Sentences with phrase «curated several»

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Alongside his artistic practice, Erizku has curated several exhibitions, including 13 Artists, Yale School of Art, New Haven, CT (2014); Deep End: Yale MFA Photography Thesis Exhibition, Diane Rosenstein Fine Art, Los Angeles, CA (2014); and Images of Venus from Wayne Lawrence's Orchard Beach: The Bronx Riviera, The FLAG Art Foundation, New York, NY (2013).

Over the past ten years, Evertz has also curated several critically - acclaimed artist retrospectives and surveys of abstract painting at Hunter College, including Visual Sensations: Robert Swain Paintings, 1967 - 2010; Presentational Painting III; Seeing Red: An International Exhibition of Nonobjective Painting (co-curated with Michael Fehr); Set in Steel: The Sculpture of Antoni Milkowski; and Mac Wells: Light into Being (co-curated with Robert Swain).

He has also curated several other exhibitions including Americas Remixed in Milan, Italy; Mass Appeal in Ottawa, Montreal, Halifax and Sackville, Canada; and annual exhibitions for Atlanta (2003), Baltimore (2005) and Los Angeles (1999).

Thompson has also curated several exhibitions, including the National Exhibition (NE3)(2006) and Developing Blackness: Studio Photographs of «Over the Hill» Nassau in the Independence Era (2008) at the National Art Gallery of the Bahamas.

He also worked on contemporary art acquisitions for Tate Collections, and curated several displays of contemporary art from the Tate collection, including a special focus on the 1971 Robert Morris exhibition and Carl Andre's Equivalent series (aka The Bricks).

She has curated several group shows in the Parisian area, amongst which Morel's Island at CPIF and, more recently The Lynx Knows no Boundaries at the Ricard Foundation in 2015.

Bick has curated several shows including: Construction & its Shadow, Leeds City Art Gallery (2011); The Kingston Turnpike, the Stanley Picker Gallery (2006); Sight Mapping, Sala Rekalde, Bilbao (2003) travelled to GoMA (Glasgow) and Konsthallen Bohuslans Museum (Sweden).

He has curated several exhibitions of contemporary Asian art, including most recently the international group exhibition Suspended Histories at Museum van Loon in Amsterdam (2013).

In addition to his own presentations at museum and galleries, Einarsson has curated several exhibitions including Blankness is Not a Void at the Standard Oslo.

She has curated several exhibitions of Chicago artists including» ˜Mapping the Self» and with Elizabeth T Smith,» ˜Kerry James Marshall: One True Thing Meditations on Black Aesthetics», as well as numerous» ˜UBS 12 x 12: New Artists / New Work exhibitions», which showcase the work of emerging Chicago artists.

Tilman has also recently curated several exhibitions including My Eyes Keep Me in Trouble (Nieuwe Vide, Haarlem, The Netherlands) and A Bit O» White (CCNOA, Brussels, Belgium).

She has curated several exhibitions including co-curating ZimbabweIN Design (April - May 2014).

At the ROM she has curated several partial gallery reinstallations and exhibitions.

Her own research field is contemporary Australian art and design and she has curated several international exhibitions on the subject.

John K. Grande has curated several editions of Earth Art at the Royal Botanical Gardens in Burlington, Ontario.

Natalia has curated several major exhibitions in the UK including 2017 Royal Academy of Arts blockbuster «Revolution.

She has curated several exhibitions including Barry Flanagan on O'Connell Street (2007); Julian Opie Walking on O'Connell Street (2008); Hugh Lane 100 Years (2008), Francis Bacon — A Terrible Beauty (with Martin Harrison)(2009), Richard Tuttle Triumphs (with Michael Dempsey)(2010) and Civil Rights Etc by Rita Donagh and the late Richard Hamilton (2011) and Francis Bacon e la condizione existenziale nell» arte contemporanea (with Franziska Nori) CCC Strozzina 2012.

As the curator of the Billy Rose Art Garden she initiated and curated several notable site - specific projects by Richard Serra (1986), Magdalena Abakanowicz (1987), Sol LeWitt (1991), Claes Oldenburg (1992), James Turrell (1992), Mark Dion (2009), Anish Kapoor (2010) She was also co-curator of Art Focus 4, International Biennial of Contemporary Art, Jerusalem (2003) and curator of the Israeli Pavilion at the 52 Venice Biennale with Yehudit Sasportas» Guardians of the Threshold (2007).

He has also curated several exhibitions, including Waiting List: Time and Process in Contemporary Cuban Art for the City Art Museum in Ljubljana, Slovenia.

His work has been featured in the Venice Biennale and at the Triennale Design Museum in Milan, where he has also curated several design exhibitions.

Penny has lectured internationally, has curated several exhibitions and contributes to magazines including Fantastic Man and T, The New York Times Style Magazine.

Marina Warner is a writer of fiction, criticism and history, and has also curated several exhibitions.

Previously she worked at Richard Meier & Partners Architects, where she curated several exhibitions of Meier's work and edited many publications and monographs on the firm.

Over the past year Mini Galerie curated several wallpaintings by Job Wouters, Jeroen Erosie and Boris Tellegen for ING Bank.

She has curated several exhibitions, lectured extensively and edited numerous publications.

From 2008 to 2013 she was the Associate Curator at Museo Tamayo in Mexico City where she curated several solo exhibitions with artists such as Monika Sosnowska, Michael Stevenson, Pia Rönicke, Amalia Pica, and Carlos Amorales.

She has curated several exhibitions among them: Organiser of the Exhibition «Aztec Treasures from Mexico» for the State Visit of the Mexican President Miguel de la Madrid, Museum of Mankind, London.

He has curated several commissioned site - specific projects at the Contemporary Art Museum Oaxaca, the David Roberts Foundation in London, Komplot in Brussels, Brussels, Biennial 1 - off program and Museo de la Ciudad de México.

A New York City native, she has curated several exhibitions in the Washington area, including at the Arlington Arts Center, the American University Museum at the Katzen Arts Center, Flashpoint Gallery, and Gallery 102 at The George Washington University.

Deirdre has curated several exhibitions at the Brooklyn Museum and elsewhere.

She has curated several exhibitions, lectured extensively and edited publications.

As one of the leading figures in the Hong Kong art community, she has also coordinated / curated several important exhibitions including the Microwave International Media Art Festival 2001 and the recent Digital Delight at the Macau Museum of Art.

Since joining AAI in 2012, Waynberg has curated several group and solo exhibitions including Liminal Inversions (2012), Philip Emde Destroyed My Life (2013), The Real Estate Show, What Next: 2014 (2014), and Little Gloating Eve (NYC and Milan 2014).

Over her career she has curated several exhibitions and written for Parachute, Canadian Art, and Contemporary Magazine, London UK.

He has moreover curated several large - scale exhibitions, for example «Westkunst» (1981), «Der zerbrochene Spiegel» (1993) and most recently, the Manifesta 10 in St. Petersburg.

Van Oosten has curated several exhibitions at MAMA: Showroom for Media and Moving Art, Rotterdam, such as The Silent Clowns with artists such as Roman Signer and John Bock (2012); and You all fell for my act (2011), which included Jaimie Warren, Ai Weiwei, Kalup Linzy, and Evan Baden.

Karen has curated several festivals and exhibitions, including SALT: The Festival of the Sea & Environment (Folkestone, 2015); Reframing the Sunbeam Photographic Collection exhibition at the Sidney Cooper Gallery (2014) and in 2015 was commissioned by the British Arts & Humanities Research Council (AHRC) to produce the online gallery «Beyond the View: Reframing Early Seaside Photography».

At AIT, has curated several art projects and Residency Program exhibitions such as «Divided Against Ourselves» (2013 / YAMAMOTO GENDAI), «Home Again» (2012 / Hara Museum of Contemporary Art), and «Round» (2011 / hiromiyoshii roppongi).

Nash has curated several exhibitions focusing on artists» work with the moving image - including his earlier exhibitions Experiments with Truth at the Fabric Workshop and Museum, Philadelphia (2004 - 5) and One Sixth of the Earth, Ecologies of Image at ZKM, Karlsruhe and MUSAC, Leon (2012 - 13).

He has attended residencies at Skowhegan, the National Evolutionary Synthesis Center, the Kavli Center for Theoretical Physics and the National Center for atmospheric Research, and recently finished a three - year stint at the National Science Foundation in D.C. Aaron has curated several shows for MASS, including Wally, Methods of Entanglement, Ping Pong, Systems of Growth and Decay, and 20 MB — several of which touched on issues of technology and science.

During 2015, he began as Marlborough Chelsea's archivist, curated several pop - up exhibitions in Huntington, NY, and completed the Copy Shop Residency at Endless Editions in NY.

Since 2008, Messina has curated several solo exhibitions for artists such as Chakaia Booker, Nick Cave and Whitfield Lovell.

Trained as a painter, he has contributed to numerous art magazines and journals, including frieze, and has curated several exhibitions.

During her tenure at the Studio Museum in Harlem, Lauren Haynes curated several important exhibitions, oversaw the museum's collection and acquisitions, and also guided its highly regarded artist - in - residence program.

Since leaving The Arts Catalyst he has curated several major projects and his recent work can be seen in Current Projects above.

Ilana Tenenbaum curated several exhibitions that focused on contemporary video works made by both Israeli and international artists from the 1970s to the 1900s.

In his time at the museum, he has curated several major exhibitions, including two Barbara Hepworth retrospectives and 2010's Henry Moore survey.

He is also the director and curator of Proyecto GAM at Galería de Arte Mexicano where he has organized and curated several exhibitions with Mexican and international artists.

She has contributed to numerous catalogues and curated several exhibitions, including «Only Make - Believe: Ways of Playing» at Compton Verney in Warwickshire, UK (2005).