«Hephaestus» is a great example of a successfully
curated show exploring a expansive combination of paintings and sculptural objects.
In the main section, many
curated shows explore urgent contemporary questions, such as Chi - Wen Gallery's (Taipei) group show addressing natural disaster, from global warming to nuclear contamination.
Not exact matches
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Thomas J. Lax
curated «When the Stars Begin to Fall,» a 2014
show at the Studio Museum in Harlem
exploring African American vernacular art in the South, and MoMA promptly hired him.
Kreiger writes: «While at first glance this
show seems to be a simple set of paintings
exploring different approaches to the expression of the human form from the 1960s to the present, the way this exhibit has been
curated creates endless curiosities and surprises.
In his
curated show Digital Skin, now open at Katrina Van Tassel Projects in the Lower East Side (through August 7th), Christian
explores ideological and material concepts through three artists whose works are drawn from emotional and personal interactions with the digital world.
CONVENING After an initial gathering in 2013, Theaster Gates convenes a second Black Artists Retreat in Chicago (Aug. 21 - 23), an inter-generational dialogue
exploring Black cultural production and opportunities for collaboration via research, advocacy, criticism and exhibition, and
curates «Retreat,» a complementary
show at Valerie Carberry Gallery and Richard Gray Gallery.
Curated by Ro Lohin, who helped revitalize Carone's reputation at her former gallery in Chelsea, this
show explores the artist's «place in the development of contemporary American art.»
Both
curated by Christina Gigliotti, the
show features work by Mirak Jamal, Anna Ročňová and Sung Tieu, and will
explore the «material and immaterial traces of arriving and departing, blurred memories, and the silence in between.»
The group
show is
curated by Joshua Friedman, and investigates the way gender is
explored in painting by 17 contemporary artists.
The
show,
curated by Olga Sviblova, Director of the Multimedia Art Museum in Moscow,
explores Russian's art's evolution from the pre-Glasnost era to the present day.
Meanwhile, Ms. Guidi at Karg (Full disclosure: I
curated a
show there this summer) will continue to
explore the visual atmospheres created by the accumulation of simple marks in her notoriously labor - intensive paintings.
In 2014 Rebecca was appointed Programmer for the Attic Gallery at One Thoresby Street,
curating and programming a series of group
shows, talks programme, social events, performances and residencies in order to further develop and
explore her current concerns in: gender politics, capital, commodity, sexuality, display, experience, and interaction.
Curated by Christie's Tim Schmelcher under the title Beauties and Beasts, the
show aims in part to
explore how views of what is beautiful and ugly, and their expression in art, have changed over time.
Curated as an aesthetically cohesive experience, the
show provides myriad opportunities to
explore themes of repetition, familiarity, memory, history and the viewer / subject relationship both within and between works.
Archives are all the rage in contemporary art these days — and now at Anton Kern, White Columns director Matthew Higgs has
curated this playful and unexpected group
show with works ranging from B. Wurtz's modest sculptures to Carissa Rodriguez's Ikebana arrangements that
explore the different ways artworks are displayed and presented today.
The results inform this exhibition, which is partly a retrospective of her surrealistic images since the 1970s, when they first appeared as record covers for the Buzzcocks and others, and partly a
curated show in which she
explores her influences.
Curated by Anika Meier, the
show explores the contemporary generation of women artists who use new media to
explore gender, sexuality and identity in the digital age.
«In its first year,» says Silverman, «I will
curate a series of
shows featuring artists who
explore the explicit tropes and subtle nuances of design in their artworks.
When ACFNY approached him last year to
curate a
show, Littman seized on an unrealized wish to
explore Evans» text.
Dreamers Awake is a group
show,
curated by Susanna Grieves, at White Cube Bermondsey which
explores the enduring influence of Surrealism through the work of more than fifty women artists.
Barba, Liz Glynn and Jessica Mallios each
explore these themes consistently in their individual practices, allowing these solo
shows a stronger connection that one sometimes finds within these
curated residency exhibitions.
Tate seems to have a knack for ignoring chronology and
curating shows by disjointedly jumbling he artworks around the walls in an effort to make the viewer engage and
explore and delve and weave.
The
show is
curated by Carlo McCormick and gallerist Eric Firestone to
explore the ways America's pastime is making its way into contemporary art, why we care about the game and the ways it restores belief in heroes and come - back stories.
Exploring 20th century art and its influences world - wide, Entwistle (New York, main) will
show tribal sculptures side by side with post war Japanese paintings of the Gutai and Informel movements; while Axel Vervoordt (Antwerp, main) will
curate a rare solo presentation of Masatoshi Masanobu, a significant artist from Gutai's second wave.
Conceived and
curated by Maria Brito, the
show opened on July 29 and runs through August 28 on the island of Mykonos at Dio Horia; a new contemporary art platform dedicated to
exploring the dialogue between contemporary art and culture in Greece and around world.
1 «KANDINSKY, MALEVICH, MONDRIAN: THE INFINITE WHITE ABYSS» (K20 KUNSTSAMMLUNG NORDRHEIN - WESTFALEN, DÜSSELDORF;
CURATED BY MARION ACKERMANN AND ISABELLE MALZ WITH ANSGAR LORENZ) In a nice twist to the ubiquity of the modernist black square, this excellent
show explored the use of white in the work of Wassily Kandinsky, Kazimir Malevich, and Piet Mondrian.
Feminist Perspectives Many galleries have
curated shows featuring women artists from the 20th and 21st centuries,
exploring pressing feminist issues and the role of women in influential movements of contemporary practice.
We became friends, and I included her work in a
show I
curated, titled Part FANTASY: The sexual imagination of seven lesbian artists
explored through the medium of drawing.
First up is «CTRL+P» at the Arlington Arts Center (VA), a group
show curated by Kristina Bilonick and Julie Chae that
explores the theme of the print.
The construction of alternative realities is further
explored in «Pure Fiction», a group
show at Marian Goodman Gallery
curated by Julie Boukobza.
The exhibition seeks to
explore their subject matter and technique in an elegantly
curated show, designed to accommodate the taste of a wide range of collectors and enthusiasts.
The two - part
show (yes, exhibitions can be in two different places at the same time too)
curated by the foundation's recently installed artistic director, Venus Lau (formerly artistic director of OCAT Shenzhen), offers work by 40 artists in a variety of media
exploring the ways in which geometry, geography and its relation to global networks of knowledge - sharing influence our sense of location within the world.
More recently Ordovas has
shown Painting from Life: Carracci Freud, which was
curated in collaboration with the Dulwich Picture Gallery, and featured an important Carracci loan from their collection, as well as Movement and Gravity: Bacon and Rodin in Dialogue, which
explored the importance of Rodin in Bacon's work and was the first exhibition dedicated to these two artists.
It's a fantastically
curated show with the works spaced out, each artist given a room to themselves and minimal labelling allowing visitors to simply
explore the works in their own way.
She has
curated the Robin Rhode exhibition Who Saw Who at the Hayward Gallery for autumn 2008, Walking in my mind (summer 2009), which
explored the inner workings of the artist's imagination through the medium of large - scale installation art; Move: Choreographing you a
show about the relationship between visual art and dance (2010); Pipilotti Rist: Eyeball Massage (2011); and Art of Change: New Directions from China (2012).
The solo
show by Vedovamazzei at the Magazzino d'Arte Moderna, continues the series of exhibitions entitled Altre voci, altre stanze / Other voices, other rooms,
curated by Cloe Piccoli, to
explore the research of contemporary artists in the field of environments.
Curated by Michael Asbury, member of the PIPA Prize Nominating Comitee this year, the
show explores colonial power relationships from the perspective of Brazilian and African history.
And the fact that all 59 of the artists included in this surprisingly digestible and well -
curated show are members of the American Abstract Artists makes it all the more intriguing to
explore.
Amy Smith - Stewart will debut a smashing
curated show entitled What Do You Believe In, featuring a select group of of sixteen artists — Jen DeNike, Hank Willis Thomas, Leah Beeferman, Stuart Hawkins, Yamini Nayar, Fay Ray, Luke Stettner, Anissa Mack, Kenya Robinson, Xaviera Simmons, Nicole Cherubini, Nyeema Morgan, Sara Greenberger Rafferty, Matthew Spiegelman, Daniel Gordon, Ignacio Lang — and
explores how photography shapes our ideas — who we are, why we do the things we do, how our thinking happens, and where it evolves.
Curated by Butterfly Art News, the
show explores notions of anthropomorphism, human fascination with oddities or monstrosities and our fragile relationship with the natural world.
Its highly ambitious first
show was
curated by Paul Schimmel and scholar Jenni Sorkin, and
explores the way in which 34 female artists (such as Louise Nevelson, Louis Bourgeois, Lee Bontecou, Ruth Asawa, Lynda Benglis, Eva Hesse, Jessica Stockholder, Karla Black, and Liz Larner) over the past 70 years have radically shaped and changed the conversation around sculpture in modern and contemporary art.
The
show,
curated by Nina Levent,
explores the notion of home and considers visual and conceptual languages that may represent it.
PRESENTED BY DASHBOARD U.S.
CURATED BY SUSANNE SLAVICK LOCAL ADDITIONS
CURATED & COMMISSIONED BY DASHBOARD Opening at Marcia Wood Gallery / April 28, 6 - 10 pm On view April 28 - May 20, 2017 As the National Rifle Association hosts its 146th annual meeting in Atlanta (April 27 - 30), Dashboard US welcomes UNLOADED, a multimedia group
show that
explores historical and social issues surrounding the availability, use, and impact of guns in our culture.
Curated by Outi Remes and Cally Trench the
show explores ideas about what it means to play, encouraging the viewer to gaze, remember, touch, to take a chance.....
Meta Vista, a group
show curated by Matthew Neil Gehring, will
explore concepts of space, perspective and form.
Apart from the
shows curated by Mr. Moore, the venues participating in the FotoFocus Biennial were also invited to
explore the topic of the Undocument.
Curated by Ingrid Swenson (Peer, London) the exhibition will be
shown in the historic Gibson Galleries, and will incorporate an installation over twenty metres in length,
exploring pertinent questions of our times, as offered by over 40 leading social thinkers and commentators.
A group of young artists, including Zoe Buckman, Nina Chanel Abney, and Titus Kaphar
explore the meaning of blackness in 2015 in the Hank Willis Thomas -
curated show.
Curated by Tendai John Mutambu, the
show explores alternative approaches to potential and brings together work by Newell Harry, Louise Menzies, Dan Nash, Fatima Al Qadiri & Khalid Al Gharaballi, Mika Rottenberg, Sorawit Songsataya and Martine Syms.