Sentences with phrase «curated video collections»

It doesn't make extensive use of algorithmic recommendations, like Hulu does, nor does it offer a long list of curated video collections, like AT&T's DirecTV Now.

Their solution: curated video collections (on sites like YouTube or Vimeo) can be used to provide observational experiences to learners.

Not exact matches

So from a single conversation he can create a video published on YouTube and SlideShare; a blog post; a podcast (published on iTunes); a syndicated podcast (published on a PR network); social messages (posted on Facebook, Twitter, Google + and LinkedIn); a series of tweets (Twitter); and a collection of key points or messages in the form of a curated e-book.

I recently spent more time than I should probably admit to enjoying a collection of top video ads curated by readers over on the Moz blog.

The Thyroid Bundle is a carefully curated collection of life - changing eBooks, Video Courses, and other resources to help you live your healthiest year ever.

Enjoy these curated collections of Sri Sri's knowledge on various subjects, including talks, quotes, videos and Q&A s

Living alone, 40 - year - old Andy spends his free time playing video games and curating his action - figure collection.

This curated collection of blogs, articles, interviews, and videos includes information for parents and educators about the associated concepts of resilience, grit, and growth mindset.

The Bridges Educator Site also includes a curated collection of games, books, videos, and other resources mapped to each Bridges unit.

Detailed teaching of 13 key Spotlight Skills through lively starter videos and computer - based informational text analysis provides a complete nonfiction curriculum with a carefully curated collection of informational text for each grade level, K to 5.

The Video Game Bundle, curated by Independent Games Festival chairman emeritus and game industry veteran Simon Carless, is a dense collection of game literature.

Google Plus Collections let you create / curate online collections that can include clever titles, videos, images, posts, links and more (think Pinterest oCollections let you create / curate online collections that can include clever titles, videos, images, posts, links and more (think Pinterest ocollections that can include clever titles, videos, images, posts, links and more (think Pinterest on steroids.

She has also curated collection displays of works on paper by Glenn Ligon and video works by Rosa Aiello, Tala Madani, and Amy Sillman.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

SCREEN COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]

[33] Maria Troy, «I Say I Am: Women's Performance Video from the 1970s,» also the title to a collection of «early feminist tapes» curated by Troy as Associate Curator of Media at the Wexner Center in Columbus, Ohio.

we will showcase artist editions and multiples, which were co-created with fmp, such as the video works by franz west / hans weigand — «the strict curator — otto kobalek curates the western collection ``, as well as works by elfi semotan, michel würthle, albert mayr, philipp könig & robert pawliczek.

Between 2005 - 2006 Sichel selected the works for the historical video collection of the Museum Reina Sofia, and in 2006 she curated for the Museum First Generation: Art and Moving Image: l963 - 86, exhibiting the new collection comprised of about 80 works.

Museo Patio Herreriano, Valladolid Curated by Margarita Aizpuru The project is based on the combination of a selection of important women within the scope of private collections of art in our country, which integrate within their interesting and important art collections pieces of video art by female artists both nationally and internationally, with the aim of publicizing these collections and a selection of artists and videos made by them in our own context.

This was followed by periods of work at the media art gallery Weisser Raum in Hamburg and in Palma de Mallorca, where she curated an exhibition with video works from the collection of the TW - Stiftung Hamburg.

Curated by Gridthiya Gaweewong, this new solo exhibition uniquely presents a collection of rarely - seen experimental short films and video installations by Weerasethakul, alongside his photography, paintings, sketches, and archival material that explore threads of socio - political commentary.

Earlier this year David Elliott, artistic director of the 2010 Biennale of Sydney, curated «The Quick and the Dead,» a collection of video art that featured early work by Bill Viola, Susan Hiller and Araya Rasdjarmrearnsook at COFA.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Number of different show sectors will be offering a diverse collection of artworks, including paintings, sculptures, installations, photographs, curated projects, site - specific experiential work, film and video, many of which will be offered for sale at reasonable prices.

My most recent encounter with his works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help You?

The exhibitors in Kabinett present curated projects in a separate area within their booths, ranging from one person shows, thematic group exhibitions, installations, film / video programs to collections of art historical material.

Curated by Candice Allison, the exhibition includes recent and previously unseen work: photographic prints, drawings, oil paintings, video, and installation; alongside paintings from the National Gallery of Zimbabwe's permanent collection, material from the National Archives, and Chiurai's own personal archive of propaganda posters and vinyl records.

The exhibition at The Gallery @the SHS takes its inspiration from the ground - breaking 2013 show curated by Bucksbaum at the Granary in Sharon, «The Distaff Side,» a diverse exhibition of paintings, sculpture, photography, and video by more than 100 female artists from the collections of Bucksbaum and Learsy.

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