Sentences with phrase «curated group presentations»

Held annually it focuses on new and emerging galleries, exhibiting solo projects and curated group presentations.

This year SUNDAY will showcase 25 international galleries exhibiting solo presentations or curated group presentations.

Focus at Frieze London At Frieze London, Focus is a curated section open to galleries formed in or after 2006, which can apply with solo or curated group presentations.

Next year the curated section of the fair will focus on the Middle East, North Africa, and the Mediterranean region (MENAM) and will include solo and curated group presentations, site - specific projects and a dedicated symposium.The section will be presented in collaboration with non-profit arts and education enterprise Edge of Arabia.

Prior to this exhibition, we had a curated group presentation with Benjamin Weissman, Raymond Pettibon, Mike Kelley, and Paul McCarthy.

Not exact matches

To celebrate its 30 year anniversary, CPS is also curating the upcoming touring group exhibition 1/81, with a first presentation at the Coa Museum in Portugal.

Defining the fair experience, the work on exhibit was, as ever, largely market - driven, targeting maximum impact and branded recognition, but quality was high, with many presentations curated for reflection, grouped for immersion, and closely edited for sheer viewing pleasure.

This year she also curated a group exhibition for the Spring Break art show in March titled «The Presentation of Self in Everyday Life,» which featured Jeremy DePrez, Hannah Whitaker, Liz Nielsen, Graham Caldwell, and Eric Shows.

In the main gallery booth we will exhibit a curated group show highlighting a selection of artists from our program, and for the fair's Profile section a solo presentation by Charles Avery will be exhibited.

The Gallery has a varied exhibition programme of painting, photography and drawing with a mixed presentation of solo and curated group exhibitions.

He also curated September 11, a group exhibition organized on the occasion of the tenth anniversary of the terrorist attacks in 2011, and oversaw MoMA PS1's expanded presentation of Mike Kelley in 2013, which was the largest solo exhibition in the institution's history.

Curated by Dr. Arshiya Lokhandwala, the presentation begins with paintings from the era following India's independence from Britain, primarily by those involved in the seminal Progressive Artists» Group that jumpstarted modernism in India.

Curated & Group Shows Galleries presenting dynamic two - artist and group presentations include: Esther Schipper (Berlin, main) with a group show centered around Swap (2011), an interactive performance by Roman Ondak; Lisson Gallery (London, main) with a two - artist show by leading international artists Anish Kapoor and Lee Ufan, coinciding with the opening of Kapoor's Descension at Brooklyn Bridge Park; and Herald St's (London, main) group stand including Michael Dean, a Turner Prize finalist and the recent subject of a Nasher Sculpture Center exhibition, on the eve of the artist's participation in the fifth Skulptur Projekte MünGroup Shows Galleries presenting dynamic two - artist and group presentations include: Esther Schipper (Berlin, main) with a group show centered around Swap (2011), an interactive performance by Roman Ondak; Lisson Gallery (London, main) with a two - artist show by leading international artists Anish Kapoor and Lee Ufan, coinciding with the opening of Kapoor's Descension at Brooklyn Bridge Park; and Herald St's (London, main) group stand including Michael Dean, a Turner Prize finalist and the recent subject of a Nasher Sculpture Center exhibition, on the eve of the artist's participation in the fifth Skulptur Projekte Müngroup presentations include: Esther Schipper (Berlin, main) with a group show centered around Swap (2011), an interactive performance by Roman Ondak; Lisson Gallery (London, main) with a two - artist show by leading international artists Anish Kapoor and Lee Ufan, coinciding with the opening of Kapoor's Descension at Brooklyn Bridge Park; and Herald St's (London, main) group stand including Michael Dean, a Turner Prize finalist and the recent subject of a Nasher Sculpture Center exhibition, on the eve of the artist's participation in the fifth Skulptur Projekte Müngroup show centered around Swap (2011), an interactive performance by Roman Ondak; Lisson Gallery (London, main) with a two - artist show by leading international artists Anish Kapoor and Lee Ufan, coinciding with the opening of Kapoor's Descension at Brooklyn Bridge Park; and Herald St's (London, main) group stand including Michael Dean, a Turner Prize finalist and the recent subject of a Nasher Sculpture Center exhibition, on the eve of the artist's participation in the fifth Skulptur Projekte Müngroup stand including Michael Dean, a Turner Prize finalist and the recent subject of a Nasher Sculpture Center exhibition, on the eve of the artist's participation in the fifth Skulptur Projekte Münster.

In the Spring of 2016, Tarasewicz will attend the International Artists - In - Residence Program at MeetFactory in Prague, Czech Republic, where she will further develop her project Turba Turbo and will use the structure as a display system for the presentation of a curated group exhibition featuring Czech and international artists.

The gallery has a varied exhibition programme of painting, photography and drawing with a mixed presentation of solo and curated group exhibitions.

[ENG] àngels barcelona is pleased to present the group show Within One's Grasp curated by Maja Ćirić, which is the second presentation of the program In a convivial mode presented by BAR project.

For more than 20 years, Higgs has shown consistent ways to supports artists, artist - groups, and curators, through his writing, interviews, curating, and teaching, as well as his reinvention and on - going development of White Columns as a space for people to experiment with the presentation of new ideas and work.

Group Exhibitions 2018 Condo, hosted by Union Pacific, London 2017 Interface (s)-- Tales of Babel, curated by Lucile Bouvard, Haus am Lützowplatz — Studio Galerie, Berlin 2016 Global Female Inventories, curated by NOTE ON, Project Space Festival, Berlin Group presentation at ART - O-RAMA, Marseille Group presentation at Art Cologne, with Chert, Berlin You Can See the Weakness of a Man Right Through His Iris, in an apartment Rigaerstrasse 69, Berlin Leaping over a bush to surprise a quail, Chert, Berlin 2015 Lügen, Atelier in der Oranienstrasse 189, Berlin Group presentation at Art Cologne, with Chert, Berlin 2014 Iao Oo, Studio Hodori & Studio Niculescu, Berlin Hotspot Va, Commissariat À Treize, Paris 2013 Interior 301, Galerie Alain Gutharc, Paris Reits, Schaufenster, Berlin Where The Wild Things Go, Fine Furniture Gallery, Berlin 2012 Partouse, Berlin Ballungsrum, Kosmetiksalon Babette, Berlin 2011 J'aime Les Femmes Et Je Le Prouve, Espace À Débattre, Nice Ryhmänäytelly, Macumba Nightclub, Nice 2010 Coulis De Framboises, Kit Invite, Palais De Tokyo, Paris Hic, Villa Arson, Nice Thriller, Berlin 2009 Birds Love Fish, Chert, Berlin Santé, Galerie De La Marine, Nice Pavillon Arson, 54e Édition Du Salon De Montrouge Écotone, La Station, Nice No Way Nevermind, Insitut Française, Dresden

You decided to curate a solo presentation of the work of Arjan Zazueta on the second floor of the gallery, with a group show, Hidden in Plain Sight, on the first floor.

Since joining the MCA in 1999, she has curated group exhibitions such as Escultura Social: A New Generation of Art from Mexico City, which was accompanied by a bi-lingual catalogue, as well as in - depth presentations of the MCA Collection in Constellations: Paintings from the MCA Collection and MCA Exposed: Defining Moments in Photography, 1967 - 2007.

This year a few gallerists went above and beyond to curate special presentations of one or two artists, thematic group shows, or, in one case, an ambitious overall installation.

Important solo and group exhibitions during Clark's lifetime include the early São Paulo Biennials (1953 - 1967); the Second Pilot Show of Kinetic Work, curated by Guy Brett at Signals Gallery, London in 1962; and a presentation, alongside Mira Schendel, at the XXXIV Bienale di Venezia in 1968.

Group Exhibitions 2017 Kitchen Debate, curated by Paulina Ascencio, organized by Site95, Rawson Projects, and Regina Rex Rawson Projects, New York 15th Istanbul Biennial, Curated by Elmgreen & Dragset, Istanbul Pool, TROPEZ, Berlin 2016 Group presentation at Artissima, Turin +52 Paisajes recientes, Fundación Calosa, Irapuato, Mexico Umwelt Inversion, Proposed by Thomas Jeppe, Galerie Conradi, Hamburg Leaping over a bush to surprise a quail, Chert, Berlin 2015 Club of Matinée Idolz, CO2, Turin Sexxxitecture, CULT, San Francisco, USA Bienal Nacional De Paisaje, Museo De Arte Carrillo Gil, Mexico City Dialogo entre Patrick Hamilton y Alejandro Almanza Pereda, The 9.99, Guatemala City 2014 XVI Bienal de Fotografía, Centro de las Artes, Monterrey Nuevo León Foreshock, La Fabrica, Brooklyn, NY Delirios de declive, Curro y Poncho, Guadalajara, Mexico Largo x Ancho x Alto / Height x Width x Depth, The 9.99, Guatemala Game changer, Boulder Museum of Contemporary Art, Colorado About a Mountain, Aysa Geisberg, New York What goescurated by Paulina Ascencio, organized by Site95, Rawson Projects, and Regina Rex Rawson Projects, New York 15th Istanbul Biennial, Curated by Elmgreen & Dragset, Istanbul Pool, TROPEZ, Berlin 2016 Group presentation at Artissima, Turin +52 Paisajes recientes, Fundación Calosa, Irapuato, Mexico Umwelt Inversion, Proposed by Thomas Jeppe, Galerie Conradi, Hamburg Leaping over a bush to surprise a quail, Chert, Berlin 2015 Club of Matinée Idolz, CO2, Turin Sexxxitecture, CULT, San Francisco, USA Bienal Nacional De Paisaje, Museo De Arte Carrillo Gil, Mexico City Dialogo entre Patrick Hamilton y Alejandro Almanza Pereda, The 9.99, Guatemala City 2014 XVI Bienal de Fotografía, Centro de las Artes, Monterrey Nuevo León Foreshock, La Fabrica, Brooklyn, NY Delirios de declive, Curro y Poncho, Guadalajara, Mexico Largo x Ancho x Alto / Height x Width x Depth, The 9.99, Guatemala Game changer, Boulder Museum of Contemporary Art, Colorado About a Mountain, Aysa Geisberg, New York What goesCurated by Elmgreen & Dragset, Istanbul Pool, TROPEZ, Berlin 2016 Group presentation at Artissima, Turin +52 Paisajes recientes, Fundación Calosa, Irapuato, Mexico Umwelt Inversion, Proposed by Thomas Jeppe, Galerie Conradi, Hamburg Leaping over a bush to surprise a quail, Chert, Berlin 2015 Club of Matinée Idolz, CO2, Turin Sexxxitecture, CULT, San Francisco, USA Bienal Nacional De Paisaje, Museo De Arte Carrillo Gil, Mexico City Dialogo entre Patrick Hamilton y Alejandro Almanza Pereda, The 9.99, Guatemala City 2014 XVI Bienal de Fotografía, Centro de las Artes, Monterrey Nuevo León Foreshock, La Fabrica, Brooklyn, NY Delirios de declive, Curro y Poncho, Guadalajara, Mexico Largo x Ancho x Alto / Height x Width x Depth, The 9.99, Guatemala Game changer, Boulder Museum of Contemporary Art, Colorado About a Mountain, Aysa Geisberg, New York What goes there?

Last seen in New York at the Sanya Kantarovsky curated group show, Sputterances, at Metro Pictures (Spring 2017), this presentation collects paintings from Weber's Adalbertstraße, Krazy Kat, and Artforum - Leser series (among others).

Group Exhibitions 2016 Among Other Things, I've Taken Up Smoking, curated by Jesse van Oosten, Tent, Amsterdam Il Flauto Magico, 16 collezionisti per un» istituzione, Museo di Castelvecchio curated by di Andrea Bruciati in collaboration with Ketty Bertolaso, Margherita Bolla and Alba Di Lieto Group presentation at ART - O-RAMA, Marseille Pushing Boundaries Expanding Frontiers, RAM Foundation, Rotterdam Left Hand to Back of Head, Object Held Against Right Thigh, The Bluecoat, Liverpool 2015 Ceramics & Graphite, Chert, Berlin wow!

The group presentation takes its point of departure from one of the most important exhibitions in history of exhibition making: Questioning Reality — Image Worlds Today, 1972 curated by Harald Szeemann as a part of Documenta 5.

The first edition of Kabinett will include nineteen curated projects, ranging from thematic group presentations to solo shows, presented by galleries from Asia, Europe, and the United States.

This year's edition of Art Kabinett, a section of curated group shows and solo exhibitions, featured strong presentations by artists from Latin America.

Recent group presentations include The Invisible Hand: Curating as Gesture, 2nd CAFAM Biennale, CAFA Art Museum, Beijing (2014); Geestverwanten (Kindred Spirits), Rabo Art Collection, Utrecht, The Netherlands (2013 - 2014); Station to Station organized by Doug Aitken (2013), When Attitudes Became Form Become Attitudes: A Restoration / A Remake / A Rejuvenation / A Rebellion, CCA Wattis Institute for Contemporary Arts, San Francisco (2012), and Intense Proximity: La Triennale 2012, Palais de Tokyo, Paris, 2012 (group).

She has curated solo presentations of work by Marie Bovo, Zoe Crosher, Phil Chang, Gordon Matta - Clark, and Penelope Umbrico, among others, and curated and co-curated the group exhibitions Mundos Alternos: Art and Science Fiction in the Americas (2017 - 18), Reproduction, Reproduction (2015 - 16), and Trouble with the Index (2014) at the CMP, and Skyscraper: Art and Architecture Against Gravity (2012), and First 50 (2012) at MCA Chicago.

Participation as Artistic Principle, Museum Morsbroich, Leverkusen Group Exhibition Curated by Asha Bukojemsky, Samuel Freeman gallery, Los Angeles You can tell I'm alive and well because I weep continuously, Knockdown Center, New York While I was also listening to David, Eleanor, Mariana, Delia, Genk, Jean, Mark, Pierre, Shima, Simon, Zin and Virginie, Criée centre of contemporary art, Curate by Felicia Atkinson, Julien Bismuth, Sophie Kaplan and Yann Sérandour, Rennes, France Commercial Break, Public Art Fund 40th Anniversary, Public Art Fund, New York 2016 Sequences Art Festival, 10th Anniversary at Marshall House, Reykjavik Breathing Space, Museum Arnhem, Netherlands 8688, curated by Diana Campbell Betancourt, Project 88, Colaba, Mumbai A Moment In Time, BolteLang, Zürich The Sun Placed in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, NCurated by Asha Bukojemsky, Samuel Freeman gallery, Los Angeles You can tell I'm alive and well because I weep continuously, Knockdown Center, New York While I was also listening to David, Eleanor, Mariana, Delia, Genk, Jean, Mark, Pierre, Shima, Simon, Zin and Virginie, Criée centre of contemporary art, Curate by Felicia Atkinson, Julien Bismuth, Sophie Kaplan and Yann Sérandour, Rennes, France Commercial Break, Public Art Fund 40th Anniversary, Public Art Fund, New York 2016 Sequences Art Festival, 10th Anniversary at Marshall House, Reykjavik Breathing Space, Museum Arnhem, Netherlands 8688, curated by Diana Campbell Betancourt, Project 88, Colaba, Mumbai A Moment In Time, BolteLang, Zürich The Sun Placed in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, Ncurated by Diana Campbell Betancourt, Project 88, Colaba, Mumbai A Moment In Time, BolteLang, Zürich The Sun Placed in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, Ncurated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, Ncurated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New York

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

Made in Germany drei, Sprengel Museum Hannover Sechs Richtige, Fürstenbergische Museum, Donaueschingen Onder Ons, CIAP — Association for Contemporary Art, Hasselt Villa Romana — Fellows 2017, at Villa Romana, Florence 2016 Feature Expanded — 2nd Edition, at HOME, Manchester and at Lo Schermo dell» Arte, Florence The Marmory show III — Guilty Pleasures, Deborah Schamoni Gallery, Munich Shared Flat, Hospitality, curated by Carla Donauer, Piusstrasse 36, Cologne In space no one can hear you laugh, curated by Clarissa Tempestini, at Galleria Giovanni Bonelli, Milan 2015 Alfred Jarry Archipelago, Performance Day at la Ferme du Buisson, Noisiel Mixer, performance event at Laff Box, MAMA, Rotterdam Group presentation at Art Cologne, with Chert, Berlin Alfred Jarry Archipelago: «HA «HA, curated by Leonardo Bigazzi, Museo Marino Marini, Florence Proximities and Desires, ABC Art Fair, Berlin Per4m, Artissima Art Fair, Turin OPEN HOUSE, curated by Jule Hillgärtner, Kunstverein Braunschweig, Braunschweig Inside the city.

Hauser & Wirth Zürich is pleased to present our year - end group exhibition «Salon», a curated presentation of modern masters and contemporary work.