The book contains essays exploring Szeemann's
curatorial approach as well as interviews with collaborators.
In the second installment of this three - part interview, Michelle Grabner, Anthony Elms, and Stuart Comer discuss
their curatorial approaches as each organizes a floor of the 2014 Whitney Biennial.
Not exact matches
«I am confident that she will be a wonderful addition to the
curatorial team
as we
approach our ftieth anniversary and continue to grow our collection.»
Here we find, not unlike Grabner's exhibition, a rather traditional
approach to the question of art in America and,
as outlined in Elms's
curatorial statement, the role of the Whitney entirely.
This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art,
as can be seen in the various
approaches of curators such
as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their
curatorial projects.
Extra consideration will be given to proposals that demonstrate a creative
approach to
curatorial research methods and the exhibition plan,
as well
as those that present ideas or topics that are not well - represented in the commercial sector.
Extra consideration will be given to proposals that clearly demonstrate a unique and creative
approach to both
curatorial research methods and the exhibition plan,
as well
as those that present ideas or topics that are not well - represented in the commercial sector
Miner will discuss his recent and in - process
curatorial projects
as well
as his
approach to creating contemporary art exhibitions.
VS: With more major exhibitions focusing on art from Africa looming, such
as the Armory Show's Focus in New York (3 - 6 March 2016), how would you like to see the
curatorial or critical
approach evolve in the next 12 months?
One of the questions that shaped this exhibition early on was whether the customary
curatorial approach of P.S. 1, with its fast - paced process and focus on living artists
as well
as the rustic architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA.
The choice in title also attempts to suggest a conceptual
curatorial style on the part of Gouzer, or an experimental irreverence toward his function at the auction house — an
approach gleaned, we can imagine,
as a winning stance from some of the artistic careers listed above.
Sarah Demeuse will discuss the relation between
curatorial method and exercise,
approaching the
curatorial as a slow growing but intense activity, with private and public facets, and depending on others.
Grounded in feminist, queer and decolonial
approaches, District explores the
curatorial as a performative
as much
as an analytic practice and probes new kinds of community.
Conceived
as an organic interchange, Friends in High Places, explores the implicit connections within a community and takes
as an article of faith that a fluid
curatorial approach can yield a comprehensive catalog of practices and principles.
The language it is using to describe its
curatorial approach is striking and should serve
as a model for peer institutions dedicated to collecting insightful work by politically and culturally astute contemporary artists addressing substantive social issues.
With the Museum's Board and Executive Director, Dziedzic will shape the
curatorial vision of the Museum and develop the Museum's adult educational programming
as the Museum
approaches its 20th anniversary in 2014.
The inaugural exhibition marking the opening of the Houston Museum of African American Culture's new space on Caroline Street, seek «Fort HMAAC» illustrates pedagogical and revolutionary ethos that girds the collective's practice,
as well
as the
curatorial approach that informs the groups» museological interventionist installations.
The
curatorial intent is that through the juxtaposition of this particular group of artists» distinctly different
approaches to representational abstraction
as demonstrated in the artwork selected, the intellectually and emotionally rich aspects of each will be brought into focus and highlighted.
This invested
approach allows for dialogue, process, and collaborative decision - making to guide the
curatorial teams
as they work together with 108 participating artists to bring the MFA Show to fruition over time.
By presenting Guston's paintings within the realm of poetic discourse, rather than
as a chronological study, in linear fashion,
as often reflected in traditional exhibitions, the
curatorial approach from which «Philip Guston and The Poets» has grown allows for the artist's work be explored, examined and appreciated anew.
Instead, his
curatorial approach highlights the challenge of artistic self - determination within a cultural terrain shaped by inherited terms, such
as «outsider,» which belie such diverse practices.
About the Center for
Curatorial Studies at Bard College (CCS Bard) The Center for
Curatorial Studies at Bard College (CCS Bard) was founded in 1990
as an exhibition and research center for the study of late twentieth - century and contemporary art and culture and to explore experimental
approaches to the presentation of these topics and their impact on our world.
About the Center for
Curatorial Studies The Center for
Curatorial Studies at Bard College (CCS Bard) was founded in 1990
as an exhibition and research center for the study of late 20th - century and contemporary art and culture and to explore experimental
approaches to the presentation of these topics and their impact on our world.
As Gabriele Evertz states in her
curatorial statement; «This phenomenological
approach insists on the primacy of the viewer's dynamic experience.
He's described his
curatorial outlook
as «a very activist, engaged
approach, stemming from a belief that to begin to define what later will be understood
as the history of your particular moment is one of the richest aspects of being a curator.»
Deliberately reacting against a linear
approach to interpretation, The Object of the Attack will work
as an echo chamber to the main exhibition and raise multiple questions about art production and
curatorial engagement, translations and communication, avoiding any fixed answers.
This collaborative
approach helped define a heterogeneous program,
as well
as a
curatorial process focused on optimizing the conditions around artistic production when commissioning new works.
With the selection of these artists, Gaensheimer is continuing her transnational
curatorial approach from 2011 that presented Germany
as playing an active role in a complex, global structure that benefits from international exchange.
Gwangju Folly II artistic director Nikolaus Hirsch and curators Philipp Misselwitz and Eui Young Chun have developed a
curatorial approach within the ambiguities of a folly
as a critical tool of inquiry to address the condition of public space.
Through my work
as an independent curator, at the Liverpool Biennial in the United Kingdom and subsequently
as the director and later co-curator of the Werkleitz Biennale, I was able to explore different
approaches to artistic and cultural production and also to analyze
curatorial and institutional models under a variety of cultural, social and economic conditions.
Greater than the Sum is a pan-European collaboration departing from Kunsthalle Lissabon's original and dynamic
curatorial approach; which places «radical hospitality» — defined
as sociability, solidarity and generosity — at the core of the institution.
As a precedent to the overarching
curatorial direction, the film reveals West's idiosyncratic
approach to art and his wild way of thinking, working, and collaborating.
A sensitive
curatorial approach means that the experience of Latina and Chicana artists working in the United States are acknowledged
as distinct — yet at times parallel — to those of women working in their own countries.
Since its inception in 2009, the course has been recognized
as a platform for open discussions on
curatorial practices and theoretical discourses of contemporary art with special emphasis on the strategic and aesthetic
approaches of biennales.
In his last projects tries to offer gestural
approaches to curating
as other ways of discursive distribution, in formats of pedagogy and education and in
curatorial actions close to performance.
Art critic Louisa Buck recalls first edition fig - 1 in 2000, painting a picture of the second edition of the project and the changes in the contemporary art world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses
curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme
as a vehicle to explore language and differing
approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of performance?
This
approach seems like a particularly apt
curatorial strategy on the part of Mark More Gallery,
as Azzarella's underlying conceptual framework spans both media and unites the works -LSB-.....]
Ustek's
curatorial practice — centred around the investigation of concepts such
as «now», «time - presence», «agency - subject» — has inspired her
approach to fig - 2 for major and minor reasons.
Nikolaus Hirsch (director), Philipp Misselwitz and Eui Young Chun (curators) have developed a
curatorial approach for Gwangju Folly II, which uses the ambiguities of a Folly
as a tool of inquiry to address the expectations of public space.
Although framed
as an historical survey and anthropological in its
approach, the exhibition is more of a manifestation of current
curatorial interests, mining the past in search of overlooked or undiscovered «truths».
This
approach seems like a particularly apt
curatorial strategy on the part of Mark More Gallery,
as Azzarella's underlying conceptual framework spans both media and unites the works on view by reflecting developments in practice.
Berssenbrugge's physical, performative and appropriation - based
approach to composition serves
as a
curatorial lens and inspiration for this exhibition.
His
approach to
curatorial practice is deeply informed by the built environment — a site he thinks of
as the most complex exhibition, where desires are showcased individually but perform collectively
as a system.
The museum likes to point to Nasher XChange
as it s moment of real «outside the box»
curatorial practice (
as it did during the event today), however, Rick Lowe aside, the diversity of
approaches, inconsistency of execution on the part of the artists, and limited dynamics of public interaction throughout the various sites made it something of a mixed success.
As a member of the Brooks Fellowship Programme 2017, while at Delfina Foundation Giulia will work with Tate Modern
Curatorial (Middle East, Africa, Asia) on a research project on new curatorial and museological methodologies for exploring non-Western approaches to examining ar
Curatorial (Middle East, Africa, Asia) on a research project on new
curatorial and museological methodologies for exploring non-Western approaches to examining ar
curatorial and museological methodologies for exploring non-Western
approaches to examining art history.