Sentences with phrase «curated shows per»

The program includes four to six professionally - curated shows per year featuring works by established and emerging international artists.

The program includes three to five professionally - curated shows per year.

Not exact matches

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Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

David Shrigley has participated in numerous exhibitions including The Fantastic Recurrence of Certain Situations: Recent British Art and Photography at Consejéria de Cultura in Madrid (2001), The British Art Show 5 (2000), Common People, British Art between Phenomenon and Reality curated by Francesco Bonami at Fondazione Sandretto re Rebaudengo per L'arte, Torino, Italy (1999) and Waste Management at Art Gallery of Ontario, Canada (1999).

We present 11 - 12 exhibits per year of national, regional, and local artists, including two - person, small and large group, juried, curate, and community shows.

The artist has taken part in prestigious group shows including, among others: Ennesima - appunti per sette mostre sull «arte italiana, curated by Vincenzo De Bellis, Triennale di Milano, Milan, Italy (2015); Trittico, Fondazione Prada, Milan, Italy (2015); Everyday Life, Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany (2014); MANIFESTA 10, Kuryokhin Modern Art Center, San Pietroburgo, Russia (2014); Collection Sandretto Re Rebaudengo: Have you seen me before?

In 2010 the solo show «Nobody Knows» curated by Germano Celant at the Centro per l'Arte Contemporanea Luigi Pecci, Prato, in occasion of the show Electa published a comprehensive monograph curated by Germano Celant.

«The way you read a book is different to how I tell a story», group show featuring Carlos Amorales, Karel Appel, Marlon de Azambuja, Alessandro Balteo Yazbeck, Lenora de Barros, Willi Baumeister, Pauline Beaudemont, Heinz Butz, Esther Ferrer, Cristina Garrido, Julius Heinemann, Per Kirkeby, Konrad Klapheck, Oliver Laric, Victor Leguy, Sarah Lehnerer, Bruno Moreschi, Eduardo Navarro, Hermann Nitsch, Letícia Parente, Laure Prouvost, Enrique Radigales, Paula Rego, Daniel Steegman Mangrané, Eduardo Terrazas, Alexi Tsioris, Stefan Vogel, Wolfram Erber, Isa Genzken, Imi Knoebel, Barry Le Va, Gerhard Richter, Fred Sandback and Al Taylor Curated by Marta Ramos - Yzquierdo On view from January 26th through March 10th, 2018 Opening: Thursday, January 25th, from 7 pm to 9 pm

Focusing primarily on solo presentations of artists, as in one artist per space, the show is well - curated with more than one canny juxtaposition (two personal favorites were Leigh Ledare's 16 mm film Vokzal [2016] of the public around three Moscow train stations with John Divola's elegant «Abandoned Paintings» [2007 — 8] photos, which feature recuperated discarded student paintings in derelict domestic settings, and Henry Taylor's big brushy paintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black subjects).

Using special sections of elite global publications like the New York Times, Wall St. Journal, Architectural Digest, Forbes, and most recently China's Juwai, with more than two million visitors per month, our marketing program includes mobile 360 ° video, specialty features, custom slide shows, and sophisticated content curated specifically for the luxury market.