sentences with phrase «curated exhibitions such»

During her time at the Wexner Center for the Arts, Manchanda curated exhibitions such as Cyprien Gaillard: Disquieting Landscapes, Harry Shearer: the Silent Echo Chamber, and Catch Air: Robin Rhode.

Pierogi represents the work of emerging, mid-career, and established artists engaging in conceptually driven, process oriented work in a wide range of media: from the diagrammatic drawings of Mark Lombardi, the large - scale, nuanced still life drawings of Dawn Clements, and the interactive installations of Andrew Ohanesian, to the historically significant work of Kim Jones (who began his career as a performance artist in LA in the early 1970's), as well as curated exhibitions such as the award - winning Dead Tree installation (a recreation of the Robert Smithson work originally shown in Dusseldorf's Kunsthalle, 1969).

At EMPAC she commissioned and / or produced a broad range of new work by artists that included The Wooster Group, Laurie Anderson, Japanther, Jem Cohen and Ben Rubin, and curated exhibitions such as Dancing on the Ceiling: Art and Zero Gravity.

Vanessa Joan Müller has curated exhibitions such as «non-places» (Frankfurter Kunstverein, 2002), «New Heimat» (Frankfurter Kunstverein, 2001) and «Adorno.

Writer and curator Jasia Reichardt was Assistant Director of the ICA from 1963 - 71, during which time she curated exhibitions such as Cybernetic Serendipity (1968).

Kessels has curated exhibitions such as Loving Your Pictures at Rencontres Internationales de la Photographie Arles.

While at the Chrysler, she has curated exhibitions such as the Art of Glass 2 and Cheers to Queen Victoria!

Shpungin has also curated exhibitions such as Delicatessen at Schmidt Center Gallery, Florida Atlantic University, Boca Raton, Florida.

In 2012 she curated exhibitions such as You, Me, We, She, an all - female exhibition including artwork by Martha Wilson, DISBAND, Mika Rottenberg, Annika Eriksson, Johanna Billing, Corita Kent, and Justine Kurland, among others.

He has curated exhibitions such as «Into the Open,» the US representation at the Venice Biennale for Architecture; the «Perpetual Peace Project» at the International Peace Institute at the United Nations; «Mixplace Studio» with People's Emergency Center.

It is with this knowledge and artist community that Rubenstein so successfully curates exhibitions such as Fort Greene.

For four years, until 2012, Paul Goodwin worked at Tate Britain as a curator for the Cross Cultural Programme, curating exhibitions such as «Migrations: Journeys into British Art» in 2012.

Not exact matches

Since 2000 she has curated numerous exhibitions, symposia and performance events in Europe and North America at venues such as MUMOK Vienna, and Tate Modern.

What follows, in the exhibition, are works by artists who have persevered in defiance of portrait fatigue, such as Alex Katz and Chuck Close, and some creative curating that asks us to think of 1970s Body Art, anonymous street photography, and certain still lifes as portraits.

Since 2005, Bojan worked closely with Ulay, writing, curating, and producing materials for several international exhibitions such as Ulay's first major retrospective, GEN.E.T.RATION ULTIMA RATIO, (2005), at Centro Parraga, Murcia, Spain, while contributing to his recent retrospectives at Nederlandse Fotomuseum, Rotterdam, and Schirn Kunsthalle Frankfurt.

Haddon's paintings have been included in exhibitions such as «Theatre of the World», MONA, Tasmania (curated by Jean - Hubert Martin), Contemporary Encounters, National Gallery of Victoria, Melbourne and Art Platform LA, 2012.

This show comes 20 years after pivotal exhibitions such as Memorias Intimas Marcas — initiated by Fernando Alvim, in collaboration with Gavin Younge and Carlos Garaicoa, which looked at the residue of trauma caused by the Angolan Civil War — and the 2nd and last Johannesburg Biennale, curated by Okwui Enwezor, which unusually for the international art world at the time included many artists from the Global South.

They represented Switzerland at the Venice Biennale in 1995, and were included such Biennale exhibitions as Utopia Station in 2003 (curated by Hans - Ulrich Obrist, Molly Nesbit, and Rirkrit Tiravanija) and ILLUMINations in 2011, curated by Bice Curiger.

As part of the course, students have had the opportunity to curate exhibitions in partner institutions such as the Korean Cultural Centre, the Government Art Collection, NHS practice, Mansion House, Mint Hotel, Rich Mix, Royal College of Psychiatrists, Valentine's Mansion, the Zabludowicz Collection in London, and the ME - Collector's Room / the Thomas Olbricht Collection, Berlin among others.

Curated by Manu Park, the solo exhibition (22 February - 30 April 2017) includes PLAYTIME (Seven Screen Installation), 2014, which explores the dramatic and nuanced subject of capital, Kapital, 2013, a two - screen documentary, which includes the artist in conversation with leading academics such as David Harvey and Stuart Hall, and The Leopard, 2007, which brings together baroque pageantry and metaphor in a work that, referring to journeys made across the Mediterranean by Asians and Africans trying to enter Europe by sea, experiments with notions of cultural entanglement and the dissent between aesthetics and politics.

He has curated numerous exhibitions of artists such as Michael Asher, Matthew Barney, Marlene Dumas, Robert Gober, Katharina Grosse, Eberhard Havekost, Maria Lassnig, Sol LeWitt, Brice Marden, Gerhard Richter, Wilhelm Sasnal, Thomas Schu

From 1994 to 1996 Bauer was guest curator for NowHere at the Louisiana Museum of Modern Art, Humlebæk (1996), and was Artistic Director at Künstlerhaus Stuttgart e.V. from 1990 to 1994, she has also been responsible for numerous exhibitions, lectures and international conferences such as Radical Chic (1993) and A New Spirit in Curating «(1992).

Yiadom - Boakye was recently nominated for the 2013 Turner Prize, and her work has been shown internationally, in exhibitions such as the Gwangju Biennale in South Korea, curated by Okwui Enwezor, and «Flow» at the Studio Museum in Harlem, both in 2008.

Curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman and Aaron Rose, the exhibition will trace the development of graffiti and street art from the 1970s to the global movement it has become today, concentrating on key cities such as New York, Los Angeles, San Francisco, London, and Sao Paulo, where a unique visual language or attitude has evolved.

The gallery has organized and curated exhibitions that have become seminal in the Nordic context, successfully launching the careers of Scandinavian artists such as Annika Larsson, Matts Leiderstam and Annika von Hausswolff and giving artists such as Uta Barth, Siobhán Hapaska, Nandipha Mntambo and Xavier Veilhan their first European or Scandinavian one - person exhibition.

Sammak has been included in numerous group exhibitions, such as DSM - V, curated by David Rimanelli and presented by Vito Schnabel in The Future Moynihan Station, New York.

Seror's work has been included in group exhibitions such as Don Juan, Vienna Kunsthalle (2006); Jeugen von heute, Schirn Kunsthalle Frankfurt (2006); Balance and Power: Performance and Surveillance in Video Art, curated by Michael Rush, Rose Art Museum at Brandeis University (2005); In Focus: Themes in Photography, Albright Knox Art Gallery, Buffalo (2005); typ0, Moderna Museet, Stockholm (2004); Strangers: First ICP Triennial of Photography and Video (2003).

It has a reputation for curating the most ambitious projects of many artist's careers, including Andy Goldsworthy and Jaume Plensa, as well as highly significant historical exhibitions, such as Isamu Noguchi, Barbara Hepworth and Eduardo Chillida.

Typically when artists are tapped to curate shows, such as Robert Gober with his presentation of Forrest Bess in the last Whitney Biennial, they are given only a moderate amount of space for exhibitions that are viewed as creative curiosities.

The Musée d'Art moderne de la Ville de Paris presents «MEDUSA, Jewellery and Taboos», an exhibition,, curated by Anne Dressen, bringing together over 400 pieces of jewellery created by artists the like of Anni Albers, Man Ray, Meret Oppenheim, Alexander Calder, Salvador Dali, Louise Bourgeois, Lucio Fontana, Niki de Saint Phalle, Fabrice Gygi, Thomas Hirschhorn, Danny McDonald, Sylvie Auvray, avant - garde jewellery makers and designers such as Betony Vernon, Elie Top, René Lalique, Suzanne Belperron, Line Vautrin, Art Smith, Tony Duquette, Bless, Nervous System, contemporary jewellery makers and also high end jewelers, as well as anonymous, more ancient or non-Western pieces.

He has curated and produced numerous memorable exhibitions, which included the works of Donald Judd, Anselm Kiefer, Sol LeWitt, John Chamberlain, Jean Michel Basquait, John Baldessari, Roy Litchtenstein, and Andy Warhol and has overcome such logistical hurdles as installing a 12,000 pound indoor Richard Serra sculpture in a second floor Philadelphia space.

Her work has been part of international group exhibitions such as the 8th Berlin Biennale, curated by Juan Andrés Gaitán, 2014; «Clemania» at the FRAC des Pays de la Loire, Carquefou, France, curated by Daniela Pérez, 2014 and, «Crossing Boundaries,» the II Moscow International Biennale for Young Art in Moscow, Russia, 2010.

She curated the exhibitions of such Polish female artists as Ewa Partum («Musical Scores», Aleksander Bruno Gallery, Warsaw, 2015), Agnieszka Brzezanska («Ma terra», Aleksander Bruno Gallery, 2014), Marta Deskur («If you shoot one of them», MOCAK, Cracow, 2013).

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

In the past Goodman Gallery has collaborated with independent curators such as Simon Njami and Bettina Malcomess, who curated the US exhibition, part of which was shown at Goodman Gallery Projects at Arts on Main in 2009.

He has also curated exhibition at the Blouin Foundation — «After Dark» series, featuring acclaimed artists such as Alice Anderson.

As the founding director of the Artist's Institute in New York, Huberman has worked with artists such as Robert Filliou, Rosemarie Trockel, Haim Steinbach, and Thomas Bayrle, and will be publishing a book about them in 2015; he will also curate his fifth installment of Hello Goodbye Thank You, a biennial exhibition, at castillo / corrales in Paris.

Prior to working at the Whitney, De Salvo served for five years as a Senior Curator at Tate Modern, London, where she curated such exhibitions as Open Systems: Rethinking Art c. 1970 (2005); Marsyas (Anish Kapoor's 2003 work commissioned by Tate Modern for its Turbine Hall); and Century City: Art and Culture in the Modern Metropolis (2001).

During his tenure, he curated award winning exhibitions such as Ryan McGinness: Studio Visit (2014); Xu Bing: Tobacco Project (2011); Sally Mann: The Flesh and The Spirit (2010); Chuck Close: People Who Matter to Me (2010); Artificial Light (2006), which appeared at VCU Anderson Gallery and MOCA at Goldman Warehouse in Miami; Robert Lazzarini (2003), recognized by the International Association of Art Critics as one of year's best exhibitions; Outer and Inner Space: A Video Exhibition in Three Parts (2002), recipient of an Emily Hall Tremaine Exhibition Award; and Vanitas: Meditations on Life and Death in Contemporary Art (2000).

Andria Hickey is Curator at the Public Art Fund, where she has curated exhibitions throughout New York City with artists such as Danh Vō, Katharina Grosse, and Oscar Tuazon, as well as the group exhibitions Lightness of Being (2013), Configurations (2012 — 13), and A Promise Is a Cloud (2011 — 12).

Greene has taught and lectured at institutions such as the University of the Arts and Drexel University and has curated exhibitions for Chela in Baltimore, MD..

Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).

Several exhibitions I've curated in the past have had quite poetic, allusive names, such as «How to Endure» at the 2007 Athens Biennale, «Handsome Young Doctor» at Cubitt Gallery, and «Deceitful Moon» at the Hayward Project Space.

Recent shows include the solo exhibition The Power of Reinforcement, curated by Zhang Peili, Zendai Moma, Shanghai 2009; and groups exhibitions such as Jungle, Platform China, Beijing, 2010; Go, OCT Contemporary Art Terminal, Shenzhen, 2010; Bourgeoisified Proletariat, Shanghai, 2009; Quantity Bears Identity, Kultflux, Vilnius, Lithuania, 2009; Itchy, BizArt, Shanghai, 2009; Spade, T - Space, Beijing, 2008; eArts Festival, Shanghai, 2008; and New Directions from China, Plug.In, Basel, Switzerland, 2007.

Jointly curated by Tony Tiger (Muscogee Creek / Seminole / Sac & Fox), Bobby Martin (Muscogee Creek), and Jace Weaver (Cherokee), the exhibition will feature works in a variety of media such as painting, drawing, printmaking, basketry, sculpture, and pottery.

She personally curated a number of groundbreaking exhibitions and wrote catalogue essays for world - renowned artists such as Betye Saar, Sam Gilliam, and Melvin Edwards.»

He began working at Foksal Gallery in 1988, curating exhibitions by such artists as Luc Tuymans, Franz West and Douglas Gordon.

Bill has curated numerous exhibitions with artists such as Mary Heilmann, Jonathan Lasker, Ken Price, Chris Martin, Marilyn Minter and Juan Usle.

IThe Hayward is shortlisted after a year in which very little was spent on its infrastructure — it is nominated instead for eclectic and experimental programming which included touring exhibitions such as All That Is Solid Melts Into Air, curated by Jeremy Deller and shows in its South Bank home which brought the «unknown and unexpected» to UK audiences.

Organized by Grey Art Gallery at New York University and curated by Melissa Rachleff, clinical associate professor at NYU Steinhardt, the exhibition includes work by artists ranging from such well known figures as Mark di Suvero, Jim Dine, Red Grooms, Allan Kaprow, Alex Katz, Yayoi Kusama, Claes Oldenburg, and Yoko Ono to artists who deserve to be better known, such as Ed Clark, Emilio Cruz, Lois Dodd, Rosalyn Drexler, Sally Hazelet Drummond, Jean Follett, Lester Johnson, Boris Lurie, Jan Müller, and Aldo Tambellini.