Sentences with phrase «curated over»

I'm actually pretty proud to say it's the only new thing I'm using in my spring decor... everything else was already part of the decor stash collection I have hoarded carefully curated over the years.

Follow @donnaserdula Rather than making anyone slog through my Twitter and LinkedIn feed to see all the links I've curated over the last week, I present them to you via Paper.li.

Starting in an empty Auto Repair Garage, they have since curated over 20 exhibitions and events in Long Island, New York, Miami and Los Angeles.

She curated over fifty solo and group exhibitions in Slovenia and abroad.

During her tenure at NOMA, she curated over twenty exhibitions, including the large - scale traveling retrospective exhibition Mel Chin: Rematch and the site - specific installations and exhibitions Rashaad Newsome: King of Arms; Katie Holten: Drawn to the Edge, and Swoon: Thalassa.

His art work has been widely exhibited and he has curated over twenty international exhibitions.

Owner Terry Etherton has curated over 200 exhibitions and participated in over 100 art fairs.

Jérôme Sans has curated over 300 solo and group shows worldwide, in art institutions and outside, among others:

Hoffmann has curated over 50 exhibitions around the world including the 2nd San Juan Triennial (2009), the 12th Istanbul Biennial (2011) and the 9th Shanghai Biennial (2012).

She has curated over 100 exhibitions and has placed artworks in major public and private collections worldwide including MoMA, the Smithsonian (s), the BMA, Philadelphia Museum of Art, The MET, Chrysler Museum, The Whitney Museum, The Bunker, among countless others.

Since 1991, Obrist has curated over 150 exhibitions internationally, including «do it», «Take Me, I'm Yours», «Live / Life», 1st Berlin Biennale, Manifesta 1, «Uncertain States of America», 1st Moscow Triennale, and 2nd Guangzhou Biennale.

Midlands Fellow: Ingrid Swenson, hosted by Wolverhampton Art Gallery Ingrid Swenson has been Director of PEER (formerly The Pier Trust) since 1998, during which time she has curated over 50 acclaimed gallery and public realm projects with a wide range of artists including Martin Creed, Mike Nelson, John Smith and Karin Ruggaber.

She has curated over 50 exhibitions and programs of artists» film, including retrospective and historical surveys, such as Bruce McLean: Sculpture, Painting, Photography, Film (2014); Xerography (2013); Nigel Henderson & Eduardo Paolozzi: Hammer Prints Ltd 1954 — 75, (2012), and Design Research Unit 1942 — 72 (2009 - 10).

She has curated over forty international exhibitions including eight dedicated to Giacometti.

González has curated over 30 exhibitions including Juan Downey: A Communications Utopia (2013), Rita McBride: Public Transaction (2013), Tomorrow Was Already Here (2012), all at the Museo Tamayo in Mexico City; Ways of Working: The Incidental Object, Fondazione Merz, Turin (2013); Parque Industrial, Galeria Luisa Strina, Sao Paulo (2012); Juan Downey: El ojo pensante, Fundación Telefónica, Santiago, Chile (2010); Farsites at Insite San Diego / Tijuana (adjunct curator with curator Adriano Pedrosa, 2005); Etnografía modo de empleo, Museo de Bellas Artes de Caracas (2003); and Demonstration Room: Ideal House (with Jesús Fuenmayor, 2000 — 02) at Museo Alejandro Otero, Caracas.

The Rubell Family Collection's director Mark Coetzee is originally from Cape Town, South Africa, where he set up the Fine Art Cabinet, a not - for - profit space, where he curated over 60 exhibitions.

She has curated over 300 art shows of Nepali and international artists at the Siddhartha Art Gallery.

García - Antón has organised and curated over fifty exhibitions of art, design and architecture, featuring both well - established and young, emerging artists.

Over that same time, she has organized and / or curated over 30 Native exhibitions, lectured at more than 200 universities, museums and conferences internationally, most recently at 5 universities in China.

Since joining the gallery in 2000, she has curated over one hundred exhibitions while managing a roster of nearly two - dozen artists.

He was the Program Director of Visual Arts at Intersection for the Arts for over 15 years, where he curated over 70 exhibitions and hundreds of public programs.

There will be addition perspectives from Ori Soltes Ph.D., Professor at Georgetown University, author, and former Director and Curator of the B'nai B'rith Klutznick National Jewish Museum in Washington, DC, where he curated over 80 exhibitions.

He has also curated over 30 museum exhibitions.

He has curated over 150 exhibitions internationally since 1991, including do it, Take Me, I'm Yours (Serpentine Gallery), Cities on the Move, Live / Life, Nuit Blanche, 1st Berlin Biennale, Manifesta 1, and more recently Uncertain States of America, 1st Moscow Triennale and 2nd Guangzhou Biennale (Canton China).

Hoffmann has curated over three dozen exhibition since the late 1990s and is currently co-curator of the 2nd San Juan Triennial in Puerto Rico (opening in April 2009).

In the past twenty years, Marsh has curated over 150 exhibitions of contemporary and historical art, design and material culture.

As the in - house curator for Creature Comforts Brewery in Athens, Bates has curated over forty short - term art exhibitions featuring both emerging and established local artists.

Amanda Schmitt is an independent curator focusing on video, sound, performance and new media and has curated over 40 exhibitions, video screenings and performance series since 2006, when she started her career as the Director of the Porter Butts Gallery in Madison, WI, helping to found Gallery 1308 before moving to New York City in 2007.

As a Director / Curator of Limerick City Gallery of Art and Visual Art Curator with the Kilkenny Arts Festival curated over 80 exhibitions including artists such as Simon Starling, Vito Acconci, Caroline McCarthy, John Shinnors, Tina O'Connell, Lindsay Seers and Vivienne Dick.

Martin Kunz, co-curator of Salerno's exhibition, was Director of the Kunstmuseum Lucerne from 1977 - 1989, where he curated over 150 exhibitions mainly of contemporary artists.

Since 2006, he has organized or curated over 30 exhibitions, with a focus on artists whose practices involve social or politically engaged themes.

He has curated over 25 exhibitions in the past seven years including — Eudora Welty: Photographs from the 1930s and 40s, The Mythology of Florida, Mark Steinmetz: South, Self - Processing: Instant Photography, The Rising, and Seeing Beyond the Ordinary.

Having curated over twenty exhibitions, he is known as a writer, art historian and theorist with a special interest in contemporary African art.

During his initial 12 - year tenure as Curator of Photography at the LACMA (1992 - 2004), Mr. Wride curated over twenty - five permanent collection focus exhibitions as well as numerous larger exhibitions including: «Retail Fictions: the Commercial Photography of Ralph Bartholomew» (1997); «Shifting Tides: Cuban Photography after the Revolution» (2001); «Donald Blumberg» (2002); and «Trajectories: The Photographic Work of Robbert Flick» (2004).

From 2000 to 2016 she was a director of Mixed Greens, a commercial gallery where she curated over one hundred exhibitions while managing a roster of nearly two - dozen emerging to mid-career artists.

Phong Bui has curated over 50 monographic and group shows since 2000, including the first anniversary commemoration in 2013 of Hurricane Sandy: Come Together: Surviving Sandy, Year 1, «a sprawling, encompassing, inspiring exhibition of works by some 300 artists,» according to Roberta Smith of the New York Times.

Previously he was Curator at the Musée d'Art Moderne de la Ville de Paris, and since 1991 he has curated over 250 exhibitions around the world, including «Utopia Station» (2003), «Laboratorium» (1999) and «Cities on the Move» (1997).

Guild Hall Museum Director and Chief Curator Christina Mossaides Strassfield wrote in an email this week that she had included work by Carpentier in several exhibitions she has curated over the years.

As Director of The Renaissance Society, Ghez has curated over 150 exhibitions and edited various publications in conjunction with these exhibitions.

Founder and editor of (and frequent contributor to) the respected publication, The Brooklyn Rail, Bui has curated over 40 monographic and group shows since 2000, including a first anniversary commemoration of Hurricane Sandy, Come Together: Surviving Sandy, Year 1.

Price has curated over twenty major exhibitions since 1993.

For six years, she was director of Visual Arts and curator at Mains d'Œuvres, a multidisciplinary space in the north of Paris where she curated over 30 exhibitions.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

He's curated over 300 shows featuring every artist imaginable, from Zaha Hadid to Jonathan Latham and Arthur Jafa to Marina Abramovic.

As a founding member of the artists collective TABOO he helped curate 13 exhibitions and has independently curated over 10 other.

She has curated over twenty - five exhibitions of African, African - American, Native American, Caribbean, and Folk Art since coming to Birmingham.

Founded in 2003 and based in Somerset House, Candlestar has been instrumental in the creation and direction of the Prix Pictet photography award and touring exhibition, and has curated over 70 exhibitions worldwide in the past five years.

Curated over the past 4 months, this specially picked set of 8 fascinating game culture & history books once again features a multitude of great titles for a fraction of their retail price.

Marc Lesnick, iDate Conference Organizer has curated over 70 panelists, including Dr. Neil Clark Warren who founded eHarmony, Larry Magid from CBS News, and a large group of offline matchmakers.

I'm actually pretty proud to say it's the only new thing I'm using in my spring decor... everything else was already part of the decor stash collection I have hoarded carefully curated over the years.