In celebration of African American History Month in February, our cover story is award winning poet Juliet Howard, founder and
curator of Women Writers in Bloom Poetry Salon (WWBPS) based in New York City.
Not exact matches
Here, he speaks with
curator, museum director,
writer and cultural catalyst Hans Ulrich Obrist, editor
of The Conversation Series, about everything from the need for a redesigned hospital gown, to his relationship to Donald Judd and Marfa, Texas, to «recipes» for making art, his years spent in the Navy, becoming a hairdresser in order to meet
women, being cast as a drunken womanizer by Black Mountain College scholars, Andy Warhol's Factory, John Waters, Robert Creeley and even Chamberlains, the restaurant he owned with his son in the mid-1990s.
Presented as a large - scale installation in first floor Atrium gallery this work is the culmination
of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with
women from Justice for Domestic Workers (Leeds) supported by
curator and
writer Amy Charlesworth, J4DW (London), Gill Park, Director
of visual arts organisation Pavilion, artist Jo Dunn and seminal
women's collective Leeds Animation Workshop.
Alison Jacques Gallery invites you to a panel discussion addressing historic, contemporary and future questions around the value
of women's art, with speakers Melissa Gordon (artist), Isobel Harbison (critic and
curator), Rehana Zaman (artist), and Marina Vishmidt (
writer), chaired by Fiona McGovern (Director, Alison Jacques Gallery).
WE (Not I) began as a series
of discussions and presentations at South London Gallery, London and Artists Space, New York in 2015, which gathered over 100
women artists,
writers and
curators together to discuss their projects in relation to authorship, collaboration, and the valuation
of feminist practices.
In celebration
of Here's Looking Back at You: Images
of Woman from the ESKFF Collection, the exhibition's
curator Saul Ostrow will appear in conversation with
writer and editor Alex Zafiris in the 5th floor gallery at 3PM.
Join the MOCA Contemporaries for a discussion about art and fashion with celebrity stylist and Academy Award - nominated costume designer Arianne Phillips, fashion designer Michael Schmidt, and painter Kimberly Brooks, moderated by fashion and culture
writer,
curator, consultant, and the former West Coast bureau chief
of Women's Wear Daily, Rose Apodaca.
The judging panel for the fifth Max Mara Art Prize for
Women was chaired by Iwona Blazwick and included Pilar Corrias, Director
of Pilar Corrias Gallery, London; Candida Gertler, Founder and Director, Outset Contemporary Art Fund; Runa Islam, artist and Lisa Le Feuvre,
Writer,
Curator and Head
of Sculpture Studies, Henry Moore Institute.
Exhibition Catalogue Baya:
Woman of Algiers will be accompanied by a four - color illustrated catalogue with an essay by Natasha Boas, an art historian and independent
curator based in Paris and San Francisco, and features a contribution by the Egyptian
writer and director Menna Ekram.
The IAIA Museum
of Contemporary Native Arts (MoCNA) recognizes
Women's History Month and honors contemporary Native and non-Native women artists, filmmakers, poets, writers, curators, art professionals, academics, and students who worked, exhibited, or presented at MoCNA in
Women's History Month and honors contemporary Native and non-Native
women artists, filmmakers, poets, writers, curators, art professionals, academics, and students who worked, exhibited, or presented at MoCNA in
women artists, filmmakers, poets,
writers,
curators, art professionals, academics, and students who worked, exhibited, or presented at MoCNA in 2017.
The
curators of We Wanted a Revolution, the museum's astute Catherine Morris and the rising star Rujeko Hockley (who is now at the Whitney), reminded us that black
women were at the front lines
of second - wave feminism — as artists, activists,
writers, and gallerists — in a show that was as vibrantly beautiful (notably the paintings
of Emma Amos, Dindga McCannon, Faith Ringgold, and Howardena Pindell) as it was edifying.
The moderator for the panel discussion is Annie Buckley (artist,
writer,
curator, and Associate Professor
of Visual Studies at California State University, San Bernardino); and the panelists include Evonne Gallardo (Arts and Culture Consultant), Phung Huynh (artist and Associate Professor
of Art at Los Angeles Valley College), Tiffany Lanoix (Associate Professor
of Sociology at West Los Angeles College), and Jennifer Lynne Musto (Assistant Professor
of Women's and Gender Studies at Wellesley College).
AWAD presents - Visit to «Terrains
of the Body - Photography from the National Museum
of Women in the Arts» with
curator Emily Butler, Whitechapel's Mahera and Mohammad Abu Ghazaleh Curator, a curator, writer and translator who has been with Whitechapel Gallery sinc
curator Emily Butler, Whitechapel's Mahera and Mohammad Abu Ghazaleh
Curator, a curator, writer and translator who has been with Whitechapel Gallery sinc
Curator, a
curator, writer and translator who has been with Whitechapel Gallery sinc
curator,
writer and translator who has been with Whitechapel Gallery since 2010.
Nine
women and two men (one wondered whether the imbalance was significant) took turns to address the motley crowd
of hacks, Tate
curators, and just one Turner prize judge in Lynn Barber, the Observer
writer.