Sentences with phrase «curated numerous»

Larratt - Smith has curated numerous exhibitions including «Bye Bye American Pie», MALBA — Fundación Costantini, Buenos Aires, Argentina (2012); «Louise Bourgeois: The Return of the Repressed», Freud Museum, London, England (2012); and «Andy Warhol, Mr. America», MALBA — Fundación Costantini, Buenos Aires, Argentina (2009).

He has curated numerous solo exhibitions and group projects, as well as publishing and writing a myriad of books, including The Interruptors: A Non-Simultaneous Novel, Article Press, 2005, Has Man A Function In Universe?

She has curated numerous exhibitions at CFCCA, in addition to many off - site projects in London and internationally.

Ferrer has also curated numerous exhibitions on Latino and Mexican modern and contemporary photography.

He's curated numerous thought - provoking exhibitions, brought many amazing contemporary artists from around the world to BYU and Utah, and done much to support and promote artists working in our state,» said Gretchen Dietrich, executive director of the Utah Museum of Fine Arts.

He curated numerous international exhibitions and published various scientific texts and books.

Throughout her 40 year career, she held other museum directorial positions and curated numerous exhibitions including Patti Smith: Camera Solo; My Reality: Contemporary Art and the Culture of Japanese Animation and Fred Wilson: Memory.

Since his appointment in 2006, he has curated numerous acclaimed exhibitions including, Psycho Buildings: Artists Take On Architecture, The Painting of Modern Life and most recently, Jeremy Deller: Joy in People.

He curated numerous solo and group exhibition projects.

She curated numerous group and solo exhibition projects.

Previously, Keith served as an associate curator at the Studio Museum in Harlem from 2011 to 2016, where she curated numerous art exhibitions including «Charles Gaines: Gridwork 1974 - 1989» in 2015.

She has curated numerous international exhibitions, most notably

She has curated numerous exhibitions internationally, focused on art in Japan as well as widely in Asia including Cai Guo Qiang, Yoko Ono, Jiro Takamatsu and Do Ho Suh.

In the context of both programmes she curated numerous exhibitions.

She has curated numerous exhibitions in the United States, and has held curatorial positions in various institutions, including the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Museum of Modern Art, New York.

She curated numerous solo and group exhibitions, wrote several articles and edited different publications.

She has curated numerous exhibitions, including most recently Love is a Stranger at Creative Growth Art Center in Oakland, and has organized over 50 exhibitions ranging from solo shows of the work of Richard Artschwager, Dan Flavin, and Brice Marden to major group exhibitions such as Monuments for the USA and IRREDUCIBLE: Contemporary Short Form Video.

She has curated numerous international exhibitions, most notably «The Storytellers: Narratives in International Contemporary Art.»

He has curated numerous exhibitions including Designs of the Year, a retrospective on designer Dieter Rams, and a project to curate and reinstall the Design Museum's permanent collection, making it available to the public for the first time in five years.

Over the last 12 years Martin has curated numerous exhibitions and projects, including solo shows by Simon Starling, Albert Oehlen, Lily van der Stokker, Alex Katz, Hans - Peter Feldmann, Heimo Zobernig, Dexter Dalwood, Carol Bove, Bojan Sarcevic, Deimantas Narkevicius, Peter Fraser, Katy Moran, Mark Titchner, Brian Griffiths and Lucy McKenzie, as well as group exhibitions that include The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, 2009; Pale Carnage, Arnolfini, 2007; and The Hollows of Glamour, Herbert Read Gallery, 2003.

He has curated numerous majors exhibitions around the world.

She has shown her work in galleries and museums in the United States, Germany, and Spain; curated numerous exhibitions; produced over 200 artist's books; and spent seventeen years running a rare - books store in Heidelberg.

During his career, he has curated numerous exhibitions about contemporary reductive abstraction throughout Australia.

Jessica Morgan has curated numerous group and solo exhibitions, including Saloua Raouda Choucair, Gabriel Orozco, John Baldessari: Pure Beauty, The World as a Stage, Martin Kippenberger, Time Zones, Common Wealth, and the Turbine Hall Unilever Commissions, working with artists Tino Sehgal, Carsten Höller and Dominique Gonzalez - Foerster, since she joined Tate.

Since the 1990s, she has curated numerous survey exhibitions, among others on Carl Andre, Paul McCarthy, AllanKaprow, Martin Kippenberger, and Andy Warhol.

During his time at the Museum of Contemporary Arts, Sami Azar curated numerous exhibitions and was responsible for the promotion of many Iranian artists onto the international art scene.

She has curated numerous other exhibitions, as well, such as «Paris - Beijing,» the first retrospective in France of Chinese contemporary art at the Espace Pierre Cardin, Paris.

Heynen has curated numerous exhibitions of the works of artists including: Bruce Nauman, Thomas Schütte, Franz West, Andreas Gursky, Juan Muñoz, Richard Deacon, Thomas Struth, Lothar Baumgarten, Luc Tuymans, Rosemarie Trockel, Stan Douglas, Thomas Ruff, Daniel Richter, Rodney Graham, Candida Höfer, Martin Kippenberger, and Roman Ondák, as well as many group exhibitions.

Estrella de Diego has been a guest lecturer at universities in Spain and abroad, and has curated numerous exhibitions, including Lost Bodies.

She has curated numerous exhibitions of modern and contemporary art nationally and internationally, and has published and lectured broadly.

Over the past fifteen years he has curated numerous exhibitions and has moved the visual arts programming at Harbourfront Centre in new and exciting directions.

Since joining Guild Hall in 1987, Mossiades Strassfield has curated numerous exhibitions and has contributed essays for many of the accompanying catalogs.

She has curated numerous exhibitions including Paul Chan: 7 Lights, Serpentine Gallery, London, England (2007); Runa Islam: Conditional Probability, Serpentine Gallery (2006Read more

At P.S. 1, she curated numerous group exhibitions including Some New Minds and Around 1984: A Look at Art in the Eighties, as well as one - person shows including Janet Cardiff, Sol Lewitt, and Georges Adeagbo.

Previously, Seeto served an eight - year term as director of Sydney's 4A Centre for Contemporary Asian Art where he curated numerous solo exhibitions, featuring artists such as Shen Shaomin, Yang Fudong, Qiu Anxiong, Ming Wong, and Dadang Christanto.

José Roca has also curated numerous solo exhibitions focusing on the work of artists such as Oscar Munoz, Antoni Muntadas, Eugenio Dittborn, Regina Silveira and Julio Alpuy among others.

A writer, art collector and curator, he has curated numerous contemporary art exhibitions at museums and galleries throughout the UK with projects including Tim Walker: Dreamscapes at the Bowes Museum (2013), Black Bronze: White Slaves, The Sculpture of Keith Coventry at The New Art Centre, Salisbury (2012), and a solo show by Roger Hiorns at the Church of Saint Paulinus, Richmond (2007).

Demos has curated numerous exhibitions and published photobooks, collaborating with museums and galleries both in Europe and in the US.

Anderson has also curated numerous group shows across the Southeastern United States and is a founding member and curator of TABOO artist collective.

She has curated numerous exhibitions in galleries and alternative art spaces in the DC area.

He has curated numerous exhibitions in some of the most distinguished museums around the world, including Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, Museum Villa Stuck, Munich, Gropius Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbach Haus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam; Co-Curator of Echigo - Tsumari Sculpture Biennale in Japan; co-curator of Cinco Continente: Biennale of Painting, Mexico City; Stan Douglas: Le Detroit, Art Institute of Chicago.

Originally trained as an art historian focusing on the nineteenth - century, Olander curated numerous exhibitions exploring how contemporary art engages social and political conditions, including «The Art of Memory / The Loss of History» (1985) and «Fake» (1987).

In the course of over 20 years she has founded the Israel Museum's international contemporary art collection and curated numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, Jerusalem.

Volk has curated numerous exhibitions in the United States and abroad, including Elemental (2013) at Havremagasinet in Boden, Sweden, which featured both Icelandic artists and international artists deeply engaged with Iceland, and The Transportation Business (2015) at Jane Lombard Gallery in New York, with works by US and international artists that involve multiple kinds of transportation.

A specialist in African American modern and contemporary art, she has curated numerous exhibitions including Alma Thomas (co-curated), currently on view at The Studio Museum; Speaking of People: Ebony, Jet and Contemporary Art; Stanley Whitney: Dance the Orange; and Carrie Mae Weems: The Museum Series.

Specializing in photography, video and art in the public space, she has curated numerous exhibitions internationally and written on contemporary African art.

Roberto Ohrt, born 1954 in Santiago de Chile, lives in Hamburg in Germany, and since 1990 has written on art, curated numerous exhibitions, and co-founded the Akademie Isotrop (1996 — 2001).

She has curated numerous exhibitions and Collections displays at the Academy including John Gibson RA: A British Sculptor in Rome, Daniel Maclise: The Waterloo Cartoon, and Drawing: The Lines of Time with Ann Christopher RA.

Since joining Tate in 2002, Jessica Morgan has curated numerous group and solo exhibitions including John Baldessari (2009) and The World as a Stage (2007), Martin Kippenberger (2006), Time Zones (2004) and Common Wealth (2003).

She is the recipient of numerous fellowships and awards, has curated numerous exhibits and served as a guest - artist, lecturer, panelist, and artist - in - residence.