Sentences with phrase «curator leah»

An essay by curator Leah Dickerman explores Rauschenberg's making of the Dante drawings in depth.

«The ethos that permeates Rauschenberg's work — an openness, commitment to dialogue and collaboration, and global curiosity — makes him, now more than ever, a touchstone for our troubled times,» says exhibition curator Leah Dickerman.

The fair also features the curated exhibition «Babel,» organized by artist and independent curator Leah Gordon.

«He opened up so many paths for artists,» says the curator Leah Dickerman, who co-organised the Rauschenberg survey, which is due to travel to New York's Museum of Modern Art (MoMA) in May.

Published in conjunction with the first major retrospective on Rauschenberg's career since the artist's death in 2008, this book presents the complete set of 34 drawings, with an introduction by curator Leah Dickerman and newly commissioned poetry from Kevin Young and Robin Coste Lewis, each reflecting on a selection of drawings and their corresponding Cantos.

The MoMA exhibition, «Among Friends,» has been conceived by the curator Leah Dickerman as an «open monograph,» to borrow her revelatory phrase.

Our distinguished panel of selectors include the art historian, curator and writer Camilla Brown, Artistic Director Quad & Format International Photography Festival Louise Clements, artist and curator Leah Gordon, fine art photographer and professor Paul Hill MBE, Hoxton Mini Press publisher and photographer Martin Usborne, Director of Firecracker Fiona Rogers, Artist and writer Sharon Kivland, Founding editor of Photomonitor Christiane Monarchi, and Uncertain States.

Episode No. 293 of The Modern Art Notes Podcast features Museum of Modern Art, New York curator Leah Dickerman and artist Ken Ashton.

Curator Leah Dickerman should be applauded for guiding the viewers towards so many lesser - known artists and skillfully demonstrating that beyond the super stars of early Modernism (Moholy - Nagy, Kandinsky, Larionov, Delauney, Malevich, Kupka, Hartley, Leger, Mondrian, Picasso, van Doesburg, etc.) stood many others who defined, developed and promoted the innovations of the first decades of the 20th century.

Not exact matches

Leah Witherow, Curator at the Colorado Springs Pioneers Museum, opens up about the «Story of Us,» the museum's newest exhibit which marries the area's rich local heritage and modern technology to give visitors a personal connection with history.

The Perenchio collection is significant because works of similar pedigree are so hard to acquire these days, according to Leah Lehmbeck, a LACMA curator in the European painting and sculpture department.

ARTIST TALK July 20th / / 6 - 9 pm Join The Untitled Space on Thursday July 20th for a Reception and Artist Talk on The Female Gaze on Erotica, Sex Positive Art & Censorship hosted by artist and curator Indira Cesarine along with exhibiting artists Myla DalBesio, Leah Schrager, Julia Fox, Katie Commodore, Annika Connor, Dominique Vitali, Kristin Prim, Katya Zvereva, Taira Rice and Rowan Renee.

It is curated by Achim Borchardt - Hume, Director of Exhibitions, Tate Modern; and Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art, New York; with Catherine Wood, Senior Curator, International Art (Performance), Tate Modern; and Fiontán Moran and Juliette Rizzi, Assistant Curators, Tate Modern.

The exhibition is accompanied by an illustrated catalogue edited by the exhibition curators — Leah Dickerman and Achim Borchardt - Hume — with essays by Yve - Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krčma and others that focus on specific moments within Rauschenberg's career.

Split 7 ″ record with an essay and interview with curator Regine Basha, from a recent exhibition with Leah Beeferman at Fridman Gallery in NYC

In this video, Leah Levy, Director and Trustee of The Jay DeFeo Trust; David A. Ross, Director of the Whitney from 1991 - 97; Lisa Phillips, Curator at the Whitney from 1988 - 99; and Dana Miller, the Curator of the Permanent Collection at the Whitney, discuss Jay DeFeo's monumental painting The Rose (1958 - 66), focusing on the Whitney's efforts to conserve the work.

I bet Rauschenberg would have enjoyed Mr. Atlas's deft editing here and elsewhere in the show, organized by Leah Dickerman of MoMA and Achim Borchardt - Hume of the Tate Modern, with the help of two assistant curators, Emily Liebert and Jenny Harris.

Leah Dickerman, curator, with Masha Chlenova, curatorial assistant.

Leah Dickerman, the Marlene Hess Curator of Painting and Sculpture at The Museum of Modern Art, New York joins in conversation Achim Borchardt - Hume, Director of Exhibitions, Tate Modern, on the eve of the two museums» collaboratively organised exhibition Robert Rauschenberg.

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

An introductory essay by Leah Dickerman, Curator in the Museum's Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction's early history by renowned scholars from a variety of fields.

The curators, Leah Dickerman and the Tate Modern's Achim Borchardt - Hume with Emily Liebert and Jenny Harris, turn for help to Charles Atlas.

Info: Curators: Leah Dickerman and Achim Borchardt - Hume, Co-Curators: Emily Liebert and Jenny Harris, Exhibition Design: Charles Atlas, Museum of Modern Art (MoMA), 11 West 53 Street, New York, Duration: 21/5-17 / 9/17, Days & Hours: Mon - Thu & Sat - Sun 10:30 - 17:30, Fri 10:30 - 20:00, www.moma.org

(Later, when pitching Delacroix's Still Life of Dahlias, Zinnias and Plums on a Table, Leah Lehmbeck, curator of European painting and sculpture, showed a photo of the artist's head on a «Mount Rushmore of Modern Art.»)

A conversation between artist Karl Haendel and Leah Levy, director of The Jay DeFeo Foundation, moderated by Claire Gilman, chief curator of The Drawing Center, on the occasion of Karl Haendel & Jay DeFeo: Pink Cup and The Facts at Mitchell - Innes & Nash, NY.

Kurt Schwitters: Color and Collage is accompanied by a fully illustrated color catalogue featuring essays by Schulz, along with scholars Leah Dickerman and Gwendolen Webster and a chronology by Menil Assistant Curator Clare Elliott.

The day featured contributions from Nick Aikens, Curator at Van Abbemuseum Eindhoven and co-curator of recent exhibitions «The Place Is Here» and «Rasheed Araeen: A Retrospective»; artists Raju Rage, Trishna Shah, Leah Clements and Phoebe Collings - James; and music producer Elijah.

Join Abrons AIRspace residents Alan Ruiz & Matthew Schrader for a moderated conversation with Leah Pires, independent curator and doctoral candidate at Columbia University.

Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, of the Department of Painting and Sculpture, the exhibition delves deeply into the historical period, bringing forth unknown, ravishing works while casting familiar ones in a startling new light.

For high - resolution images, interviews with the exhibition curator, Elizabeth Rooklidge, or Nicole Eisenman, please contact Communications & Marketing Manager Leah Straub, or Communications Associate Patricia B. Dwyer.

February 20, 2018, NEW YORK, NY — Curators Lori Zimmer and Melissa McCaig - Welles are pleased to present «Then She Did», a mixed media group exhibition opening Saturday March 3rd from 6 - 10 pm at The Plaxall Gallery LIC, featuring works by Alexandra Momin, Alice Mizrachi, Alison Mosshart, Allison Sommers, Audrey Dimola, Caitlin Harris, Chinon Maria, Elizabeth Winnel, Indie 184, Janette Beckman, Joanne Leah, Karen Dimit, Kathryn Rose, Katrina del Mar, Kendra Heisler, Lady Pink, Marne Lucas, Paola Martinez, Queen Andrea, Rebecca Reeve, Swoon, Vahge and Vicky Barranguet

Please contact Leah Straub or Patricia B. Dwyer for high - resolution images of artworks, and to schedule interviews with Sarah Cain or MCASD's Assistant Curator Elizabeth Rooklidge.

Leah Pires is a New York — based writer and curator.

The exhibition at The Museum of Modern Art is organized by Leah Dickerman, Curator, with Jodi Roberts, Curatorial Assistant, Department of Painting and Sculpture.

In conjunction with Art and Appetite: American Painting, Culture, and Cuisine, award - winning chef Marcus Samuelsson came to the Art Institute to chat with exhibition curator Judith Barter and ABC7 Eyewitness News reporter Leah Hope.

Christopher Rauschenberg, Donald Saff, Calvin Tomkins, Lawrence Voytek, and others, with commentary by Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, MoMA; Ellen Davis, Conservation Fellow, MoMA; and Gunnar Marklund, Electrician, Moderna Museet, Stockholm, and archival interviews with the artist himself, the audio tour accompanying the exhibition explores Rauschenberg's deep commitment to collaboration and experimentation across disciplines during the course of his six - decade career.

Robert Rauschenberg is organized by Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art, and Achim Borchardt - Hume, Director of Exhibitions at Tate Modern, with Emily Liebert and Jenny Harris, curatorial assistants, Department of Painting and Sculpture, The Museum of Modern Art.

Leah Triplett Harrington is an independent curator and writer who specializes in modern and contemporary art.

This audio guide features commentary by artist Jay DeFeo, Dana Miller, curator of the permanent collection, Whitney Museum of American Art, Leah Levy, Director, The Jay DeFeo Trust, Corey Keller, associate curator of photography, San Francisco Museum of Modern Art, Greil Marcus, writer and critic, Ursula Cipa, and Fred Martin, friends of DeFeo.