Sentences with phrase «curating a show about»

They were joined by Gianni Jetzer, 48, who curated a show about this era at Washington D.C.'s Hirshhorn Museum and Sculpture Garden called «Brand New: Art and Commodity in the 1980s» (closing May 13).

I have been mulling over the idea of curating a show about women since the 1990s, when I approached the now - director of Tate Modern, Frances Morris, with the idea of putting on an exhibition together.

Poet Susan Goldwitz has curated a show about line that was a Curatorial Opportunity Program Selection at the New Art Center in Newton, MA.

As a member of The Front since 2009, she has curated shows about animal companions, Standing Heat: I am I because [my little dog] knows me and You Beautiful Bitch among others.

The story goes something like this: It was the»90s, and Tompkins heard through the grapevine that Saltz was curating a show about sex; on a whim, she sent him some of her slides.

Maybe you are doing unconventional things with it (I curated a show about this, called «Physical Painting»), but there still is that focus on paint.

Not exact matches

Hinge shows a list of about 20 potential dates once a day that's curated from friends of friends.

Curated by Lenny Abrahamson (Adam & Paul, Garage), Sharon Horgan (Pulling, Angelo's) and Pat McCabe (Breakfast on Pluto, The Butcher Boy), the convention attracted a stellar line up of comedy writers, featuring, amongst others, Bobby Farrelly (Dumb & Dumber, There's Something About Mary) and Jesse Armstrong and Sam Bain (Peep Show, Four Lions).

To learn more about the available empirical evidence on the effects of school choice programs, flip through this handy slide show, curated collectively and carefully by EdChoice's research team.

At Fantastic Arcade, we showcase a curated selection of brand new independent games as well as a larger sampling of important groundbreaking independent games from the last couple of years, with international guest developers in attendance to show off their work, talk about the state of independent gaming via panels, and interact with attendees during play sessions and nightly parties and happy hours.

Joan Waltemath talks with Raphael Rubinstein about the exhibition Reinventing Abstraction: New York Painting in the 1980s, a show he curated at Cheim & Read, New York, on view through August 30, 2013.

We're already thinking about this idea of protest and activism in the collection, and wouldn't it be amazing if we could find a way to really celebrate this exciting new acquisition and get a lot of these posters up on the wall,» says Jennie Goldstein, an assistant curator at the Whitney who curated the show with David Breslin and Rujeko Hockley.

Brian Bellot's work was featured in a group show curated by Peter Saul entitled If You're Accidentally Not Included, Don't Worry About It at Zurcher Gallery, Paris in 2014.

I know Massimiliano curates three shows 10x this size each day before breakfast, but it's still a BFD for me, and after writing and thinking about the objects and photos in the show for so long online, it really is a completely different thing to see them in person.

Today Sandler continues to monitor the art of his time as an art - historian - about - town, writing his books, popping up at gallery openings, and even curating the occasional show, as he did at the Cue Art Foundation in 2010 with Robert Storr.

I'm going tell you a little bit, very quickly, about Folklore, the group show that Evan Hecox curated recently at Joshua Liner Gallery.

I discovered your works on the occasion of your solo show Allotropes, curated by Sara Matson and Laura Smith with Rita Selvaggio at Casa Masaccio in San Giovanni Valdarno, where three film of yours where shown, could you tell me something about them?

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

On the occasion of his two Met shows, the artist talks about his approach to photography and curating, and why he tried to «kill» the Pictures Generation.

2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)

Woodman hypothesizes that with the rise of second wave feminism in the 1960s, curators began to feel self - conscious about curating all male shows, and rightfully so.

Learn more about the artists featured in The Brant Foundation's current exhibition, Animal Farm, a group show curated by Sadie Laska.

«We have about 15 shows curated by students a year, and Marty has not only seen them but often collected works from them.»

AFC's Paddy Johnson curated a show; Busby Berkeley screens at Light Industry; politicians will be confronted about gentrification, among other picks.

2012 has been an exciting year for us and we have loved every moment of this fantastic journey, whether it was curating the best galleries at the Armory Show, ADAA, and Art Basel Miami Beach, putting together video interviews with a fantastic set of experts from the top galleries and auction houses, or writing about Egon Schiele and Mark Rothko.

So we took on a much more polyphonic curatorial model, so to speak, and actually invited about 15 curators to curate their own shows within a show, a bit like a matryoshka.

Cool - girl - about - town Jessica Silverman (whose own gallery is expanding to a larger location in the Tenderloin) curates the rotating shows of contemporary work (fusedspace.com).

In order to gauge public opinion of Virtual Normality — Women Net Artists 2.0, a group show at MdbK Leipzig curated by Anika Meier, Indie Mag has gathered responses from visitors to the museum about the current state of feminism today in this unique review of the exhibition.

PARINAZ MOGADASSI — Did writing about art lead to your curating shows?

Do you create your sculptures as individual pieces and then curate them into a coherent show or do you think about the larger body of work as a whole and then begin to develop the individual works?

Including three museum shows, a feature gallery opening, a group exhibition I co - curated / facilitated with Donna Poulton about Helper Artists and one art fair between now and May, I continue to have a strong regional, exhibition, gallery and museum presence.

This week on the blog we visited the new exhibition Paris De Noche at Night Gallery; we had a review on the last days at Art Basel Miami; we passed by Faire des Fleurs, a show curated by Camille Azaïs at Florence Loewy; we heard about a new limited edition: Initiation; and we finally saw Pacific Sun, a stop - motion film by photographer Thomas Demand.

Do you think that had any influence on your ideas about curating shows?

This week on the blog we visited the new exhibition Paris De Noche at Night Gallery; we had a review on the last days at Art Basel Miami; we passed by Faire des Fleurs, a show curated by Camille Azaïs at Florence Loewy; we heard about a new limited edition: Initiation; and we finally saw -LSB-...]

The show is curated by Carlo McCormick and gallerist Eric Firestone to explore the ways America's pastime is making its way into contemporary art, why we care about the game and the ways it restores belief in heroes and come - back stories.

Frank O'Hara, who in 1960 curated Frankenthaler's first museum show, wrote about the new American poetry that: «It may be... that poetry brings forth the intangible quality of accidents which are all too concrete and circumstantial».

But what this surprisingly suggests is that there isn't much room for painting in thematically curated shows, that is, unless those shows are about painting.

On May 5, Joan Waltemath met with Raphael Rubinstein at his loft in TriBeCa to talk about Reinventing Abstraction: New York Painting in the 1980s, a show he curated at Cheim & Read (June 27 — August 30).

Thomas Nozkowski and Merlin James — artists for whom I had curated shows and written about frequently — were both significant presences.

I was about to depart for the Arsenale when I realized that «Slip of the Tongue,» the group show that Danh Vo and Caroline Bourgeois had curated for Francois Pinault's Punta della Dogana, was just across the lagoon.

Talk: «This Is How We Do It: On Laurie Simmons and Chantal Joffe» at the Jewish Museum Jewish Museum assistant curator Kelly Taxter talks about curating shows by two of our favorite artists, Laurie Simmons and Chantal Joffe, who both have current solo shows at the museum.

The rest of the afternoon was given to visiting Frigoriferi Milanesi for the vernissage of «The White Hunter,» a show about memories and representations of Africa curated by Marco Scotini.

Curated by Indira Cesarine, the show features a diverse roster made up of female artists you should definitely know about.

Supplemented by a series of sculptures and a re-arrangement of a show the artist previously curated, this MoMA PS1project raises questions about digital culture's impact on individuals as well as the society.

Having witnessed the rise of graffiti and urban art from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many others.

Opening: «Nice Weather» at Skarstedt David Salle curated this group show, which takes its name from Frederick Seidel poem about one day's weather leading into the next's, and which, appropriately, features multiple generations of painters.

When he asked me what I knew about his cowboy show and I responded only that he was curating it, he said, in the serious tone of a car salesman discussing an automobile's new features, «So let's change that.»

It follows Crimp's early years in the art world, from 1967 to 1977, the year he curated «Pictures,» his landmark show at Artists Space about emerging art focused on media's role in representation, better known to many in the form of a 1979 essay published in the journal October.

She has curated the Robin Rhode exhibition Who Saw Who at the Hayward Gallery for autumn 2008, Walking in my mind (summer 2009), which explored the inner workings of the artist's imagination through the medium of large - scale installation art; Move: Choreographing you a show about the relationship between visual art and dance (2010); Pipilotti Rist: Eyeball Massage (2011); and Art of Change: New Directions from China (2012).

«My colleagues (past and present) and I continually think about the relationship between the contemporary and historical parts of the museum's collection and exhibitions, and how they relate to the city of Baltimore,» said Kristen Hileman, the BMA's Senior Contemporary Curator since 2009, who curated Crosby's solo exhibition — a show planned years in advance of the museum's recent series of shows by women and people of color.