Sentences with phrase «curator and artist robert»

The Awards Juror is art critic, curator and artist Robert Storr.

Not exact matches

The judges this year include artist Ansel Krut, Lindéngruppen owner and chairman, Jenny Lindén Urnes, Griffin Gallery head curator Becca Pelly - Fry, and Elephant magazine editor Robert Shore.

When she returned from her uptown wilderness to the fashionable Upper West side in the 1960s she was out of step with the contemporary scene, however Neel made a concerted effort to reengage with the New York art world painting numerous portraits of artists, curators and gallery owners, including the poet and MOMA curator Frank O'Hara, and artists Andy Warhol and Robert Smithson.

Robert Motherwell recounts that in 1951, Edna Wells Luetz, the newly appointed Chair of Hunter's Department of Art, reached out to the Museum of Modern Art's founding curator, Alfred Barr, in search of «a modern artist, and one who is articulate.»

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

ABOUT THE EXHIBITION Guest curated by Robert Storr, professor and dean of the Yale University School of Art and former senior curator of painting and sculpture at the Museum of Modern Art, the exhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that connect them.

Having posed for some 10 paintings by Alex Katz, Mie Iwatsuki — a Japanese model and independent curator based in New York — collaborated with dealer Nick Lawrence to solicit portraits of her by an additional 34 artists, ranging from Robert Frank to DJ Spooky, from New York's David Humphrey to China's Lin Yilin and Korea's Min Hyung (who, in one of the show's most imaginative leaps, depicts Itwatsuki as a male Maasai warrior in Kenya).

Credit Robert Cozzolino, the PAFA Senior Curator and Curator of Modern Art, for making a strong case for a quizzical artist.

Previously an associate curator at the Studio Museum in Harlem (2011 — 16), her notable exhibitions include: Rodney McMillian: Views of Main Street (2016), Artists in Residence 2014 — 2015 (2015), Samuel Levi Jones: Unbound (2015), Titus Kaphar (2014), Glenn Kaino (2014), and Robert Pruitt (2013), The Shadows Took Shape (co-curated with Zoe Whitley, 2013), Fore (co-curated with Lauren Haynes and Thomas J. Lax, 2012.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

This series includes major artists, curators, and gallery owners, such as Frank O'Hara, Andy Warhol, Robert Smithson, Meyer Shapiro, and Linda Nochlin.

Respini previously served as Curator at The Museum of Modern Art, where she organized the critically acclaimed retrospectives Cindy Sherman, Robert Heinecken: Object Matter, and Walid Raad, as well as exhibitions with artists Klara Liden, Anne Collier, Leslie Hewitt, and Akram Zaatari.

Compiled and edited by exhibition curator Jason Andrew, the catalogue also features an essay by the curator; two unpublished interviews with Tworkov and Irving Sandler; a reprint of the 1953 Art News article Tworkov Paints a Picture with essay by Fairfield Porter and photographs by Rudolph Burckhardt; historic photographs and unpublished contact sheets by Robert Rauschenberg of Tworkov at Black Mountain College 1952; as well as illustrated artist chronology.

Open Call Opportunities Listings Art Deadline The Art Guide Art in New York City Art Opportunities Monthly Art Show Artist Trust Brooklyn Artists Council Call for Entry College Art Association (CAA) New York Artists NYFA Re-title Women Arts Wooloo Grants A Blade of Grass Adolph and Esther Gottlieb Foundation Creative Capital CUE (visual arts and curators) The Elizabeth Greenshields Foundation FEAST Harpo Foundation ISE Cultural Foundation The Lillian Orlowsky and William Freed Foundation National Association of Latino Arts and Culture National Endowment for the Arts Pollock Krasner Foundation Puffin Foundation Rema Hort Foundation Robert Rauschenberg Foundation

Summer Guthery, Assistant Curator Laura McLean - Ferris, Curatorial Fellow Mike Skinner, Technical Director Randi Grov Berger, Curatorial Fellow and Coordinator for Norwegian Pavilion Monika Rendzner, Production Fellow and Coordinator for Polish Pavilion Robert Wuss, Lighting Designer Elizabeth Feidelson, Production Manager Cara Stewart, Curatorial Assistant and Artists Liaison Kristina Valberg, Performa 13 Hub Coordinator Debbie Huang, Production Assistant and Website Coordinator Melissa Negro, Website Coordinator Cora Walters, Communications Intern Amanda Ryan, Curatorial Assistant Paula Court, Archival Photographer Pierce Jackson, Director Performa TV A Practice for Everyday Life, Design Fitz & Co, Public Relations Perry Garvin Studio, Website Design Yeju Choi, Designer in Residence Darling Green, Logistics and Construction Studio Miessen, Performa Hub Design

An expert panel comprising Emily Butler, Mahera and Mohammad Abu Ghazaleh Curator, Whitechapel Gallery; Cameron Foote, Assistant Curator, Whitechapel Gallery; artist Ryan Gander; Co-Owner of Hales Gallery Paul Hedge; Deputy Editor of Frieze Magazine Amy Sherlock; and collector Robert Suss embraced the formidable challenge of choosing work to feature in the exhibition.

As an associate curator at The Studio Museum in Harlem (2011 — 2016), Keith's notable exhibitions include «Rodney McMillian: Views of Main Street» (2016), «Artists in Residence 2014 — 2015» (2015), «Samuel Levi Jones: Unbound» (2015), «Titus Kaphar: The Jerome Project» (2014), «Glenn Kaino: 19.83» (2014), «Robert Pruitt: Women» (2013), «The Shadows Took Shape» (co-curated with Zoe Whitley, 2013) and «Fore» (co-curated with Lauren Haynes and Thomas J. Lax, 2012).

It features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; and critic, curator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang TiCurator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; and critic, curator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang Ticurator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang Tillmans.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

The excerpt available here includes the first part of an interview with the collectors, conducted by curators Elisabeth Sussman and Christine Macel, as well as full - color plates featuring works the couple acquired in the 1980s by artists including John Dogg, Jacques Flechemuller, Robert Gober, Jenny Holzer, Jeff Koons, Zoe Leonard, Sherrie Levine, Joyce Pensato, Richard Prince, Cindy Sherman, and Christopher Wool.

MoMa's exhibition, curated by Cara Manes, Assistant Curator for Painting and Sculpture, features artworks from MoMA's permanent collection and includes artists Larry Bell, Robert Smithson, and Richard Artschwager.

Art historian and curator Robert Storr talks about Nancy Spero, one of many of the city's most significant 20th - century artists represented at Frieze New York 2017

Art historian and curator Robert Storr talks about Frank Stella, one of many of the city's most significant 20th - century artists represented at Frieze New York 2017

She did not just paint the well - known and / or the well - born, though there are portraits of Warhol, poet Frank O'Hara, artists Robert Smithson, and Benny Andrews, as well as shapers of the art status quo like Henry Geldzahler, an influential curator at The Metropolitan Museum of Art, and Elinor Poindexter, an influential gallery owner.

Associate curator Evelyn Hankins is assembling a retrospective on the Light and Space artist Robert Irwin in which an immersive scrim installation will dominate part of the museum.

At the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothkand the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothkand creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothkand painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark RothkAnd finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothkand Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothkand Mark Rothko.3

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.

Bray was awarded the Robert Rauschenberg Emerging Curator Fellowship in 2015, presenting a museum show with 13 mid-career and emerging artists from across the world, culminating in 2016.

She worked for decades as a relative unknown — at one point using the roof of her townhouse as a studio — but championed by feminist artists in the Seventies, and by curator Robert Storr, she became well known and highly regarded in late middle age, making her the unofficial patron saint of unheralded midcareer artists everywhere.

On the occasion of the major retrospective Robert Rauschenberg: Erasing the Rules at SFMOMA, the museum hosted a colloquium on Saturday, February 10, 2018, which gathered scholars, curators, and artists to consider Rauschenberg's engagement with photography throughout the course of his career.

On the occasion of the major retrospective Robert Rauschenberg: Erasing the Rules at SFMOMA (November 18, 2017 — March 25, 2018), the museum is convening scholars, curators, and artists to consider Rauschenberg's engagement with photography throughout the course of his career.

Rasuchenberg, Stella, Spero — introducing New York Masters, a new video series for which art historian and curator Robert Storr discusses New York's art history, and the some of the city's influential twentieth century artists represented at Frieze New York 2017.

With an essay by scholar Robert Slifkin, the book also includes an interview between the artist and exhibition curator Jeffrey Uslip.

She was standing in the narrow, 500 - square - foot tunnel of a room with Alexander Shulan, a writer and curator who works for artist Robert Wilson and will co-direct the new space.

Guest curator dj Hellerman, Curator and Director of Exhibitions at Burlington City Arts, selected site - specific works by artists Robert Bennett, Jr., Katherine Langlands, Mark Lorah, Zoë Marr Hilliard, Stella Marrs, Angus McCullough, Samuel Spellman and Mary Zocurator dj Hellerman, Curator and Director of Exhibitions at Burlington City Arts, selected site - specific works by artists Robert Bennett, Jr., Katherine Langlands, Mark Lorah, Zoë Marr Hilliard, Stella Marrs, Angus McCullough, Samuel Spellman and Mary ZoCurator and Director of Exhibitions at Burlington City Arts, selected site - specific works by artists Robert Bennett, Jr., Katherine Langlands, Mark Lorah, Zoë Marr Hilliard, Stella Marrs, Angus McCullough, Samuel Spellman and Mary Zompetti.

Prior to his appointment with the National Gallery of Victoria, Baker was the curator of contemporary art at the Pennsylvania Academy of the Fine Arts and associate curator at the Institute of Contemporary Art, Philadelphia, where he organized exhibitions with artists including Robert Ryman, Ellen Harvey, Barry McGee, Chris Johanson, Margaret Kilgallen, and Laylah Ali, among others.

As Senior Curator of The Contemporary Austin, Heather Pesanti has organized monographic exhibitions of the artists Marianne Vitale, Robert Therrien, and Monika Sosnowska, including current projects by John Bock and Wangechi Mutu.

Robert Storr is an artist, curator, and critic, as well as the dean of the Yale School of Art.

Robert Storr is an artist, critic, and curator.

As a curator, Storr made his mark early with a number of major exhibitions at MoMA and elsewhere, which enhanced the public prominence of such artists as Elizabeth Murray, Gerhard Richter, Max Beckmann, Tony Smith and Robert Ryman.

Artists: Laura Aguilar, Jerri Allyn, Carlos Almaraz, Skot Armstrong, David Arnoff, Steven Arnold, Asco, Judith F. Baca, Alice Bag, Tosh Carrillo, Monte Cazazza, Edward Colver, Vaginal Davis, DIVA TV, Jerry Dreva, Tomata Du Plenty, Simon Doonan, Tomata du Plenty, Elsa Flores, Anthony Friedkin, Harry Gamboa Jr., Roberto Gil de Montes, Gronk, Jef Huereque, Louis Jacinto, Ray Johnson, Alison Knowles, Robert Lambert, Robert Legorreta (Cyclona), Zoe Leonard, Les Petites Bonbons, Scott Lindgren, Mundo Meza, Judy Miranda, Ray Navarro, Nervous Gender, Graciela Gutiérrez Marx and Edgardo Antionio Vigo, Richard Nieblas, Dámaso Ogaz, Pauline Oliveros, Ferrara Brain Pan, Genesis Breyer P - Orridge, Clemente Padín, Phranc, Ruby Ray, Albert Sanchez, Teddy Sandoval, Joey Terrill, Cosey Fanni Tutti, Patssi Valdez, Ricardo Valverde, Jack Vargas, Gerardo Velázquez, Johanna Went, Faith Wilding Exhibition tour is organized by Independent Curators International (ICI).

In a public conversation held within his solo exhibition in Hunt - Cavanagh Gallery, Robert Andrade discusses the trajectory of his studio practice in sculpture and installation, among other media, with Chris Mansour, an artist, curator and writer who has a longterm scholarly relationship with Andrade's work.

The selection panel consisted of: Emily Butler, Mahera and Mohammad Abu Ghazaleh Curator, Whitechapel Gallery; Cameron Foote, Assistant Curator, Whitechapel Gallery; Ryan Gander, Artist; Paul Hedge, Hales Gallery; Amy Sherlock, Frieze Magazine and Robert Suss, Collector.

Over the years, as director of the Corcoran Gallery in Washington, D.C., the Menil Collection in Houston, and as commissioner and curator of the São Paulo Bienal and Venice Biennale, Hopps presented work by such artists as Barnett Newman, Frank Stella, Robert Irwin, James Rosenquist, and Diane Arbus.

In the Interview New York - based curator and critic Robert Storr discusses in detail with the artist his practice and technique in the context of a changing art world.

Here she had the honor to make series of portraits of artists, gallery owners, and curators like Frank O'Hara, Andy Warhol, and Robert Smithson.

Previously an associate curator at the Studio Museum in Harlem (2011 — 16), her notable exhibitions include: Rodney McMillian: Views of Main Street (2016), Artists in Residence 2014 — 2015 (2015), Samuel Levi Jones: Unbound (2015), Titus Kaphar (2014), Glenn Kaino (2014), and Robert Pruitt (2013), The Shadows Took Shape (co-curated with Zoe Whitley, 2013), Fore (co-curated with Lauren Haynes and Thomas J. Lax, 2012).

He has served as a curator for Performa, working with artists including Florian Hecker, Ed Atkins, Tori Wranes, Frances Stark and Mark Leckey, Robert Ashley, Arto Lindsay and Mike Kelley.

A reception and panel discussion with guest curator Dr. Robert E. Harrist, artist Richard Dupont and art historian Kent Minturn will be held on May 25 from 5 to 7 p.m..