Sentences with phrase «curated numerous group exhibitions»

At P.S. 1, she curated numerous group exhibitions including Some New Minds and Around 1984: A Look at Art in the Eighties, as well as one - person shows including Janet Cardiff, Sol Lewitt, and Georges Adeagbo.

During his tenure at the gallery, Ralph has also curated numerous group exhibitions including: Psycho Buildings: Artists Take On Architecture (2006); The Painting of Modern Life (2007), and the recent off - site exhibition The Infinite Mix (2016).

Not exact matches

Recent group shows include the Cintas exhibition at Miami Dade College Museum of Art + Design; Self - Proliferation curated by Micaela Giovannotti at the Girls» Club, Ft. Lauderdale; and If You Leave Me, Can I Come Too, at Hunter College, NY among numerous others.

Nikki is curating a traveling drawing exhibition; «Drawn Out, Drawn Over: Mapping the Territory of Experience and in the last year has had two solo exhibitions and participated in numerous group exhibitions.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Her work has been featured in numerous international group exhibitions including Horn Please: Narratives in Contemporary Indian Art, Kunstmuseum Bern (2007 — 08); Orientations: Trajectories in Indian Art, Foundation De 11 Lijnen, Oudenburg, Belgium (2010); Equator # 1: Shadow Lines: Indonesia Meets India in the Yogyakarta Biennale (2011); and The Encyclopedic Palace, curated by Massimiliano Gioni, at the 55th Venice Biennale (2013).

His work has also been featured in numerous group exhibitions internationally, including Arts & Foods at La Triennale di Milano, curated by Germano Celant (2015); the Walker Art Center, Minneapolis, and the Metropolitan Museum of Art, New York City (both 2012); the Geffen Contemporary at MoCA, Los Angeles (2005); and the Museum of Modern Art, New York City, and the Serpentine Gallery, London (both 2000).

He was included in the 2013 Armory Focus: USA Centennial, curated by Eric Shiner, Director of the Andy Warhol Museum, and has had solo and group exhibitions at numerous institutions, including MoMA PS1; Museum of Contemporary Art, Chicago; Museum of Art and Design, New York; Cincinnati Art Museum; Bass Museum; and Contemporary Arts Center, Cincinnati and New Orleans; among others.

Sammak has been included in numerous group exhibitions, such as DSM - V, curated by David Rimanelli and presented by Vito Schnabel in The Future Moynihan Station, New York.

Van Empel participated in numerous group exhibitions including, in 2008/09, the prestigious exhibition Diana and Actaeon, The Forbidden glimpse of the naked body at the Museum Kunst Palast in Düsseldorf, curated by Beat Wismer, Sandra Badelt and Mattijs Visser.

His works have been exhibited in numerous solo and group exhibitions, among them, the 2007 retrospective at the Rubell Family Collection, Miami, FL, which presented a decade of the artist's work and traveled to the Brooklyn Museum of Art in February 2008; and Bas's inclusion in the Nordic Pavilion at the 53rd Venice Biennale, curated by Elmgreen & Dragset.

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

She has curated major monographic exhibitions of artists including Jenny Holzer, Lee Bontecou, Kerry James Marshall, Roberto Matta, Catherine Opie, Cindy Sherman and Donald Moffett, as well as numerous group exhibitions.

Numerous solo and group gallery and museum shows that followed culminated in a survey exhibition curated by Julie Joyce at the Santa Barbara Museum of Art in 2011, which drew widespread critical acclaim.

In the past few years, the artist has participated in numerous group exhibitions including Landscapes, Revisited at the Olympic Sculpture Park at the Alvord Art Lab in Seattle, Blind Field at the Krannert Art Museum in Champaign, Illinois and the Broad Art Museum in Michigan, curated by Tumelo Mosaka and Irene Small as well as Ground, Materiality # 2 (Earth) at the Sorø Kunstmuseum in Denmark.

Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

Between 2016 — 2017, her work has been featured in numerous international exhibitions from London to Japan, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

His work has also featured in numerous group exhibitions and biennials including «Roberto Burle Marx: Brazilian Modernist», Jewish Museum, New York, USA; «United States of Latin America», Museum of Contemporary Art, Detroit, Michigan, USA (2015); «The insides are on the outside», curated by Hans - Ulrich Obrist, Casa de Vidrio, Sao Paulo, Brazil (2013); the Aichi Triennial, Nagoya, Japan (2010), Museu de Arte Moderna de São Paulo, São Paulo (2009); the Sharjah Biennial, United Arab Emirates (2009); the Mercosul Biennial, Porto Alegre, Brazil (2007); the São Paulo Biennial (2006); the San Diego Museum of Art (2005) and the American National Society, New York (2005).

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

Her w ork has featured in numerous group exhibitions, including «L'Almanach 14», Le Consortium, Dijon, France (2014); «Performance Now: The First Decade of the New Century», curated by Rose Lee Goldberg, various venues, USA (2012 - 14); Göteborg, InternationalBiennial for Contemporary Art, Göteborg, Sweden (2013); «Performa13», New York (2013); «Aquatopia», Nottingham Contemporary, Nottingham, UK; Tate St Ives, St Ives, UK (2013); «Turner Prize», Tate Britain, London (2012); «Topsyturvy», de Appel, Amsterdam (2012); «British Art Show 7: In the Days of the Comet», various venues, UK (2010 - 11).

A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.

A former Director (2000 - 06) of San Francisco's CCA Wattis Institute, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), and Psycho Buildings (2008), an exhibition that included installations by artists such as Mike Nelson, Gelitin and Do - ho Suh.

She's curated exhibitions internationally, including the performance and print programme for Chart Art Fair in 2015, The Dark Cube at the Palais de Tokyo, E-vapor-8 at Site Sheffield and 319 Scholes in New York, along with numerous other shows in European project spaces, showing a keen and experienced eye, which was demonstrated in Manifesta 11 by including a diverse group of artists such as Martine Syms, Coco Fusco, Aleksandra Domanović, Trisha Baga and Frances Stark.

He has been the subject of numerous exhibitions, including solo shows at the Whitney Museum (2005), the Whitechapel Gallery in London (2001), and the Drawing Center (1999), as well as notable group shows such as the Whitney Biennial in 1993 and 2004 and the 2007 Venice Biennale exhibition Think with the Senses — Feel with the Mind: Art in the Present Tense, curated by Robert Storr.

Between 2016 and 2017, her work has been featured in numerous international exhibitions including «Moving Kate,» curated by Nick Knight for SHOWStudio in London and The Mass in Tokyo; «The Vulgar» at The Barbican in London, curated by Judith Clark and Adam Phillips; «Red Hot Wicked» at Studio C Gallery in Los Angeles; as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Her work has been shown in numerous group exhibitions, including Selections from Absolut Collection (curated by Haim Steinbach) at The Artist's Institute, New York; ICA, London; Kunsthalle, Bern; Zabludowicz Collection, London; Saatchi Gallery, London; and Le Magasin, Grenoble.

Gleeson arrived to Cambodia in 2002 as a Humphrey - Fulbright Fellow and has since curated numerous solo and group exhibitions locally, and extended artists work in collaboration with many partners internationally.

Before becoming its Chief Curator in 2013, Blumenstein had already worked at KW in Berlin from 1998 to 2005, during which time she organized and curated numerous exhibitions, including the much - debated group show «Regarding Terror: The RAF Exhibition» (co-curated by Klaus Biesenbach and Felix Ensslin, 2005).

In addition to his solo work, Mr. Milan has participated in numerous significant institutional group exhibitions including; George Grosz: Politics and His Influence at David Nolan Gallery in 2016, Black: Color, Material, Concept at the Studio Museum in Harlem in 2015, Greater New York curated by Klaus Biesenbach at MoMA PS1 in 2015 and 2005, The Confident Line: George Grosz, Wardell Milan, Andy Warhol at David Nolan Gallery in 2015, Glitter & Folds at the Institute of Contemporary Art in Philadelphia in 2013, and Three Thousand Times, each hour, a different terrain: Titus Kaphar, Wardell Milan, Demetrius Oliver at Inman Gallery in Houston in 2014.

Her work has been included in numerous group exhibitions, nationally and internationally, including at Frieze New York Sculpture Park in New York City, curated by Tom Eccles; Museum on the Seam in Jerusalem; Museo D'Arte Contemporanea Roma in Rome; and The Garage Museum of Contemporary Art in Moscow.

A former Director (2000 - 06) of CCA Wattis Institute, at the California College of Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruscha, Jeremy Deller, Carsten Holler, Tracey Emin, and George Condo.

His work has also been included in numerous museum group exhibitions including When Attitudes Became Form Becomes Attitudes, curated by Jens Hoffman, CCA Wattis Institute for Contemporary Arts, San Francisco (2012) and Museum of Contemporary Art Detroit, Detroit (2013); Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles (2012); Los Irrespetuosos, Carrillo Gil Museum, Mexico City (2012); Donde el lenguaje es el material, Casa del Lago, Mexico City (2012) and Tiempo de Sospecha, Museum of Modern Art, Mexico (2012).

He has presented his work in many solo exhibitions in the historical Athenian gallery «Nees Morphes» and his work has been included in numerous group shows, among which are the emblematic exhibition Apperto 93 in the XVL Venice Biennial in 1993 and the 2nd Athens Biennial Heaven (How Many Angels Can Dance On The Head Of A Pin, curated by Christopher Marinos) in 2009.

Apart from this commercial segment of his work, he had several solo exhibitions, curated group shows, participated in numerous collective exhibitions and published a monograph, which is a compilation of the artist's best works from 2007 to 2013.

There are the numerous exhibitions she has curated, such as «Democrazy» (2007 — 08); «Jide Alakija: Owambe, Aso - Ebi and the Politics of Dress» (2011); «Kelani Abass If I can save time» (2016 — 17); «Playing with Chance: El Anatsui» (2014); as well as group exhibitions such as «Like a Virgin» with Lucy Azubuike and Zanele Muholi.

Since joining Tate in 2002, Jessica Morgan has curated numerous group and solo exhibitions including John Baldessari (2009) and The World as a Stage (2007), Martin Kippenberger (2006), Time Zones (2004) and Common Wealth (2003).

Since her first solo exhibition in 1995, she has shown internationally, both in numerous solo exhibitions and group shows including Brooching it Diplomatically, curated by Helen Drutt English and Micromegas curated by Otto Kunzli.

He has exhibited at numerous venues within the New York area, and more recently has started curating group exhibitions which relate historically significant themes to issues in contemporary discourse.

Davy's work has been included in numerous group exhibitions, including The Lure of the Dark: Contemporary Painters Conjure the Night at MASS MoCA, North Adams, MA (2018); Summer Camp at Galerie Suzanne Tarasieve, Paris (2012); B - Out, curated by Scott Hug at Andrew Edlin, New York (2011); Con Amore at Aarhus Kunstmuseum, Denmark (2011); No Soul for Sale, curated by Maurizio Cattelan and Cecilia Alemani, at Tate Modern, UK (2010); and Nudes at Galeria Fortes Vilaça, São Paulo (2009).

Her work has been included in exhibits at Life on Mars Gallery, the International Print Center, the New York Public Library, White Columns, the Brooklyn Museum and most recently in Sympathetic Magic, curated by Elisa Decker at Westbeth Gallery and in a group exhibition at the Bo Lee Gallery in London, among numerous others.

His work has additionally been included in numerous group exhibitions: Pattern: Follow the Rules at the Eli and Edythe Broad Museum at Michigan State University (2013); Albright - Knox Art Gallery, Buffalo (2012); Nothing Beside Remains, curated by Shamim Momin, Los Angeles Nomadic Division (LAND), Marfa, TX (2011); Seeing is a Kind of Thinking: A Jim Nutt Companion, curated by Julie Rodrigues Widholm, Museum of Contemporary Art Chicago, Chicago, IL (2011); and Big New Field: Artists in the Cowboys Stadium Art Program, Dallas Museum of Art, Dallas, TX (2010).

Her numerous group exhibitions include Incipiences, curated by Paul D'Agostino, The Buggy Factory, Bushwick, Brooklyn (2016); #PUSSYPOWER, curated by Jennifer Samet and Michael David, DAVID&SCHWEITZER Contemporary, Bushwick, Brooklyn (2016); Art Hamptons 2016, Urban Gallery and Books, Bridgehampton, NY; Aqua Art Fair, Miami Basel (2015), Fiercely Curious, Miami, FL; and We are What the Seas Have Made Us, Proto Gallery, Hoboken, NJ (2015).

Davy's work has been included in numerous group exhibitions, including The Lure of the Dark: Contemporary Painters Conjure the Night at MASS MoCA, North Adams, MA (2018); Summer Camp at Galerie Suzanne Tarasieve, Paris (2012); B - Out, curated by Scott Hug at Andrew Edlin, New York (2011); Con Amore at Aarhus Kunstmuseum, Denmark (2011); No Soul for Sale, curated by Maurizio Cattelan and Cecilia Alemani, at Tate Modern, UK (2010); X Initiative, New York (2009); and Nudes at Galeria Fortes Vilaça, São Paulo (2009).

Jonathan Monk has participated in numerous recent group exhibitions at prominent institutions including: Power to the People: Contemporary conceptualism and the object in art, Australian Centre for Contemporary Art, Melbourne, Australia (2011); Exhibition, Exhibition, curated by Adam Carr, Castello di Rivoli Museum of Contemporary Art Piazza, Turin, Italy (2010); Pictures about Pictures.

Heynen has curated numerous exhibitions of the works of artists including: Bruce Nauman, Thomas Schütte, Franz West, Andreas Gursky, Juan Muñoz, Richard Deacon, Thomas Struth, Lothar Baumgarten, Luc Tuymans, Rosemarie Trockel, Stan Douglas, Thomas Ruff, Daniel Richter, Rodney Graham, Candida Höfer, Martin Kippenberger, and Roman Ondák, as well as many group exhibitions.

Jessica Morgan has curated numerous group and solo exhibitions, including Saloua Raouda Choucair, Gabriel Orozco, John Baldessari: Pure Beauty, The World as a Stage, Martin Kippenberger, Time Zones, Common Wealth, and the Turbine Hall Unilever Commissions, working with artists Tino Sehgal, Carsten Höller and Dominique Gonzalez - Foerster, since she joined Tate.

Over the last 12 years Martin has curated numerous exhibitions and projects, including solo shows by Simon Starling, Albert Oehlen, Lily van der Stokker, Alex Katz, Hans - Peter Feldmann, Heimo Zobernig, Dexter Dalwood, Carol Bove, Bojan Sarcevic, Deimantas Narkevicius, Peter Fraser, Katy Moran, Mark Titchner, Brian Griffiths and Lucy McKenzie, as well as group exhibitions that include The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, 2009; Pale Carnage, Arnolfini, 2007; and The Hollows of Glamour, Herbert Read Gallery, 2003.

She has curated numerous exhibitions, including most recently Love is a Stranger at Creative Growth Art Center in Oakland, and has organized over 50 exhibitions ranging from solo shows of the work of Richard Artschwager, Dan Flavin, and Brice Marden to major group exhibitions such as Monuments for the USA and IRREDUCIBLE: Contemporary Short Form Video.

She curated numerous solo and group exhibitions, wrote several articles and edited different publications.