Not exact matches
When I interviewed
for the BIND
curator position, I was particularly taken by Christopher Hogue's vision — Hogue is Blueprint's principal investigator — of where Blueprint could take science.
While browsing the Biotech HR Pulse late in 2002, I came across an advertisement
for a BIND
curator position with the Blueprint Initiative.
Six months after graduation, the most common category of employment
for U.K. biology graduates was «retail, catering, waiting and bar staff» (21.9 %), followed by «other professionals, associate professionals and technicians» — a broad range of
positions that included museum
curators, biodiversity officers, and microbiology technicians (16.5 %).
The museum has separate
positions for researchers and
curators, so research is not one of McAlister's primary duties.
Author Mark Manson wrote a post about how he put up a job posting to hire
for two
positions: a content
curator and a digital artist.
Lauren Cornell, the New Museum
curator who co-organized its toothsome 2015 triennial, has been tapped for a newly created position there: Curator and Associate Director, Technology Initi
curator who co-organized its toothsome 2015 triennial, has been tapped
for a newly created
position there:
Curator and Associate Director, Technology Initi
Curator and Associate Director, Technology Initiatives.
Prior to moving west, she held various curatorial
positions in the Contemporary and Canadian departments of the Art Gallery of Ontario, ultimately that of Acting
Curator, Canadian Art, and from 2002 - 2004, she was the Director of Programming at the Centre
for Art Tapes in Halifax.
Since then she has held Senior
Curator positions at the American Federation of Arts and Location One, both in New York City, and perhaps, most famously, was the Founding
Curator of the Elizabeth A. Sackler Center
for Feminist Art at the Brooklyn Museum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminist art.
Appointed to the
position of
Curator for Modern and Contemporary Art in 2000, Rosenthal delivered a series of significant exhibitions including Alan Kaprow - Art as Life (2006); Aernout Mik - Dispersions (2004); Abigail O'Brien - The Seven Sacraments (2003); and Stories.
Prior to this
position, Gule was
Curator of Contemporary Collections at the Johannesburg Art Gallery, where he organized a number of significant exhibitions including: Meschac Gaba's «Tresses and Other Projects» (2007), Kay Hassan's «Urbanation» (2008), and Tracey Rose's «Waiting
for God» (at Johannesburg Art Gallery [2011] and the Bildmuseet, Umeå, Sweden [2011 — 12]-RRB-.
From her start at the Bronx Museum of the Arts in the late 1980s to her assistant
curator position at MoMA — where from 1995 to 2001 she oversaw the first American solo museum exhibitions
for pathbreaking artists like Luc Tuymans and John Currin — Hoptman has remained steadfast in her belief that good paintings will always be relevant.
Last year, Long Island's Stony Brook University hired the internationally renowned scholar and
curator Katy Siegel as its Eugene V. and Clare E. Thaw Endowed Chair in Modern Art, strengthening its
position as a center
for the study of post-war and contemporary art.
On the other hand, the Blanton, which in 2010 divvied up the responsibilities
for works on paper to various
curators «according to their specific expertise and research areas,» has reconsidered, reinstating the
position of Senior
Curator of Prints, Drawings and European Paintings in 2012 with the appointment of Francesca Consagra.
Current head of curatorial Donna De Salvo will get new
position of deputy director
for international initiatives and senior
curator.
Positions allow
curators, critics, collectors and visitors to discover new talents from across the globe by providing a platform
for galleries to present one major project by a single artist.
Laporte's recent gift of $ 1.5 million endows ICA's Associate
Curator position, currently held by Kate Kraczon, who has been at ICA
for over 10 years.
For every
position he took, he also explored the opposite perspective,» said John Lukavic, associate
curator of Native Arts at the DAM and
curator of Super Indian.
Last year, while traveling the country to make studio visits
for the Biennial, he took on a new
position as chief
curator for media and performance at New York's Museum of Modern Art.
Before this
position Ulrich - Obrist was an independent
curator for a decade, organizing the group show Take Me I'm Yours at the Serpentine (1995) and Retrace Your Steps: Remember at the John Soane Museum (1999), also in London, England.
Previously, Bedford held the
positions of chief
curator and
curator of exhibitions at the Wexner Center
for the Arts at The Ohio State University (2008 - 2012), where he organized a nationally traveling exhibition of the work of Mark Bradford.
SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (
curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0:
positions of media art (
curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite
For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germ
For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository
For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germ
For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale
For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germ
For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre
for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germ
for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory
for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germ
for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany
From 2004 — 2014, Pirotte has held the
position of Senior Advisor of the Rijksakademie
for Visual Arts in Amsterdam, and in 2012 he became Adjunct Senior
Curator at the UC Berkeley Art Museum and Pacific Film Archive where he curated the first retrospective of acclaimed Chinese film artist Yang Fudong.
For her part, Rachel M. Saunders will begin next month in her role as the Abby Aldrich Rockefeller Associate
Curator of Asian Art in the Division of Asian and Mediterranean Art, also a newly endowed
position.
Our interns, our curatorial assistants, they're hired
for four years and then either a job is created
for them in an assistant
curator position or they have to leave.
Currently the
curator of contemporary art at the Carnegie Museum of Art in Pittsburgh, Fogle replaces Gary Garrels, who departed the Hammer in the fall
for a
position at SFMoMA.
As part of the gallery's efforts to save money,
curators were forced to reapply
for their jobs, causing much internal conflict and resulting in renowned experts on Turner and Constable leaving their
positions.
Sylvie Patry to return to Musée d'Orsay Sylvie Patry, chief
curator of Philadelphia's Barnes Foundation, is to return to the Musée d'Orsay to take up a
position as deputy director
for curatorial affairs and collections.
I was the first
Curator of Modern and Contemporary Art at the Museum of Fine Arts, Boston, a
position which I held
for thirteen years.
No reason was given
for the exit of the high - profile
curator, who currently holds
positions at the Jewish Museum in New York, the Museum of Contemporary Art in Detroit, the 2019 Honolulu Biennial, and the 3rd People's Biennial
for the Indianapolis Museum of Contemporary Art in 2019, among others.
I am against gentrification, and this has left me constantly conflicted in my
position as a gallery owner»; meanwhile, Los Angeles's Marc Foxx Gallery has closed after 23 years in operation, with a statement on their website from founder Marc Foxx and partner Rodney Nonaka - Hill expressing «deep gratitude to all the artists, institutions,
curators, writers, publications, colleagues and collectors who have supported the gallery over the years»; and New York's James Cohan Gallery now represents the sculptor Josiah McElheny, whose installation Island Universe, inspired by Lobmeyr chandeliers, is currently on view at the Moody Center
for the Arts at Rice University, Houston.
For the
curator, this piece is
positioned as a moment of meditative reflection, an «antidote or calming response to the melancholic memorial works» with the significant incorporation of the lotus — a pure white flower that grows in muddy water, rising and blooming above the murk.
Previously, Bedford held the
positions of chief
curator and
curator of exhibitions at the Wexner Center
for the Arts at The Ohio State University (2008 - 2012), where he organized a nationally travelling exhibition of the work of Mark Bradford.
Prior to her
position at RISD, she was a
curator for 14 years in the department of prints, drawings, and photographs at the Baltimore Museum of Art.
Richmond, VA — December 14, 2017 — The Institute
for Contemporary Art (ICA) at Virginia Commonwealth University (VCU) today announced the promotion of Amber Esseiva to Assistant
Curator and the appointment of Enjoli Moon to the newly created
position of Adjunct Assistant
Curator of Film.
Around 800 guests gathered in a party tent outside the Geffen Contemporary in Downtown Los Angeles to celebrate the 83 - year - old California conceptual art legend
for, in Vergne's words, his pivotal role in the formation of body art, word art, post-structuralist, postmodernist, and proto - appropriation art; the rise of Los Angeles as an art center; over 377 solo exhibitions, 1,500 group shows, and 4,000 works of art — not to mention Baldessari's
position as an artist trustee, newly resumed this past year (see Jeffrey Deitch Defends Klaus Biesenbach and Helen Molesworth Hired as Chief
Curator of LA MOCA).
Creates opportunities
for emerging and established artists,
curators and writers to reflect on what they do,
position their practice within relevant global discourse, create career - defining research and commissions, and network with colleagues.
Legendary feminist art historian Linda Nochlin and art
curator Maura Reilly are joined by contemporary women artists
for a discussion moderated by Arezoo Moseni about the
positions of women artists and women in the art world today and how they have changed since the 1971 publication of Nochlin's landmark essay «Why Have There Been No Great Women Artists?»
For example, an entire exhibition - within - the - exhibition, «Dios es marica» (God Is Queer), organized by Peruvian
curator Miguel A. López and including self - portraits by Mexico's Nahum Zenil and Franco - era Spanish drag artist José Pérez Ocaña, among others, occupies a central
position in the biennial's trajectory, as do the samplings of comparable work by São Paulo — based artist Hudinilson Jr. and Peruvian philosopher and drag queen Giuseppe Campuzano, whose ambitious Línea de vida / Museo Travesti del Perú (Life's Timeline / Transvestite Museum of Peru), 2009 — 14, a fictional museum, is one of many things in the biennial «that don't exist» — yet.
With art historian and
curator Tyler Emerson - Dorsch joining as a partner in 2008, the gallery's program was pushed in order
for it to
position at the forefront of the avant - garde discourse.
«The
position as
curator under Gaßner was offered with an accordingly low salary, not a penny
for exhibitions, not even a secretary, and no resources,» writes Briegleb, who adds that van der Ley worked successfully with a low - to - no budget
for Art Forum Berlin.
The
curators of «We Wanted a Revolution...» Catherine Morris and Rujeko Hockley told me that they were well aware of Piper's stance on «segregated» exhibitions, and although they referenced her in passing through her presence in the JAM archive, «out of our respect
for her
position and her autonomy as an artist and thinker, we did not include her work or make any reference to her works that may be related to the themes and methods of the exhibition... Indeed, though we regret her omission as a featured artist, to do otherwise would have been unethical.»
Concentrating on Benglis's early work, the
curators gave her a main
position in the diverse art of the 70's, a time period that is seen as laying the groundwork
for the wide range of expression that continues to grow to this day.
Before assuming her post at the Stedelijk Museum in 2010, Goldstein worked at the Museum of Contemporary Art, Los Angeles (MOCA)
for 26 years, holding the
position of Senior
Curator, among other roles.
Lisa McCarty is a
curator and photographer based in Durham, North Carolina.McCarty has held curatorial
positions in archives, libraries, galleries, museums, and private collections including the Smithsonian American Art Museum Library, the Peace Corps Archive, George Mason University, The Nasher Museum of Art, Cassilhaus Gallery & Collection, The Center
for Documentary Studies and Duke University's Rubenstein Rare Book and Manuscript Library, where she is currently
curator of the Archive of Documentary Arts.McCarty received a MFA in Experimental and Documentary Arts from Duke University and exhibits her photographs and moving image work internationally.
Nzewi is succeeding Constantine Petridis, who served at the Cleveland museum as
curator of African art
for 15 years before accepting a
position at the Art Institute of Chicago.
She also serves as the
curator of the Wieland Collection, a
position she has held
for fifteen years.
Independent
Curators International has announced that Renaud Proch will serve as its new executive director, replacing Kate Fowle, who will move to a director - at - large
position with ICI while also acting as the chief
curator of the Garage Center
for Contemporary Culture in Moscow.
His former
positions include
Curator and Librarian of Special Collections at the Newark Public Library (Newark, NJ), and
Curator of the Judith Rothschild Foundation,
for which he developed a collection of Russian avant - garde books and works on paper that was donated to the Museum of Modern Art, New York, and featured in the 2002 MoMA exhibition, «The Russian Avant - Garde Book 1910 - 1934.»
Joshua Farr is a photographer,
curator, graphic / web designer, photo - printer, furniture - builder, and Gallery Director at the Vermont Center
for Photography — a
position he has held
for 6 years.
Cachia held the
position Director /
Curator of the Dunlop Art Gallery in Regina, Saskatchewan, Canada from 2007 - 2010, and has served as a panelist
for the National Endowment
for the Arts (NEA) Art Works grant and the Canada Council
for the Arts.