Sentences with phrase «curated public programme»

Not exact matches

The Transformation Marathon is curated by Hans Ulrich Obrist, Co-Director, Exhibitions and Programmes, and Director of International Projects Lucia Pietroiusti, Curator, Public Programmes Ben Vickers, Curator of Digital Claude Adjil, Assistant Curator

- This display has been curated by Renee Odjidja, Swarovski Foundation Curator: Youth Programmes, Whitechapel Gallery and Mercedes Vicente, Daskaloplous Director of Education and Public Programmes, Whitechapel Gallery.

The Transformation Marathon was curated by Hans Ulrich Obrist, Co-Director, Exhibitions and Programmes and Director of International Projects; Lucia Pietroiusti, Curator, Public Programmes; Ben Vickers, Curator of Digital and Claude Adjil, Assistant Curator.

The gallery will reopen in January 2018 following a two - year refurbishment programme, with the first UK major retrospective of Andreas Gursky, curated by Ralph, for public view on 25 January 2018 until 22 April 2018.

Curated by Shumi Bose, (Curator, RIBA Public Programmes) with support from Suzie Pugh (Curator, RIBA Drawings & Archives Collections) fourteen works are displayed alongside the new drawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural practice.

Frieze London opened to the public today, featuring more than 160 of the world's leading galleries, showcasing today's most significant artists across its main and curated sections, alongside the fair's celebrated non-profit programme of ambitious new artist commissions and talks.

The exhibition curated to coincide with EVA did just that, with a reading space displaying copies of Ugandan magazine Transition and a programme of public interventions that actively encourage audiences to engage with this material.

Curated by Dr Ziba Ardalan, Founder / Director of Parasol unit, the exhibition is accompanied by a tailored programme of educational events aimed at engaging the public.

CONTEMPORARY ART SOCIETY COLLABORATES WITH WHITECHAPEL GALLERY As part of the Whitechapel Gallery's ongoing programme of opening up public and private collections, the Whitechapel Gallery presents a series of displays curated in collaboration with the Contemporary Art Society.

From June 1st 2015, one of the independent units at Enclave will be available to rent, creating the opportunity for an ambitious new project space to take up long - term residence to develop and realise their own curated public contemporary art programme within this supportive environment.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Para Site is pleased to present a series of summer public programmes comprising of gallery tours, a film screening, and an artist talk taking place alongside That Has Been, and May Be Again, our current exhibition curated by Leo Li Chen and Wu Mo..

Looking back, I see that's what prompted a lot of the prints: the Metropolitan Museum's Mezzanine Gallery, under Danny Berger, commissioned Summer and Turkish Delight; In a Public Garden was made to raise funds for the Kunstverein, Dusseldorf, where Raimund Stecker curated a show of my paintings; Books for the Paris Review is self - explanatory; Norwich was intended to raise funds for the Elton John Aids Foundation but that never happened — instead, I made Two's Company for them; Sea was made to subsidise Thames & Hudson, who published the catalogue raisonné of my prints and Sunset was made as The Whitechapel Gift: proceeds to support the Whitechapel Gallery's education programmes.

Cylena Simonds is a curator and writer who curates and implements Iniva's exhibitions programme, including off - site and public art projects.

It has in recent years mounted ever more expansive and ambitious exhibitions and public programmes, curated by many of the world's leading artistic protagonists.

She has curated programmes around queer sincerity and performance architecture, amongst other things, and teaches at art schools in London and internationally on curating, public programming and critical writing.

He has lectured at, curated exhibitions for, and contributed to public programmes at numerous institutions internationally, including the Sindh Museum in Pakistan, the British Museum, Manchester Art Gallery, SOAS, and Whitechapel Gallery in the UK, and the Aldrich Contemporary Art Museum (CT), Asian Art Museum (CA), and the Pacific Asia Museum (CA) in the USA.

Exhibition programme 2012 The themed exhibition for 2012, «The New Public,» staged on the fourth floor of Museion, will be preceded by solo shows devoted to Claire Fontaine (Paris - based artist collective founded in 2004), curated by Letizia Ragaglia (opening 03.02.2012, on till 29.04.2012) and Pawel Althamer (1967, PL) in collaboration with the Fondazione Galleria Civica di Trento (opening 18.05.2012, on till 19.08.2012).

The exhibition is curated by Elizabeth Neilson, Director at the Zabludowicz Collection and is accompanied by an extensive public programme of talks, events and screenings as well as an artist's book, designed by Malcolm Southward and Mark Holt.

A specially curated exhibition, Public View, marks the beginning of Bluecoat's 300th anniversary programme