Sentences with phrase «curating shows representing»
Artist - run space whose goal is to increase visibility of women artists in our local community and beyond by curating shows representing a vast array of media.
http://www.artandaboutpdx.com/ Not exact matches
Joie offers affordable luxury and showing during fashion week allows us to showcase a curated selection of styles that represent the brand,» said Azria, who also runs contemporary labels Current / Elliott and Equipment.
In a similar manner, students can curate a body of work that represents their progress as well as their performance to show their thinking throughout their learning experiences.
2006 Art LA, represented by Linda Warren Gallery, Los Angeles, CA Urban Institute for Contemporary Art, Grand Rapids, MI Drawing No Conclusions, curated by Dominic Molon, Associate Curator, Museum of Contemporary Art Chicago, IL Judith Racht Gallery, Layer on Layer: a collage show, Harbert, MI
Margaret curated one of the last shows I had in King Street, which included Francis Cape, whom we have represented since.
1995 Grab Bag, curated by Don Baum, Hyde Park Art Center, Chicago, IL Art Chicago - The Pier Show, 1995, represented by Lorenzo Rodriguez Gallery, Chicago, IL
Process and Materials, 1960 - 1990,» Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen Gallery, New York, NY «Mind Over Matter: Concept and Object,» Whitney Museum of American Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori, and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American Art, New York, NY «The Desire of the Museum,» Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303 Gallery, New York, NY «Archaeology II,» Roy Boyd Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303 Gallery, New York, NY «A Drawing Show,» curated by Jerry Saltz, Cable Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life Like,» curated by Marvin Heiferman, Lorence Monk Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent Sculpture,» New Langton Arts, San Francisco, CA «L.A. Hot and Cool,» M.I.T. Visual Arts Center, Cambridge, MA
2011 Walnut Ink Gallery, Inaugural Show, Michigan City, IN Wishing You Love and Happiness and Curiosity Forever, V1 Gallery, Copenhagen, Denmark (S) edition, curated by Marc Pascale, Urban Institute of Contemporary Arts (UICA), GR, MI Typeforce, Co-prosperity Sphere, Chicago, IL ART Chicago, represented by Linda Warren Gallery, Chicago, IL NEXT art fair, represented by Pele Prints, St. Louis, MO Interface, Center of Creative Arts (COCA), curated by Pele Prints, St. Louis, MO
The third installment of Prospect, the New Orleans triennial, follows suit with work by 58 artists on view at 18 venues and is further distinguished by three attributes: Franklin Sirmans serves as artistic director; He curates the show with a decidedly New Orleans lens that doesn't lose sight of the global perspective; And most significantly, there are more Black artists represented at Prospect 3 (more than 20) than at any other American biennial - style gathering in recent memory, perhaps ever.
In a similar vein, Hank Willis Thomas, who is represented by Jack Shainman Gallery in New York and South Africa's white - owned Goodman Gallery, curated «To Be Young, Gifted and Black,» an exploration of black identity that was shown at Goodman Gallery's Johannesburg location in 2015.
Cruz has attended numerous residencies and shown nationally with solo exhibitions at Chicago Artist Coalition, Chicago; Comfort Station, Chicago; SUG's at the School of the Art Institute of Chicago; and a solo project (representing the BOLT Residency) curated by Dieter Roalstraete at EXPO Art Fair, Chicago.
This year to be held at the Zabludowicz Collection, the show has been curated by a panel of experts drawn from across the disiplines represented by the colleges.
This show represents the largest and most comprehensive survey in an American gallery since Joaquín Torres - García curated his own exhibition at The Sidney Janis Gallery in 1950.
The show was curated by former Carnegie International assistant curator Heather Pesanti, and represents the culmination of three years» intensive research.
Bypassing a traditional Art Fair structure with gallery booths that showcase represented artists, Jogja exhibits the work of artists directly in a well - curated show that continues for a good summer - while — from June 7 - 22, 2014.
Represented by Nathalie Obadia Gallery (Paris - Brussels), Bresson's work has been shown internationally including in 2010 at the Palais de Tokyo and Musée d'Art moderne de la Ville de Paris (group show «Dynasty», curated by Marc Olivier Wahler and Fabrice Hergott); Staatliche Kunsthalle Karlsruhe; French Institute of Bratislava, Slovakia; Perm Museum in Russia»; Domaine départemental de Chamarande, Palais des Arts de Dinard and Mudam in Luxembourg.
«ART ASIA has busied itself with establishing a reputation as the unchallenged focal point for contemporary Asian Art collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.»
Victoria Miro also represents the Danish artistic duo Elmgreen and Dragset, who curated this year's Istanbul Biennial, which this year opens at the same time as Contemporary Istanbul and remains on show until November 12.
Cary is represented by Herald St Gallery in London and has exhibited internationally in London, New York, Miami, Tokyo, Geneva and Zurich, including shows at Galerie Emanuel Perrotin, Miami, Attention to Detail curated by Chuck Close at FLAG Art Foundation, New York, Rude Britannia at the Tate Britain, London, Taro Nasu, Tokyo and Hauser & Wirth, Zurich.
The veteran of many solo exhibitions, Willis is well - known on the New York scene, where he was included in the influential «80s» show curated by Barbara Rose, and where he is currently represented by the Elizabeth Harris Gallery in Chelsea.
CASS Contemporary's upcoming show REPRESENT features a carefully curated roster of illustrators from around the world, including Rewina Beshue, Hilda Palafox, Palehorse, Marcelo Cunha, Skye Bulluyt,
Their list of represented artists incorporates a wide range of ages and career levels, enabling Upstream to create links and show artistic context across generations through their carefully curated exhibitions.
Ben Dowell, Untitled, 2010 Oil on canvas, 60 x 60 inches July 9 — August 9, 2010 Curated by Matt Wycoff The Hogar Collection is pleased to present Lateralisms, a group show representing two generations of artists closely tied to the decisive contingency of minimalism, and to its redrawing of the parameters around both the artwork and the self / artist.
The show was curated to present iam's output in the context of other, object - based works that were also elements of the broader projects undertaken by each of our artist / authors — projects that iam is otherwise only able to represent via our publications and editions.
For the past four years Sasha Wolf has represented artists as a private dealer, exhibited photography in her private gallery and curated shows at other New York galleries.
During its inaugural season Sasha Wolf Gallery will feature solo exhibitions of artists represented by the gallery in addition to curated group shows.
Aggenbach also curated and participated in a group show at Bell - Roberts in February 2005 called «Sweet Nothings» which represented her first foray into photography.
The show, curated by Nina Levent, explores the notion of home and considers visual and conceptual languages that may represent it.
Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA
The current edition of Roesler Hotel is curated by Vik Muniz — one of the artists represented by the gallery — , Lucas Blalock and Barney Kulok, whose works are also part of the show.
, curated by Esox Lucius & Patrice Ferrari, Ligny en Brionnais, FR Shimmering Substance, touring show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, Londonshow, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, LondonShow, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, Londonshow and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London, UK
The Punta della Dogana is presenting Slip of the Tongue, a show curated by Danh Vo, who is also representing Denmark at the biennale: contemporary artworks from the François Pinault collection are exquisitely combined with Old Masters such as Bellini's Head of Christ, on loan from the Accademia.
Selections are curated by a different juror for each exhibition with each artist represented by multiple examples of their work in service to the particular show's theme.
Pierogi represents the work of emerging, mid-career, and established artists engaging in conceptually driven, process oriented work in a wide range of media: from the diagrammatic drawings of Mark Lombardi, the large - scale, nuanced still life drawings of Dawn Clements, and the interactive installations of Andrew Ohanesian, to the historically significant work of Kim Jones (who began his career as a performance artist in LA in the early 1970's), as well as curated exhibitions such as the award - winning Dead Tree installation (a recreation of the Robert Smithson work originally shown in Dusseldorf's Kunsthalle, 1969).
Representing Rainbows is a group show curated by Brooklyn - based artist Lisa Corinne Davis.
Vox Populi's comprehensive exhibition schedule includes solo shows of both member and guest artists, a curated video lounge, annual guest - curated shows, exchanges with peer organizations and group shows that provide critical exposure for under - represented artists.