Sentences with phrase «curated show takes»

Following a theme we have (happily) seen arise of late in the art world, the Emma Siemens - Adolphe - curated show takes the physical as its starting point, questioning the «relationship between viewer, artist and body» and exploring the contradictory definitions surrounding it.

Nowhere is it mentioned that any sort of juried open studio event or direct competition ending in a curated show took place.

Not exact matches

Take a peek inside Bea's home and you'll find a clean, curated living space that shows just how inviting minimalism can be.

Zoosk's photo portal allows for up to 6 photos, so make sure to curate your collection carefully to show both formal and casual photos and some of you taking part in your favorite activities.

Having such caring matchmakers curate and verify your dates takes the anxiety out of meeting new love interests so you can simply show up and have fun with someone who fits your lifestyle and values.

2013 - Gallery 175, Two Person Show, Chris D Smith and Robert Burnier, All the King's Horses, 175 W. Jackson, Chicago, IL - Noyes Cultural Arts Center, Taking Chances, Curated by Sarah Krepp, Evanston, IL - Monmouth College, Hewes Library, Gallery 204, Push, Solo Show, Monmouth, IL

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Brooklyn Art is a very unconventional approach to a curated museum show, maybe it takes something this rewarding and accessible to open the closed doors of the thousands of Brooklyn artists to the public.

Curated by Ingrid Schaffner, the show takes as its basis four key installations encapsulating the complexities and depth of his oeuvre: Garage Renovation New York (Cherry Makita)(1993); The Creation Myth (1998); Sutter's Mill (2000), and Untitled (My Madinah: In pursuit of my ermitage...)(2004/2013).

Showing his work in his own gallery, Fuchs Projects at 56 Bogart St, he took the time to curate prints from various eras, grouping them together in a way that makes you say «Dayum!

EM: You have previously curated other artist's work for shows, as well as taken part in artist curated exhibitions.

Named for the «animatronic effigy» that the father of mind - body dualism supposedly built after the death of his young daughter, this group show, curated by Piper Marshall, doesn't argue with the famous dichotomy so much as indulge in it, taking its inadequacies for granted and then squeezing out the fun it still has to offer.

She took part in the Venice Biennale in 2003 and 2005, in Manifesta (2004), the Moscow Biennale (2005) and the Berlin Biennale (2006), and she has shown works in group exhibitions including After Nature curated by Massimiliano Gioni (New Museum, New York)(2008), and Chasing Napoleon (Palais de Tokyo, Paris, 2009).

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Curated by Drawing Room, a public gallery dedicated to contemporary drawing, the show features 15 artists» take on the line, in works spanning a wide range of media, created between 1969 and 2016.

The first formal accumulation of work took place in 1977 during a show at Artists Space, «Pictures,» curated by Douglas Crimp.

The show presented at MAMbo, titled Arte Povera 1968 and curated by Germano Celant and Gianfranco Maraniello takes its cue from one of the first Arte Povera exhibitions, held in Bologna in February, 1968, in Galleria de» Foscherari and offers its own specific reading of the origins of Arte Povera, and of its ties to historic and present publishing projects.

Exhibitions at Castillo / Corrales (which takes its name from a historic boxing match) often have the enjoyable riskiness and intellectual glee that come with artist - curated shows — 2010's Breaking Point: Katherine Bigelow's Life in Art comes to mind.

So we took on a much more polyphonic curatorial model, so to speak, and actually invited about 15 curators to curate their own shows within a show, a bit like a matryoshka.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

The show, curated by Nicole Ruggiero and Terrell Davis, will take place at VR World in New York City.

To the end of collective experience, Alvarado along with Bridget Donahue, curated a series of shows to take place among the works hanging from the ceiling.

During the summer of 2014, Charland's work was part of a group show, curated by Katherine Ware, at the New Mexico Museum of Art; in the summer of 2015, Charland was included in a group show entitled «Take One: Contemporary Photographs,» at the Philadelphia Museum of Art.

His recent shows include Mimic Momento, Galerie Daniel Templon, Brussels, 2015; Constructs Constructions, curated by Roobina Karode, Kiran Nadar Museum of Art, New Delhi, 2015; A Passage, Staatliche Museum, Schwerin, Germany, 2015; every broken moment, piece by piece, GALLERYSKE, New Delhi, 2014; The pieces earth took away, Galerie Krinzinger, Vienna, 2012; Critical Mass, Tel Aviv Museum of Art, Tel Aviv, 2012; Indian Highway, Ullens Center for Contemporary Art, Beijing, 2012; The Matters Within: New Contemporary Art of India, curated by Betti - Sue Hertz, Yerba Buena Center for the Arts, San Francisco, 2011; Paris - Delhi - Bombay, Centre Pompidou, Paris, 2011; Sympathy for the Devil, curated by Walter Vanhaerents and Pierre - Olivier Rollin, Vanhaerents Art Collection, Brussels, 2011; India Inclusive, World Economic Forum, Davos, 2011; Contemplating the Void, curated by Nancy Spector, Solomon R. Guggenheim Museum, New York, 2010; Vancouver Biennale, 2009, and several others.

Curated by Jupiter Woods co-founder Carolina Ongaro, the group show takes a Brion Gysin quote as its inspiration, building on his conceptions of abstracted realities and shuffled semantic orders: «The process of shattering and decoding words and images has the potential to exceed existing myths and the official systems upon which we base our knowledge,» the press release writes.

Also in 1995, Hans - Ulrich Obrist curated the group show Take Me (I'm Yours) at the Serpentine Gallery, with bags of secondhand clothes offered by Christian Boltanski for a pound, Gilbert & George distributing free badges, and Jef Geys inviting visitors to buy fruit at the reception desk.

The show comes out of the Jupiter Woods curatorial platform and takes the idea of interconnectivity directly into its design, curated by Jupiter Woods» Hanna Laura Kaljo and Lucy Lopez and in collaboration with The Gallery Apart and the Nomas Foundation.

This year, Bonac Tonic Art Collective took over the space and curated art shows in Jan and Feb..

The show, curated by Sixty Eight founder Iben Bach Elmstrom and curator, writer and Base for Active Knowledge (BAK) editor Tom Clark, takes frustration as the fertile ground for artistic growth, «at the entrenched ideologies, local specificities, and claims for global progress that bind the everyday».

A conversation between Lubaina Himid and Christine Eyene will take place on 5 December, 2 pm at Hollybush Gardens Gallery as part of Carte de Visite a group show curated by Lubaina Himid, featuring new work by Helen Hammock, Claudette Johnson and Ingrid Pollard.

In June 1975 he took part in the show Analytische Malerei — Analytic Painting curated by Klaus Honnef and Catherine Millet and in 1977 participated in Documenta 6 in Kassel.

The show, curated by Courtney Malick, takes on the inorganic ingestible elements found in medicine, food, cosmetics and tech devices we are consistently exposed to, despite the chemicals and radioactivity they emit.

This work takes its title from Saville's drawing on canvas of the same name shown in La Peregrina, Saville's curated gallery within the exhibition.

Located in the Akus Gallery on Eastern's Willimantic campus, the mural is part of «Taking Shape: Selections from the Collection of Eastern Connecticut State University,» a group show curated by gallery director Elizabeth Peterson.

Opening: «That I am reading backwards and into for a purpose, to go on:» at The Kitchen This group show, curated by Whitney Independent Study Program fellows Magdalyn Asimakis, Jared Quinton, and Alexandra Symons Sutcliffe, takes its name from a citation in an essay by Ian White, whose writing often dealt with the experience of viewing artworks.

Opening: «Nice Weather» at Skarstedt David Salle curated this group show, which takes its name from Frederick Seidel poem about one day's weather leading into the next's, and which, appropriately, features multiple generations of painters.

The Art Show is like the laid back, slightly better - dressed, cool older brother of the Armory Show, a place where collectors take their time, guests make repeated visits and dealers feel free to take a few chances, curating small mini-retrospectives in their booths.

With ideas on being territorial and invasive, his goal is to curate a show that engages conversations relating to migration, taking up space, representation, geographic pollution, and queerness.

Curated by Collective Çukurcuma founders Mine Kaplangý and Naz Cuguoðlu, the «House of Wisdom» exhibition took place at the IKSV Nejat Eczacýbaþý building as part of the Istanbul Biennial public program until November 12 after being shown in Berlin.

The artist has taken part in prestigious group shows including, among others: Ennesima - appunti per sette mostre sull «arte italiana, curated by Vincenzo De Bellis, Triennale di Milano, Milan, Italy (2015); Trittico, Fondazione Prada, Milan, Italy (2015); Everyday Life, Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany (2014); MANIFESTA 10, Kuryokhin Modern Art Center, San Pietroburgo, Russia (2014); Collection Sandretto Re Rebaudengo: Have you seen me before?

1 -21 Dec 2013, Art Britannia in Art Basel, Miami Beach, Group show taken from Lion and Lamb Summer Saloon Show, curated by Ben Aushow taken from Lion and Lamb Summer Saloon Show, curated by Ben AuShow, curated by Ben Austin

With his work from the series titled «Star of Syria,» Antonio Cosentino took part in the group show «Home is Where the (He) Art is» at Galerie Paris - Beijing, curated by Yann Perreau and will be open to visit between 1 February - 24 March 2018.

Alice Wang is taking part to the show Open Air Prisons at LACE (Los Angeles Contemporary Exhibitions), curated by Kelman Duran.

Michael Craig - Martin will also take on a feature role by curating one of the larger galleries with a stellar showing of big named artists selected from the RA roster.

Curated by Outi Remes and Cally Trench the show explores ideas about what it means to play, encouraging the viewer to gaze, remember, touch, to take a chance.....

Broc Blegen will discuss curating his collection of counterfeit masterpieces, and Joshua Liebowitz will take us on a tour of the counterfeit egg industry, show you where to find it on the dark web, and with a little luck, let you have a bite.

Creed's largest survey show to date took place at Park Avenue Armory, New York from June - August 2016, curated by Tom Eccles and Hans - Ulrich Obrist.

The Gates of Paradise Curated Group Show Art Basel Miami Week 2016 Art Basel Miami Beach is one of the world's most successful art fairs, which takes place at the same time as numerous satellite art fairs in the first week of December.

Farhi appears at the Ethan Cohen Gallery as part of First We Take Manhattan, a show curated by Isaac Aden whose own work took over the top floor.

The first major showing took place at the Tate Gallery in 1971 in an exhibition curated by the artist with David Slyvester and Michael Compton which was the subject of some controversy.