New to the fair was a sector called Survey, bringing gravitas with a deliberately
digital -
free zone that called on 13 galleries to present tightly
curated historical projects — the standout, New York artist Alison Knowles's The Boat
Book, 2014, eight 8ft - high, wood - framed movable pages covered with images described by her dealer, James Fuentes, as «seminal social sculpture» that is «read» by crawling through it.