Sentences with phrase «curated objects made»

A (tidy) log pile and other curated objects made from natural materials help create a calm and rustic look.

Not exact matches

Totokaelo is a self proclaimed purveyor of beautifully designed and thoughtfully curated fashion and objects and they represent unique artists and designers that make every piece feel like one of a kind.

2009 CUT: The Makings of Removal, Wingall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA The Rainbow, Phil Art / Objects, Los Angeles, CA Round Up, Richard Telles Fine Art, Los Angeles, CA Scores, Curated by Volume (Robert Crouch and Ed Patuto) Lawrimore Project, Seattle, WA Painthings, Curated by Sam Gordon, Kevin Bruk Gallery, Miami Lecia Dole - Recio with Anya Kielar and Yuko Murata, Casey Kaplan Gallery, New York

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

Guest - curated by former Blanton curator Gabriel Pérez - Barreiro and jointly organized with the Fundação Iberê Camargo (Porto Alegre, Brazil), this retrospective aims to make the Brazilian conceptual artist, who defines his practice as sculpting the distance between objects in pursuit of «maximally present work through minimal action,» better known in the United States.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Stairs into My Eyes, The Finley, Los Angeles, curated by Dianna Molzan 2013 Boiled Angel, The Woodmill GP, London, England, October 13 — December 8 Soft Off (but I love it when your mouth is a little shut), ltd, Los Angeles, curated with Robin Peckham Abstract Perversion, Five Car Garage, Los Angeles Squirts, Regina Rex, New York Unsolved Mysteries, POST, Los Angeles Sinking with the Ship, Sam Francis Gallery, curated by Mateo Tannatt, Crossroads School, Los Angeles Made in Space, Night Gallery, Los Angeles, curated by Laura Owens and Peter Harkawik Made in Space, Gavin Brown's Enterprise, New York, and Venus Over Manhattan, New York 2012 Lectures and Salad, (performance), Actual Size, Los Angeles Two and Half Hands and a Painting, Pauline (with Kenneth Tam & Mateo Tannatt), Los Angeles POST, Los Angeles Nudes, Calvin Marcus Studio, Los Angeles Absurdo Absolutum II, (screening), Microscope Gallery, New York Cannibalistic Humanoid Underground Dwellers, KChung Radio, Los Angeles 2011 The Cactus Show, Calvin Marcus Studio, Los Angeles Object - Orientation, Cerritos College Art Gallery, Cerritos, CA, curated by James MacDevitt (cat.)

Among the highlights of Mark Leckey: Containers and Their Drivers will be Leckey's breakthrough film Fiorucci Made Me Hardcore (1999), which uses sampled footage to trace dance subcultures in British nightclubs from the 1970s to 1990s; a selection of the artist's Sound System sculptures (2001 — 2012), functioning stacks of audio speakers that recall those used in street parties in London; his pedagogical lecture performances; GreenScreenRefrigeratorAction (2010), a video and installation that considers «smart» objects and our increasingly technological environment; and a new iteration of the installation UniAddDumThs (2014), which Leckey created as a «copy» of a touring exhibition, The Universal Addressability of Dumb Things, that he had curated the year before.

Artists: Jennifer Paige Cohen, Anoka Faruqee, Thomas Lanigan - Schmidt, Sheila Pepe, Alison Saar, Rachel Stern, William Villalongo, Brian Zegeer Curated by: Carrie Moyer Near & Dear is an intergenerational exhibition that explores amorous connections artists make with signifying materials and objects.

Curated by sound and media artist Stephen Vitiello and organized by Independent Curators International (ICI), With Hidden Noise is titled after Marcel Duchamp's ready - made of a ball of string containing a mysterious sound - making object hidden in its folds.

Recent exhibitions include «Ilinka» at The Suburban in Milwaukee; «Going Home,» curated by David Rimanelli, at 43 Fifth Avenue / Bortolami in New York; «Prologue» at pilot projects in Philadelphia; «Making a Scene: Objects for Performance» at New York's Museum of Arts and Design; «The Nothing That Is» at the CAM Raleigh; «Inside the Episode,» curated by Jack Pierson, at Launch F18 in New York; and «Tomorrow's Man,» also curated by Jack Pierson, at Galerie Thaddaeus Ropac in Salzburg and Paris.

Gathering objects for his installations has made Nelson an expert dumpster diver, curating trash from alleys and sidewalks from San Francisco to São Paulo to Sydney.

Consumo Ergo Sum, 2005, Miscellaneous Plastic Container Lids Courtesy of the artist and Morgan Lehman Gallery Curated by Marina Pacini, Chief Curator John Salvest has long made artworks out of used objects such as coffeefilters, cigarette butts, nail clippings, and chewed bubble gum.

This first one, Quiet Revolution, curated by Chris Fite - Wassilak, is a show of witty and instinctive assemblages and sculptures made from found objects.

For this year's Regionale - exhibition OOO Object Oriented Ontology, made in collaboration with CULTURESCAPES, artist and architect Andreas Angelidakis guest curates a deliriously rich exhibition, including 46 participants, over 100 artworks, and a specially designed scenography that subjectively reflects on the diverse artistic practices of the tri-national region in and around Basel.

The project space is devoted to Knickerbocker Mini Maw curated by artist Brent Owens, which will feature artist - made objects inspired by Bushwick's bustling strip of 99 cent stores, fastfood joints and other local shops.

Showcasing three different practices of curating and making art online the focus is on what stories we tell, what objects are displayed and how they are performed through curatorial and artistic practices and strategies online.

«Josef learned to drive just so they could make the journey to Mexico,» says Jennifer Reynolds - Kaye, who curated «Small - Great Objects: Anni and Josef Albers in the Americas,» which opens at Yale University Art Gallery on February 3rd.

Among the highlights of Containers and Their Drivers are Leckey's breakthrough film Fiorucci Made Me Hardcore (1999), which uses sampled VHS footage to trace dance subcultures in British nightclubs from the 1970s to 1990s; a selection of the artist's Sound System sculptures (2001 — 2012), functioning stacks of audio speakers that recall those used in street parties in London; his pedagogical lecture performances; GreenScreenRefrigerator (2010 - 16), an installation that considers «smart» objects and our increasingly technological environment; and the fullest iteration to date of the installation UniAddDumThs (2014), which Leckey created as a «copy» of a touring exhibition, The Universal Addressability of Dumb Things, that he had curated the year before.

My most recent encounter with his works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help You?

, Galería Javier López, Madrid; curated by Fer Francés Joyride, Marlborough, New York G I R L, Galerie Emmanuel Perrotin, París; curated by Pharrel Williams If you're accidentally not included, don't worry about it, Galerie Zürcher, New York; curated by Peter Saul Wall to Wall, Hang - Up Gallery, London This is Not a Toy, Design Exchange, Toronto; curated by John Wee Tom, Sara Nickleson and Pharrell Williams Making Links: 25 Years, SCAI The Bathhouse, Tokio 2013 Happy Birthday Galerie Perrotin / 25ans, Tri Postal, Lille The System of Objects, Deste Foundation, Athens Pictoplasma White Noise, La Casa Encendida Madrid At Home I'm a Tourist.

The exhibition was curated to question notions of individuality; how we are made and the objects that make us.

Curated by Carol Squiers, the show comprised objects made between 1964 and 2013 by twenty - one different artists, all of whom use photography, but in very different ways.