Sentences with phrase «curator emeritus»
"Curator emeritus" refers to a person who was previously a curator but has now retired or holds a honorary position. They are recognized for their significant contributions and expertise in their field. Full definition
An introductory essay by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art and Allen R. Adler Distinguished Curator and Lecturer at the Princeton University Art Museum and an essay by Jodi Roberts, Halperin Curator of Modern & Contemporary Art at the Cantor Center for Visual Arts at Stanford University, round out this extraordinary volume.
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John Elderfield, Chief Curator Emeritus of Painting and Sculpture at the Museum of Modern Art, and Allen R. Adler, Class of 1967, Distinguished Curator and Lecturer at the Princeton University Art Museum, joined Gagosian in 2012 as a consultant for special exhibitions.
This conversation, focusing on Frankenthaler's work in the 1960s and 1970s, will include Douglas Dreishpoon; John Elderfield, Chief Curator Emeritus at The Museum of Modern Art, New York, who has written extensively on the artist's life and career; Elizabeth Smith; and artist Clifford Ross, Frankenthaler's nephew and Chairman of the Helen Frankenthaler Foundation.
Organized by Chief Curator Emeritus Douglas Dreishpoon, this twenty - year survey explored how Frankenthaler's notion of abstraction expanded during the decades, the extent to which landscape persisted as subject matter in her works, how subtle changes of techniques affected the way her images were conceived, and how drawing continued to inform the creative process.
Tuchman, senior curator emeritus of twentieth century art at the Los Angeles County Museum of Art, has been a Soutine enthusiast and scholar since he curated a touring retrospective of the artist's work in 1968, and recently deplored the Museum of Modern Art ’s
We are excited to announce our 31st Annual Members» Only Show, which will be juried by Roy Flukinger, Independent Curator Emeritus and former Senior Research Curator of Photography from the University of Texas Harry Ransom Center in Austin, Texas.
Chief Curator Emeritus Jeff Harrison, photographed at the entrance to the exhibition.
The André Mertens Galleries for Musical Instruments «The Art of Music» is organized by Jayson Kerr Dobney, Frederick P. Rose Curator in Charge in the Department of Musical Instruments; Ken Moore, Curator Emeritus in the Department of Musical Instruments; and Bradley Strauchen - Scherer, Associate Curator in the Department of Musical Instruments
The exhibition will be accompanied by a richly illustrated 143 - page catalogue that includes an interview between Arthur Roger and iconic American film director and artist John Waters and an essay on contemporary art in New Orleans by NOMA Curator Emeritus William Fagaly.
Jeff Harrison, PhD Chief Curator Emeritus Chrysler Museum of Art American Maverick: The Extraordinary Life and Collecting Career of Walter P. Chrysler, Jr..
In fact, there have been many role changes in the past few years, including Guggenheim Museum director Lisa Dennison's departure from the museum to work for Sotheby's, and Picasso guru John Richardson and, more recently, the Museum of Modern Art's chief curator emeritus John Elderfield joining the ranks at Gagosian Gallery.
Participants will trace MAD's expanded permanent collection as DeTillio surveys the last sixteen years of objects acquired for MAD under Chief Curator Emeritus David McFadden.
Unfortunately, this is the swan song for much - respected senior curator Sandra Phillips, who will become the museum's first Curator Emeritus when she retires in June.
The juror and judge is Jeff Harrison, Chief Curator Emeritus for the esteemed Chrysler Museum in Norfolk, Virginia.
Recently, Los Angeles County Museum of Art curator emeritus Maurice Tuchman put his Hollywood Hills West home on the market with an asking price of $ 5.75 million.
Expertly presented by Douglas Dreishpoon, chief curator emeritus at the Albright - Knox, this show assembles works by Louise Bourgeois, John Cage, Morton Feldman, Philip Guston, Franz Kline, Joan Mitchell and David Smith under the aegis of the abstractionists» response to World War II.
The accompanying catalogue, published by the Albright - Knox Art Gallery in association with Kerber Verlag, is edited by Albright - Knox Deputy Director Joe Lin - Hill, with contributions by Lin - Hill, Albright - Knox Chief Curator Emeritus Douglas Dreishpoon, Albright - Knox Curator of Public Art Aaron Ott, Robert Hobbs, and Simon Salama - Caro.
Organized by John Elderfield, chief curator emeritus of painting and sculpture at MoMA, the exhibition runs through January 9, 2012; the show does not travel.
The Jewish Museum's senior curator emeriti, Susan Tumarkin Goodman, who organized the show, points out that its narrative trajectory moves from avant - garde «formalism» to Soviet Realism, from freedom of expression to complete state control.
As Albright - Knox Chief Curator Emeritus Douglas Dreishpoon notes in his essay in the exhibition catalogue, Frankenthaler instinctively adopted Jackson Pollock's determination to challenge the basic tenets of what painting could be — an ethos that sustained her well beyond her breakout work Mountains and Sea (1952), indeed, for the rest of her artistic life.
Spiders have the most unfair rep of all, at least according to Norman Platnick, curator emeritus of spiders at the American Museum of Natural History in New York City.
According to Ian Tattersall, curator emeritus of anthropology at the American Museum of Natural History, the resulting picture of human evolution would differ dramatically from that bequeathed to today's paleontologists by their predecessors.
Ctenomys andersoni was named in honor of Sydney Anderson, expedition leader and curator emeritus of the Department of Mammalogy at the American Museum of Natural History.
He is a paleoanthropologist and a curator emeritus at the American Museum of Natural History.
Featuring a comprehensive introduction by MoMA Chief Curator Emeritus and AICA - USA member John Elderfield, this collection of 29 essays that range widely, from Cezanne's drawings to Walter de Maria's Lightning Field, focusing in particular on the varieties of artistic response that Downes's preferred subject matter — landscape — provokes.
Medieval & Renaissance Manuscripts Roger S. Wieck, Melvin R. Seiden Curator and Department Head Joshua O'Driscoll, Assistant Curator William M. Voelkle, Curator Emeritus
Edgar Munhall, curator emeritus at the museum, has worked for an exhibition like this for a long time, and it shows.
It also includes an introductory essay by John Elderfield, Allen R. Adler Distinguished Curator and Lecturer at the Princeton University Art Museum and Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, who has curated groundbreaking exhibitions on both artists.
An introductory essay by John Elderfield, MoMA's Chief Curator Emeritus of Painting and Sculpture, provides an in - depth exploration of de Kooning's development, context and sources, theory of art and working methods.
«Pollock's extraordinary, still controversial black paintings of 1951 finally get the attention they deserve; they prove to be just as radical as his earlier, more celebrated all - over drip paintings, and speak even more to our own time as well,» said John Elderfield, Chief Curator Emeritus of Painting and Sculpture, Museum of Modern Art.
Curated by John Elderfield, Chief Curator Emeritus at the Museum of Modern Art in New York, Cézanne Portraits reveals how the artist's radical experiments in form and colour appeared in his many representations of friends and family.
Presenters are Apsara DiQuinzio, BAMPFA curator of modern and contemporary art and Phyllis C. Wattis MATRIX Curator, who organized the exhibition; Douglas Dreishpoon, chief curator emeritus, Albright - Knox Art Gallery; Lauren Kroiz, UC Berkeley assistant professor of art history and contributor to the exhibition catalog; and Jeff Gunderson, special collections librarian and archivist at the San Francisco Art Institute.
John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, writes of The Big Picture: «Matthew Israel's extraordinary book gets a score of ten out of ten.
Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 was curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, and a consultant at Gagosian Gallery, who authored the principal monograph on Frankenthaler's work in 1989.
Curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, «In the Studio: Paintings,» exhibited at 522 West 21st Street, spanned from the mid-sixteenth through the late twentieth centuries and included over 50 paintings and works on paper by nearly 40 artists.
The series will be launched on July 7, at 2 pm, with a lecture titled Helen and High Water, by John Elderfield, Chief Curator Emeritus of The Museum of Modern Art, New York; Distinguished Curator and Lecturer at the Princeton University Art Museum; and Consultant for Special Exhibitions at Gagosian Gallery.
Cézanne Portraits is accompanied by a fully illustrated catalog with essays by John Elderfield, chief curator emeritus of painting and sculpture at the Museum of Modern Art, New York; Mary Morton, curator and head of the department of French paintings at the National Gallery of Art; and Xavier Rey, director of the Musées de Marseille.
Curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, «In the Studio: Paintings,» on view at 522 West 21st Street, spans from the mid-sixteenth through the late twentieth centuries and includes over 50 paintings and works on paper by nearly 40 artists.
«I think for many people this kind of representation is something which belongs in the past,» said John Elderfield, the chief curator emeritus of painting and sculpture at the Museum of Modern Art in New York and a Yorkshireman himself.
John Elderfield, Chief Curator Emeritus of Painting and Sculpture, who organized the exhibition along with his associates Jennifer Field, Lauren Mahony, and Delphine Huisinga, paid a visit to Art International Radio to talk with publisher Phong Bui about the remarkable life and work of Willem de Kooning.
Egan has participated in many juried group exhibitions including some juried by: Peter Doroshenko (Executive Director, Dallas Contemporary), Toby Kamps (Curator of Modern and Contemporary Art, The Menil Collection), Clint Willour (Curator Emeritus, Galveston Arts Center), and artists Annette Lawrence, Vincent Falsetta, and Erick Swenson among others.
On June 7, the Clyfford Still Museum welcomes John Elderfield, chief curator emeritus of painting and sculpture at the Museum of Modern Art, New York, and the curator of MoMA's major 2011 exhibition de Kooning: A Retrospective, to Denver to speak about de Kooning's life's work in a public lecture at 6:30 p.m.
«He's a subject that's been sitting here, waiting,» said John Elderfield, chief curator emeritus of painting and sculpture at the Museum of Modern Art.
Curated by Howard Fox, LACMA's Curator Emeritus of Contemporary Art, the exhibition features a wonderful range of contemporary artists who use cut paper to create visually stunning works -LSB-...]
John Elderfield, chief curator emeritus of painting and sculpture, Museum of Modern Art, New York.
The Chrysler's Chief Curator Emeritus, Jeff Harrison, invites you to join him as he reminisces about Mr. Chrysler and offers insights into his legacy as one of 20th - century America's most adventurous art collectors.