Sentences with phrase «curated key exhibitions»

Not exact matches

Its ambitious curated exhibitions programme responds to national and international trends, promoting artists at key stages of their careers, including subsequent Turner Prize nominees / winners and exhibitors at international festivals.

In addition to curating the U.S. pavilion at the 2017 Venice Biennale (along with Christopher Bedford), Siegel has curated exhibitions and written several key books on Abstract Expressionism and post-war American art.

Curated by Lydia Yee, the exhibition presents a selection of objects from the collections of the artists alongside at least one key example of their work to provide insight into their inspirations, influences, motives, and obsessions.

Curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman and Aaron Rose, the exhibition will trace the development of graffiti and street art from the 1970s to the global movement it has become today, concentrating on key cities such as New York, Los Angeles, San Francisco, London, and Sao Paulo, where a unique visual language or attitude has evolved.

Previously, he was a key lecturer at Central Saint Martins School of Art (1995 - 2003); a visiting lecturer and researcher at University of Westminster (1997 - 2003) and the Head of Department of Exhibitions, Film and New Media at the Haus der Kulturen der Welt, Berlin (2003 - 2008) where he curated several exhibitions accompanied by publications, including The Black Atlantic; Dreams and Trauma - Moving images and the Promised Lands; and Re-Imagining Asia, One Thousand years of Exhibitions, Film and New Media at the Haus der Kulturen der Welt, Berlin (2003 - 2008) where he curated several exhibitions accompanied by publications, including The Black Atlantic; Dreams and Trauma - Moving images and the Promised Lands; and Re-Imagining Asia, One Thousand years of exhibitions accompanied by publications, including The Black Atlantic; Dreams and Trauma - Moving images and the Promised Lands; and Re-Imagining Asia, One Thousand years of Separation.

Every edition of the Biennale brings together the Main Project curated by internationally renowned curators; Special Guests programme featuring retrospective shows of the major contemporary artists; Special Projects realised in the key Moscow non-commercial art institutions; Parallel Programme that includes exhibitions in commercial galleries.

With almost 100 works on display, this mammoth exhibition has been expertly curated in a manner that doesn't follow the traditional chronological route; «The works are grouped into key sequences, allowing connections and common themes to emerge and to promote a comprehensive understanding of Jones's wide - ranging artistic practice.»

Published to accompany the premiere of the exhibition at the Deutsche Guggenheim, Berlin, which was curated by Vivien Greene and will travel to the Guggenheim Museum, New York in the summer of 2007, this focused study of 40 key Divisionist works is the first of its kind to appear in the United States.

Key projects include curating the exhibitions «Romancing the Fragment,» featuring the work of Avery Singer and Cayetano Ferrer, and «Classical Derision,» featuring Ida Applebroog, Hans - Peter Feldmann, Gabriel Orozco, and Ned Smyth; co-founding the transdisciplinary curatorial journal aCCeSsions at CCS Bard; and serving as curator for the Bard M.F.A.'s graduate thesis exhibition in 2014.

Conceived and produced under the artistic direction of the Fondation Louis Vuitton, the exhibition showcases key works by Cheng in the framework of the Fondation's «Hors - les - Murs «program, destined to introduce previously unseen artworks from its permanent collection to audiences of the Espaces Culturels Louis Vuitton in Munich, Venice, Beijing, and Tokyo, thus realizing its mission to curate ambitious international art projects and share its collection with a broader public.

BOLT functions as a creative and professional incubator that takes a holistic approach to the development of residents» careers by providing: Studio Work Space (well - equipped, open - plan studio work spaces); Exhibition Programming (monthly rotating exhibitions of residents» work in a dedicated gallery, including professional curating and marketing support); Professional Development (one - on - one studio visits with key arts / cultural leaders; free access to the Coalition's monthly A.B.C professional development workshops; and ongoing support from the Coalition staff); and Creative Community (monthly resident meetings, peer networking and creative environment fostering collaboration among residents).

The three - part seminal «Videostroia» exhibition series at the Haifa Museum of Art curated by Ilana Tenenbaum (catalogues with key texts available for each exhibition)

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or -LSB-...]

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale.

In London, the Whitechapel Gallery revisits key chapters of Exhibition Histories with a conversation between artist Lubaina Himid and curator and researcher Paul Goodwin (March 3) around three seminal exhibitions Himid curated in early 1980s London: «Five Black Women», Africa Centre (1983), «Black Women Time Now», Battersea Arts Centre (1983 - 4) and «The Thin Black Line», Institute of Contemporary Arts (1985).

This is a unique occasion to explore key issues of curating and to gain more knowledge of the logistical aspects behind exhibitions form negotiating loans to marketing strategies, with support and supervision from RA experts along with external professional curators and scholars.

Curated by Daniela Ferrari, art historian and curator at the Museum of Modern and Contemporary Art of Trento and Rovereto (MART), Italy, the exhibition will explore the use of text and the written word in the practice of major Post-War Italian artists including, Vincenzo Agnetti (1926 - 1981), Alighiero Boetti (1940 - 1994), Dadamaino (1930 - 2004), Lucio Fontana (1899 - 1968), Emilio Isgrò (b. 1937), Piero Manzoni (1933 - 1963), Mimmo Rotella (1918 - 2006), Salvo (1947 - 2015) and Mario Schifano (1934 - 1998), alongside key international artists including Cy Twombly (1928 - 2011), Joseph Kosuth (b. 1945), Jannis Kounellis (1936 - 2017), Mel Bochner (b. 1940), John Baldessari (b. 1931) and Tracey Emin (b. 1963).

All signs pointed to interesting possibilities for Sydney's 20th Biennale, curated as it was by Stephanie Rosenthal, the chief curator at London's Hayward Gallery — the site of the 2008 exhibition, Psycho Buildings, which was one of the key recent shows featuring sci - fi - related art.

A new exhibition entitled «Raster Raster,» curated by Olson, combines many of the key players in the postinternet art movement, from webcam - happy Petra Cortright to satirical YouTube sensation Jayson Musson.

Curated by Richard Wood, the exhibition includes key Irish and international pieces by Josef Albers, Karel Appel, Patrick Collins, Barrie...

Other key exhibitions she has curated include Splat Boom Pow!

She curates exhibitions, programmes and discursive events in the fields of art, design, architecture, media and technology, and has had a key role in the programming of VIENNA BIENNALE 2017.

Sarah Glennie, Director of IMMA, said: «We are delighted to present another dynamic programme for Ireland in 2015, where a key highlight is sure to be the autumn exhibition, curated by Christine Macel, Chief Curator at Centre Pompidou with Rachel Thomas, Head of Exhibitions at IMMA.

In a rare solo exhibition, Richard Saltoun Gallery has brought together a remarkable collection of his work, curated by Andrew Hunt, that covers the key years between 1963 - 1975.

The Modern Art Museum of Fort Worth, Texas Curated by Andrea Karnes This major survey exhibition of the work of Brooklyn - based artist KAWS (American, born 1974) will feature key paintings, sculptures, drawings, toys, and street art interventions to examine KAWS's prolific career in depth, revealing critical aspects of his formal, conceptual, and collaborative developments over the last twenty years.

A major part of the Garage summer exhibition season, the show — curated by Massimiliano Gioni and Gary Carrion - Murayari from the New Museum in New York — brings together around four hundred works, including ephemera and materials from the personal archive of a figure who has been key to the American art scene since the 1990s.

Tracing a history of curating through its most innovative shows, renowned curator Jens Hoffmann selects the 50 key exhibitions that have most significantly shaped the practice of both artists and curators.

He was one of five painters in The Shaped Canvas, the 1964 Guggenheim Museum exhibition curated by Lawrence Alloway, that helped define a key feature of 1960s abstraction.

At the Hayward Gallery in 1989 was Ades's show (on which Brett was a key collaborator) Art in Latin America: The Modern Era, 1820 - 1980, while in 1990 Brett curated the smaller but also influential Transcontinental: Nine Latin American Artists at the Ikon Gallery in Birmingham, following it in 1999 with a solo exhibition of the work of Victor Grippo, also at the Ikon, and with Force Fields: Phases of the Kinetic in 2000 at the Hayward Gallery, London, the exhibition which most clearly continued the aesthetic concerns first raised through Signals.

Alison Jacques, who has represented the Estate of Robert Mapplethorpe in the UK for 17 years, said: «Provocative and subversive, making images which are the antithesis of conventional fashion photography and, most importantly, a key artist of his time, Juergen Teller was the only choice to curate this special exhibition of Robert's work.

The exhibition was curated by Georgette Grier - Key Ed.D., David Byer - Tyre, and Kathryn Curran.

It has also been a key inspiration for my own efforts to consider, emphasize and extend the priority of time over space in the production of exhibitions, especially in my «Do It» project of repeatable instructions and recipes initiated with Christian Boltanski and Bertrand Lavier, and «Il Tempo del Postino,» which I curated with Philippe Parreno for the Manchester International Festival and which toured to the Theater Basel with the support of Art Basel and the Beyeler Foundation.

To coincide with MUMA's exhibition Borders, Barriers, Walls curated by Francis E. Parker, this panel discussion will address some of the exhibition's key themes and concerns.

1965 — 1975, is an exhibition curated by Rodrigo Alonso with more than a hundred drawings, paintings, sculptures, videos, photographs, documents and records of performances and artistic actions from a key historical period characterized by explosive creativity, intense political fervor and a redefined role of art in society.

Celebrating Close's 40 + year long fascination with printmaking and reflecting all the key phases of his career, this exhibition was curated and organised by Terrie Sultan, Director of the Parrish Art Museum, Water Mill, New York in close collaboration with the artist.

At the Irish Museum of Modern Art she worked on key solo exhibitions by Alex Katz, Miroslaw Balka, Georgia O'Keefe, Nalini Malani and a group exhibition curated with Philippe Parreno.

Sarah Glennie, Director of IMMA, said: «We are delighted to present another dynamic programme for Ireland in 2015, where a key highlight is sure to be the autumn exhibition What We Call Love, curated by Christine Macel, Chief Curator at Centre Pompidou with Rachel Thomas, Head of Exhibitions at IMMA.

Hirst's series of paintings, «Two Weeks One Summer» are displayed alongside a selection of key Arnulf Rainer works in an exhibition curated by Rudi Fuchs.

Headquartered in New York, the organization provides public access to the people and practices that are key to current developments in curating and exhibition - making, inspiring fresh ways of seeing and contextualizing contemporary art.