Not exact matches
Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum
of Modern Art photography
curator John Szarkowski gave William Eggleston a major solo
exhibition for his now - iconic photos combining a
snapshot aesthetic with a mastery
of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject
of the photograph,» Rohrbach writes.
She has also worked with a range
of photographers and external
curators to realise group
exhibitions including the Feminist Avant - Garde
of the 1970s (2016), Work Rest and Play — 50 Years
of British Photography (exhibited in four venues in China, 2015 - 16), 4 Saints in 3 Acts: A
Snapshot of the American Avant - Garde (2017) and FreshFaced + WildEyed (2013 - 15).
Grouping Beuys, Flavin, and Judd in a new
exhibition from the Walker's collection provides «a
snapshot of a vital moment in postwar cultural production,» says assistant
curator Yasmil Raymond, and allows viewers to trace the influence
of their ideas in contemporary art.