Sentences with phrase «curated show highlights»

The tightly curated show highlights the country's quest for modernity in art, and life.

Not exact matches

This year's Armory Show Focus edition highlights art from the Middle East, North Africa, and the Mediterranean (Armory Focus: MENAM), curated by Whitechapel Gallery's Omar Kholeif, and presented in partnership with Edge of Arabia and Art Jameel.
Other highlights this weekend include Bushwick Basel, in which 11 mainstays of Bushwick's gallery scene will be curating their own show within Starr Space; the Buswhack series of performance and film at the Bushwick Starr; «Sculpture Garden» at the Historic Onderdonk House, a group show of sculpture co-curated by Deborah Brown of Storefront Bushwick and one of our favorite local artists, whose latest series of paintings, «Freewheeling,» opens at the Active Space during the festival.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
In the main gallery booth we will exhibit a curated group show highlighting a selection of artists from our program, and for the fair's Profile section a solo presentation by Charles Avery will be exhibited.
Exhibition highlights include: Caramel Huysmans, Martín Soto Climent (2015); TRUE STORY, collective show curated by Michel Blancsubé (2015); The Properties of Light, Fred Sandback (2016); dre omins, Andreas Slominski (2016); Doble fondo, Tercerunquinto (2017); Concept and Painting, Robert C. Morgan (2017); and Josephine Meckseper (2017).
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
The annual event will consist of a block party on Orchard Street featuring live bands curated by Cake Shop, a «Looks of the LES» fashion show highlighting over 20 local boutiques, and an outdoor dance performance by Paul Taylor 2.
Soon after, there is a move towards the human form, first with Pawel Althamer's casts of Venetians, stumbling and falling apart like a modern - day Burghers of Calais, and then one of the biennale's many highlights, a show - within - a-show curated by Cindy Sherman.
A fresh arrival, the subterranean Airplane, has a multidisciplinary program — «curated shows, food events, seminars and collaborations» — of a breadth that Chelsea would never imagine, and a nicely funky group show to boot, with a robotic skeleton by Tim Belknap, twitching away in the backyard, being a highlight.
Curated by Raphaël Bouvier, the show highlights the founders» view of their own collection and document the point of departure for the subsequent presentations.
Curated by Paul Gravett, the show highlights key creators, characters, magazines, graphic novels and multimedia, as well as the creative processes that underlie their production.
Armory Focus is a specially curated section of The Armory Show that highlights the artistic landscape of a chosen geographic region.
Of the many different projects and exhibitions at Independent, The Mask Makers, a group show curated by prolific Canadian artist Marcel Dzama with David Zwirner gallery, is surely a highlight.
Curated by Cheryl Haines, the executive director of the For - Site Foundation — an arts organisation that supports innovative pop - up shows and site - specific works — the exhibition highlights the human cost of war and political conflict through the works of internationally renowned artists.
The curated section presents ambitious solo shows by artists working at the vanguard of contemporary practice, including highlights such as:
In September 2002, the gallery was one of the eighteen cutting edge, art galleries with international reputations to be selected for The Galleries Show at the Royal Academy, an exhibition curated by Norman Rosenthal and Max Wigram to highlight the role played by galleries in an artist's creative progress, as well as putting work on sale and realigning the Academy with a greater involvement in current art.
Another highlight this year: a global, themed exhibition titled «Encyclopedic Palace» with works by Richard Serra and Bruce Nauman and a show - within - a-show curated by Cindy Sherman.
Public, always a highlight of the Miami Beach show, was curated for the third consecutive year by Nicholas Baume, Director and Chief Curator of New York's Public Art Fund, and featured 27 large - scale and site - specific installations and performances by 26 leading and emerging artists from over 11 countries set within Collins Park.
Yet the highlight of this impressive show, curated by LACMA's formidable Stephanie Barron and seen earlier this year at the Museo Correr in Venice, is the photography — from stern black - and - white portraits by August Sander to alienated, sometimes surreal compositions of workers and machines.
The show's curated In / Situ sector, which took installations and performances and sprinkled them throughout the show, the Navy Pier and Chicago also held highlights, such as Narco Headlines, from Julio Cesar Morales, and a room for Hank Willis Thomas» For Freedoms, a super PAC (and also an artwork in and of itself) to fund art, that he formed earlier this year.
The Armory Show and Edge of Arabia are teaming up for this year's sixth edition of Armory Focus, a specially curated section devoted to a highlighted region of the world.
The seventh New York edition of the British art fair assembles more than 190 galleries from 30 countries, presenting highlights such as solo exhibitions of David Hockney (Pace Gallery) and Betye Saar (Roberts Projects), and curated shows on environmental concerns (Chi - Wen Gallery) and homoerotic art from Latin America (Henrique Faria).
Highlights include the Nova sector, which presents 35 galleries showing new work by up to three artists; 16 curated solo...
Exhibition Highlights Curated by New - York Historical's Marilyn Satin Kushner, Curator and Head, Department of Prints, Photographs, and Architectural Collections; and Kimberly Orcutt, Henry Luce Foundation Curator of American Art; with Casey Nelson Blake, Professor of History at Columbia University serving as Senior Historian, The Armory Show at 100 will feature approximately 100 masterworks from the 1913 Armory Show that powerfully impacted American audiences.
The group show is curated by Yifat Gat for Look & Listen and features work by 59 from around the world and highlights, at once, both similarities and differences to create a rich mixture of dialogues and contrasts as part of a curatorial exercise.
The exhibition coincided with a show of selected works curated by the artist, titled Kerry James Marshall Selects, which featured a range of art historical artifacts and works spanning over 5,000 years — from African masks to French post-Impressionism — highlighting Marshall's rich, eclectic range of influences for his own work.
Highlight: Summer One is the first in a series of contemporary shows curated by Paul Efstathiou.
12 Feb 2015 IMMA Announces 2015 Exhibition Programme IMMA Announces 2015 Exhibition highlights which includes Gerda Frömel, Diogo Pimentão, Karla Black, Stan Douglas, Etel Adnan, Chloe Dewe Mathews, Grace Weir, and a major new show, curated by Christine Macel, Chief Curator at Centre Pompidou with Rachael Thomas, Head of Exhibitions, IMMA entitled What We Call Love.
Related: «Skin Fruit,» the New Museum's Show Curated by Jeff Koons, Highlights the Cracks in the Institution [NYM]
Kim Rice's work is being shown at Mainsite gallery in Norman, OK as part of the exhibition Public Narrative: Story of Self, Us, & Now, a show curated by the 2015 Oklahoma Art Writing and Curatorial Fellows to «highlight the complexity of our stories as we look inward, to the community, and finally, to the future.»
This curated section of The Armory Show on Pier 94 highlights the gallery and artistic landscape of a chosen geographic region.
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