Sentences with phrase «curator than artist»

Many remarked that, in his seemingly intuitive placement of paintings, he was less curator than artist.

Not exact matches

Of the focus on Albert Turpin, curators Rosen and Williams said: «Admirers of the Group find themselves drawn more to one artist than another, and in our curation, we've pinpointed the world of Albert Turpin.

More than three decades later, the museum's curators placed two of Kahlo's works from the original exhibit alongside a selection of contemporary artists who share Kahlo's rebellious, passionate and socially conscious spirit.

As Halt Action Group cofounder (and independent curator) Alison Gingeras explained to me, the powerlessness of an artist seeing his or her work in a carefully constructed Instagram picture posted by Ivanka — subsumed into her digital world — proved jarring for more than a few artists in her sphere.

SPRING / BREAK Art Show March 1 — 7 Now in its fifth year, SPRING / BREAK Art Show, which features projects by curators, rather than galleries, will explore more than a hundred curators» interpretations of the theme «⌘ COPY ⌘ PASTE» through the work of 600 - plus artists.

David E Stone is a conceptual artist based in Los Angeles who has been active in the visual arts in California for more than thirty years as an artist, gallerist, and curator.

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

Join over 200 world - renowned art and cultural influencers from more than 20 countries, including museum directors, gallerists, curators, auction houses, collectors, entrepreneurs, investors, financial institutions, lawyers, artists, architects, designers, urban planners, government officials and tourism organizations, as well as corporate and civic leaders at Art for Tomorrow.

Responding to these conditions, MoMA PS1 curator Peter Eleey brings together more than 70 works by 41 artists — many made prior to 9/11 — to explore the attacks» enduring and far - reaching resonance.

There's no better time to visit and get a taste of the current landscape than during the Triennial: This year's is co-curated by artist Ryan Trecartin and curator Lauren Cornell, gathering recent works from artists around the world that explore today's hyper - connected media culture.

Working cooperatively since October 1999, curators from P.S. 1 and MoMA have produced an exhibition that will showcase more than 140 artists who have emerged as vital, creative voices in their field over the past five years.

Through a closed - call nomination process — which included over 40 distinguished LA - based curators and arts professionals — more than 65 artists were invited to apply.

More than 70 eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three - decade run.

The couple divorced in 1998, but for more than 20 years, 3030 Chain Bridge Road was an engaging salon where a national roster of artists and curators felt at home, and a dynamic mix of political, cultural, and education figures regularly gathered to socialize, solve problems, and raise money for various campaigns and causes.

Growing up as boxing enthusiast within the Los Angeles environs, curator and artists Patrick Martinez was always around family and friends more apt to participate in organized sports than painting pictures.

Naturally, reporting on trends at an art fair — in contrast with what the museum curator turns up on a nations - wide scout of artist studios — relates little more than what the dealers think is trending.

The 23 artists who will feature in the show were selected by chief curator Stephanie Rosenthal, who visited more than 100 art studios in London over the past year.

The artist as curator can mean who you know rather than what you know — or, worse, another self - destructive artist collective.

But, basically, the liberties that Lizzi and Rita took as artists were very different than what I would take as a curator.

Still, the divisions by curators makes it almost impossible to identify artists, and the ragtag installations look less like art than the remains of an unforgettably awful party — pills, woolens, papier maché ice cream cones, Styrofoam peanuts, used electronics, sci - fi illustrations, softly glowing abstractions, and (my one favorite) treadmills with brightly painted rubber.

In this edition, Performa Founding Director and Curator, RoseLee Goldberg, and the Performa Team bring us inside the Performa 13 biennial, in which over one hundred visual artists from around the world presented live performances at more than sixty venues throughout New York City.

Daniel Fuller, Curator at Atlanta Contemporary says, «be it as an artist, an arts advocate, or at Georgia State University where he served as the School of Art and Design's director for 11 years, there are very, very few people that have meant more to the Atlanta art scene than Larry.

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum

That he burst on the scene with his four Black Paintings at the age of 23, he still credits less to their breakout minimalism than to the curator having had to scramble for one more artist to round off her two successful exhibitions — Fourteen American Artists and Fifteen American Artists — with a third.

Marsea Goldberg is a curator, gallery director and artist who has been shaping the contemporary art world for more than two decades.

Jeffrey Deitch has been involved with modern and contemporary art for more than forty years as an artist, writer, curator and gallerist.

Another pair, Katy Rothkopf, Senior Curator of the BMA's Department of European Painting and Sculpture, and Janet Bishop, Curator of Painting and Sculpture from the San Francisco Museum of Modern Art, have gathered more than ninety of the artists» major paintings and drawings to create what Jay Fisher, the BMA's Deputy Director for Curatorial Affairs, describes as «an unprecedented visual narrative that reaches across the twentieth century.»

Director of Critical Studies and MA / PhD programs in UCLA's Department of Architecture and Urban Design, Sylvia Lavin engages artists, architects, and curators in a series of lively discussions on how cities are increasingly molded by images rather than buildings; on whether art and architecture are converging to form an integrated type of cultural consumption; and if the concept of the masterpiece has finally been destroyed by the sheer quantity of global design production.

I would have liked it if the curator had done more to show about how artists working today have core concerns that are different than they were half a century ago.

Anchoring the Museum's dedication to expanded forms of knowledge and cultural production, each theme is wide - ranging and limber, rather than illustrative; participating artists, scholars, and curators raise topical questions and often test thematic limits.

Given his spotlight - stealing video piece Re'Search Wait»S at the New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance as one of the most important artists of his generation, Ryan Trecartin seems to be a prudent choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.

Thanks to developments in conceptual art in the 1970s, wherein artists, in the lineage of Joseph Kosuth, attempted to distill the artwork into the presentation of words and ideas rather than crafted objects — not to mention the recent vogue for archival ephemera as exhibition material — artists, curators, and museumgoers are well - acclimated to seeing pieces of text on display in museum galleries.

A fully illustrated catalogue, published by DelMonico Prestel books and Prospect New Orleans, will feature documentation on participating artists and include essays by the Artistic Director Trevor Schoonmaker, with contributions by William Cordova, Miranda Lash, Omar López - Chahoud, Wangechi Mutu, Filipa Oliveira, Ebony G. Patterson, Ylva Rouse, Ned Sublette and Zoé Whitley along with more than 20 other contributors including Russell Lord, NOMA's Freeman Family Curator of Photographs and Katie Pfohl, NOMA's Curator of Modern and Contemporary Art.

The curators, Cecilia Fajardo - Hill and Andrea Giunta with Marcela Guerrero of the Hammer Museum, include more than one hundred and twenty artists, almost all little known, in some two hundred and seventy works.

For more than three decades, the artist, curator and a member of the 1980s Black Arts Movement, Lubaina Himid, has uncovered hidden histories and exposed the invisibility of Black artists by celebrating their cultural contribution.

Inspired by downtown spaces like Kenkeleba House, the New Museum, and Exit Art, Sussman works directly with collectors, curators, and artists, rather than galleries, to find new voices that hadn't yet been screened by the market.

The artist joins Dr. Jeffrey Grove, senior curator of special projects & research, in conversation about Hodges» work and process in preparation for the exhibition Jim Hodges: Give More Than You Take.

Chosen from more than 500 nominations by significant international critics, curators, art historians and creative writers, Vitamin 3 - D's 117 established and emerging artists were selected on the basis that they have made a significant contribution to sculpture and installation (in their broadest sense) in the last five years.

More than a hundred curators, critics, scholars, artists, and other arts professionals have taught seminars or lectured in practicums and courses since the program began.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

From 1999 to 2010 he was the Hammer Projects curator at the Hammer Museum Los Angeles where he curated or oversaw more than 80 project exhibitions and 3 large - scale group shows of local and international emerging artists.

Artists began working as curators and critics themselves, rather than passively waiting to be discovered.

More than 1,500 artists and curators participate; registration is free.

This show presents work by more than a dozen artists (all of whom are also curators, and / or have run or currently run spaces of their own) in a range of media that covers several bases: conceptual and abstract art, figural painting and drawings, and political pieces.

Rather than overcomplicate the iconic ritual that is the summer group show, curator Paul Efstathiou and Hollis Taggart Galleries pare it down to the essentials: a collection of artists they believe in.

Curated by Pablo León de la Barra, Guggenheim UBS MAP Curator, Latin America, in collaboration with the SLG, the exhibition highlights recently acquired works by more than 40 artists working with mediums and methods including installation, painting, performance, photography, sculpture, and video.

(Chicago) EXPO CHICAGO, The International Exposition of Contemporary and Modern Art welcomed more than 27,000 people to the inaugural event that featured 120 exhibitors from around the world and a diverse roster of programming and events including special tours, exhibitions and / Dialogues — a lecture series with leading artists, curators and collectors.

David E Stone is a conceptual artist based in Los Angeles who has been active in the visual arts in California for more than thirty years as an artist, gallerist (Another Year in LA) and curator.

Many Texas artists, curators, and administrators maintain that Texas has a strong, vibrant, and growing arts community that deserves more recognition than it gets.

What exists between these four exhibitions is more of a premise than a revelation — leaving the viewer searching for comparisons and contrasting the work of both the artist / curators and the galleries themselves.