Sentences with phrase «curator staged an exhibition»

Enter a reconstruction of Harald Szeemann's apartment in Bern, Switzerland in our main gallery that the late curator staged an exhibition in dedicated to his grandfather in 1974, after organising documenta 5 (1972).

Not exact matches

As curator of one of the world's top museums, she helped stage exhibitions of fashion designers like Chalayan and Valentino.

All too often, museum curators cave to these pressures, too, validating the trend by staging exhibitions of market - darling artists collected by their trustees with a lack of scruples that gives the worst insider traders a run for their money.

At each of the stages of the exhibition tour, namely at WIELS, the Fondation Beyeler and, now, at the MMK in Frankfurt, the show is initially installed by the exhibition's curator Elena Filipovic and, halfway through its duration, is completely reinstalled by a different selected artist whose own practice has been influenced by Gonzalez - Torres.

After leaving the New York outpost of Paris gallery Balice Hertling, Lewis worked as a nomadic curator, staging pop - up exhibitions like Lucy Dodd's at No54 and his booth at the Dallas Art Fair, showing works by Viola Yesiltac and Charles Mayton.

McLean - Ferris previously worked as an independent curator, staging exhibitions at the David Roberts Art Foundation in London, Glasgow Sculpture Studios, S1 in Sheffield, and Chapter NY.

The historical overview that Crimp developed with curator Lynne Cooke in their co-curated exhibition Mixed Use Manhattan (Reina Sofia, Madrid, 2010) was dedicated to New York City in the 1970s, the space of Lower Manhattan that was transformed by recession into a stage for the development of new artistic practices.

The historical overview that Crimp developed with curator Lynne Cooke in their co-curated exhibition Mixed Use Manhattan (Reina Sofia, Madrid, 2010) dedicated itself to New York City in the 1970s, the space of Lower Manhattan that was transformed by a recession into a stage for the development of new artistic practices.

In 2011 Goodman Gallery curators Tony East and Claire van Blerck produced The Night Show, a 3 - part exhibition staged at Goodman Gallery Cape Town, which sought to destabilise the notion of the white cube and to engage with contemporary art practice on its own terms, courting the spontaneous and embracing the ephemeral.

At each of the stages of the exhibition tour, the show was initially installed by the exhibition's curator Elena Filipovic and, halfway through its duration, is completely reinstalled by a different selected artist whose own practice has been influenced by Gonzalez - Torres.

This city was integral to the development of both modern and post-war Italian art: it was here that F.T. Marinetti first presented the Futurist Manifesto in 1910; and here that the curator Germano Celant staged the first arte povera exhibitions in the late 1960s.

Bestselling author, curator, and Assistant Professor at Harvard University Sarah Lewis does just this, bringing the conversation to the forefront of the national stage in a new exhibition, Vision and Justice: The Art of Citizenship, now on view at Harvard Art Museums, Cambridge, through January 8, 2017.

In 2008, she had her first solo exhibition in New York at Mitchell Algus Gallery, Martha Wilson: Photo / Text Works, 1971 - 74; in 2009, Martha Wilson: Staging the Self began international travel under the auspices of ICI (Independent Curators International); and in 2011, ICI published the Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces.

In an exclusive interview with D / railed's editor - in - chief Deianira Tolema, Kohn Gallery's Josh Friedman discusses the challenges of staging an exhibition today, including the challenges, pitfalls, and what young curators should avoid when preparing for exhibitions.

Much has been made of his evasiveness, of the fact that he has spent his career flouting the art world's propriety: his continual refusal to settle on a dealer; the propensity to make himself unavailable to curators even in the midst of show preparations; to stage exhibitions, performances, and installations with no prior announcement.

Three quarters of a century after Alfred Barr, founding director of New York's Museum of Modern Art, mounted the landmark 1936 exhibition Cubism and Abtract Art, MoMA curator Dickerman returns to the realm with a vast exhibition and comprehensive catalogue depicting the incipient stages of abtraction in the plastic arts.

Organized in collaboration with the Stedelijk Museum, Amsterdam and their curator of photography Hripsimé Visser, in close dialogue with the artist's estate, Günther Förg: A Fragile Beauty builds on both institutions» histories with the artist, with each having staged seminal exhibitions of his work in 1992 and 1995, respectively.

A prolific curator, Bui has staged over 40 exhibitions since 2000, including New York Magazine's first - ranked exhibit of 2013, Come Together: Surviving Sandy, Year 1.

In 1966 New York's Museum of Modern Art, with the British artist, Tate trustee and curator Lawrence Gowing, staged an exhibition of Turner's late paintings, including unfinished canvases discovered late in the 20th century, as well as a selection of his most freely painted watercolours (these, with their shimmering veils of colour floating freeform on otherwise unblemished paper, possessing an extra freshness and immediacy; pictured below, Turner's Bedroom in the Palazzo Giustinian, Venice, c 1840).

The curators aim to establish a unique atmosphere of intimacy with their staged exhibition one that can run counter to the official spectacle and formal nature of the Biennale — and, in close collaboration with the participating artists and designers, they hope to circumvent all the usual competitive aspects of the larger art event.

It seems that the Guggenheim's curators have taken Albers's own advice in staging this thorough exhibition of his paintings, prints, and photographs.

In this video we have a closer look at the exhibition, and the director of Haus Konstruktiv and curator of the show, Dorothea Strauss, explains why she wanted to stage this exhibition since she became director of the museum eight years ago.

As a new exhibition opens at Richard Taittinger Gallery in New York, curator Ugochukwu - Smooth C. Nzewi explores the growing impact of African art on the global stage.

Gallery TPW welcomes exhibition proposals from local, national and international artists and curators in all stages of their careers.

Working with the Zabludowicz Collection, a team of curators will be staging an exhibition of approximately twenty - five works from the Collection over the course of the weekend.

The hip Moscow Design Museum, a project started in 2011 by Western - oriented young curators, staged its own exhibition of Soviet sports art, called «Sportcult,» at the Proun Gallery this winter.

Franklin Street Works values the labor of artists and curators, paying them honoraria, offering a materials budget for new work, and providing professional support during every stage of the exhibition's formation.

This trans - media exhibition project is the result of an ongoing in - depth exchange between writer and filmmaker Alexander Kluge, artist Thomas Demand, stage and costume designer Anna Viebrock and curator Udo Kittelmann.

As the curator of the exhibition, Michael Auping, describes it, «Rothko sets the stage, draws back the curtains, if you will, on the opening up of this space.

Melissa Messina curated solo exhibitions for such artists as Nick Cave, Whitfield Lovell, Rafael Lozano - Hemmer and Shinique Smith, and the photography exhibition Room In My Head: Staging Psychological Spaces, among others as the former Senior Curator at the Savannah College of Art and Design.

Staging This Year's Turner Prize Could Be a Challenge for Tramway Curators The Herald; May 13, 2015; 454 words... visitors over the course of the exhibition, but three of the four short - listed artists (Laure Prouvost, the winner, David Shrigley, Lynette Yiadom - Boakye) in 2013 were relatively traditional shows of painting, sculpture and installation...

Following the successes of «Imagine there's no country, Above us only our cities» curated by Jims Lam Chi Hang in 2015 and of «That Has Been, and May Be Again» curated by Leo Li Chen and Wu Mo in 2016, we are now organizing an open call for proposals by curators in the early stages of their professional careers for an exhibition to be shown at Para Site in the summer of 2017.

In 2009, Martha Wilson: Staging the Self, an exhibition of her early photo / text work and one project from each of Franklin Furnace's first 30 years, began international travel under the auspices of Independent Curators International (ICI); this exhibition concluded in New York in Spring 2015 with her personal artwork shown at the Fales Library and Special Collections of New York University and original art and documentation of Franklin Furnace artists at Pratt Manhattan Gallery.

Though the exhibitions Hoffmann has chosen to highlight have little commonality in their geographies, artworks or even curatorial methodologies, they share a preoccupation with what curation means today, and how curators might take charge of staging experiencies with artworks.

In that year, the first major exhibitions of art from the continent were staged in London; the Mexican Government mounted an Exhibition of Mexican Art: from Pre-Columbian times to the present day organised by the innovative and influential curator Fernando Gamboa and presented at the Tate Gallery.

The intention is to breathe new life into the exhibition process with which «When Attitudes Become Form» was staged, so as to go beyond the necessity for photographs and films of the past event, and to be able to experience and analyze it literally, just as it was, even though it has been transported from the past to the present.The project has entailed the understanding that the language with which an exhibition is mounted and the relations between the works set out by its curator have become a founding element of the history of modern and contemporary art.

During what he likes to call his «nomadic» period, the 38 - year - old former art critic kept up a running conversation with artists, curators, and collectors in cafés and bars, and staged pop - up shows like Lucy Dodd's exhibition at Vladimir Restoin Roitfeld's gallery on the Upper East Side.

In this deeply divided moment, curators Amanda Hunt and Eric Crosby decided to stage an exhibition: 20/20 takes twenty artists from each of the permanent collections of The Studio Museum in Harlem and the Carnegie Museum of Art, respectively, and organizes an exhibition that amounts to a prospective vision, examining the history of America, what's at stake now, and what's in store in the future.

Art Radar interviews the artist and the curator, Elena Geuna to find out more about the works, the exhibition, Zhang Huan's practice across various medium, and the significance of staging it a European context.

This seemed to be the surprising thesis put forward by curator Achim Borchardt - Hume in the delightfully revisionist exhibition of more than four decades of the renowned Conceptualist's work at the Whitechapel Gallery (remarkably, the artist's first survey to be staged in the UK).

For the exhibition's presentation at the Hayward Gallery the curators have added major new works by Charles Avery, Steven Claydon, Roger Hiorns, Anja Kirchner & David Panos, and Keith Wilson, and will reveal the next stages of evolving projects by Nathaniel Mellors, Olivia Plender, and Tris Vonna - Michell, and enhanced presentations of the works of Varda Caivano, Maaike Schoorel and Phoebe Unwin.

AAMC received nearly 120 nominations for the 2017 awards and selected 26 curators for their work on various projects, including exhibitions, catalogues, essays, and digital publications, all staged or published during 2016.

is a transmedia exhibition project is the result of an ongoing, in - depth exchange between writer and filmmaker Alexander Kluge, artist Thomas Demand, stage and costume designer Anna Viebrock and curator Udo Kittelmann.

Please join us for a reception to celebrate the opening of our fall exhibition, Barbara Kasten: Stages, with comments by Barbara Kasten and ICA curator Alex Klein.

Guest Room: MANUEL RAEDER As commentary and point of contrast to the current main exhibition, artists and curators are invited to stage interventions in the room of Villa Salve Hospes that was originally used as a guest room.

The 2012 season sees a new formula: each year the museum will host a guest curator who will stage a themed exhibition, and during the year the theme will be explored in panel discussions and related events.

This book documents all phases of Szeemann's career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apartment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realised projects on wide - ranging themes until his death in 2005.

Gabriel Ritter, The DMA's Nancy and Tim Hanley Assistant Curator of Contemporary Art, will lead a conversation focused on representations of the self via digital technology and the Internet with artists Ed Atkins and Jacolby Satterwhite, both of whom are featured in the exhibition Concentrations 59: Mirror Stage — Visualizing the Self After the Internet.

From 2009 to 2012, Tod was the curator and executive director of Esopus Space, an alternative exhibition and performance venue in New York City, where he mounted 18 exhibitions and staged 30 events.

Taking up her post in 2010 after a long and successful tenure as curator of the Henry Moore Institute in Leeds, Curtis embarked on the formidable task of overseeing the # 45 million redevelopment and rehang of the entire gallery while at the same time staging exhibitions such as Picasso and Modern British Art, Pre-Raphaelites, and LS Lowry.